Hair in the Disraeli Papers: A Victorian Harvest

The Hughenden Collection of Disraeli Papers at the Bodleian Library in Oxford comprises over 50,000 items relating to the life and work of Benjamin Disraeli and his family. This article tracks hair through the Hughenden Collection in order to explore the collecting habits of Mary Anne Disraeli. It argues that reading Mary Anne Disraeli's story through hair – both hair as object, held in an archive and hair as represented in archival text – reveals aspects of that story occluded by reading only those archival texts with self-evident documentary value. It thus makes the case for a holistic reading of the Disraeli archive, and Victorian collections of personal papers more generally, by taking Mary Anne Disraeli as its central case study. In so doing it also illuminates her story, and points to the necessity of reading the stories of forgotten women through archival silences and absences. Section I reviews recent scholarship on hair in nineteenth-century Britain in order to contextualize Mary Anne Disraeli's case. Section II anatomizes the Hughenden hair collection in order to illuminate Mary Anne's history, her impulses as a collector, and the extent to which her activities complicate scholarly narratives about the sentimental commodification of Victorian hair. Section III gestures towards recent work on the archive and material culture to tease out the consequences of her example for our reading of the archive and our understanding of the texture of Victorian ‘thing culture’ more generally.     

世界历史整体研究的可喜成果——读李植栴著《20世纪世界史》

20世纪的世界已是一个整体,各国各民族都是世界整体的各个局部,各个重大事件都是世界历史链条上的各个环节。不应孤立地考察某个历史事件或某一国家的命运,而应从世界整体历史的角度,去把握历史事件的内在联系。李植栴主编的《20世纪世界史》的突出特点,就在于整体研究。但该有所忽视的是,世界历史整体与外部环境的关系。     

新世纪前期旅游业发展预测

旅游业是永恒的朝阳产业。根据世界旅游业和我国旅游业的发展态势,作从八个方面预测我国旅游业的未来。     

Views and Commentaries: What Difference Does Feminist Theory Make?

This discussion explores what difference a feminist perspective makes in our understandings of the past in two ways. The first section examines to what extent feminist research questions were asked in the preceding papers by Lu Ann De Cunzo, Eleanor Casella, and Susan Piddock. The second section shows what difference feminist theory has made in asking new questions that have produced new gendered understandings of the global historical context of these papers. As a whole, this discussion shows how feminist theoretical approaches change our understanding of the lives of historic women and men in nineteenth century reform institutions within their larger gendered cultural context. While the introduction to this volume presents the broader ungendered historical context, this discussion focusses on the gendered cultural context that was foundational to the gender relationships embodied in the arrangement of architectural spaces and material culture at the sites in the preceding three papers.     

19世纪中国外销油画的白色颜料研究——以《上海外滩》油画为例

外销油画(export oil painting)作为中国早期油画遗存,不仅呈现了中国南方沿岸城市的地理风貌和风土民俗,而且蕴藏着中国早期本土油画的制作技艺。本研究采用X射线荧光光谱、扫描电子显微镜-能谱,并结合傅里叶变换显微红外光谱和拉曼光谱调查了一幅19世纪中国外销油画《上海外滩》中所用白色颜料的种类及其使用方法。研究结果表明:该幅清代油画画作底子所使用的白色颜料主要为白垩(CaCO₃)和石英(SiO₂);在颜料层中发现含锌颜料与油性媒介发生化学反应的产物羧酸锌(金属皂)。本研究为中国早期外销油画的材料与技法研究及修复保护提供了参考依据。     

Piracy and the production of knowledge in the travels of William Dampier, c.1679–1688

Despite its centrality to the production of knowledge in the early modern period, the ship remains a rather marginal site in the work of historians of science. Accounts of ‘floating universities’ and ‘laboratories at sea’ abound, but little is said of the countless other ships, and their crews, involved in the production of knowledge through maritime exploration and travel. The central concern of the paper is the life and work of William Dampier (1651-1715), a seventeenth-century mariner who sailed as a pirate and authored genre-defining and well received scientific travel narratives. The thesis presented here is that the ‘way of life’ encouraged among the crews of the pirate ships aboard which Dampier travelled rendered him well-placed to gather the ‘useful’ knowledge and experiences which made his scientific name. Understanding this juxtaposition requires a focus which moves beyond the materiality of the ship, and which ultimately brings into view some of the social and epistemic geographies which took shape in and beyond the ship.     

Relics of place: stone fragments of the Holy Sepulchre in eleventh-century France

This article considers stone pieces from the Holy Sepulchre brought to France in the eleventh century. Recent years have seen a growing awareness of architectural replications of the Holy Sepulchre built throughout the Latin West. Less attention has been devoted to its unmediated translation, namely, transporting its matter. Many French pilgrims who set out for Jerusalem before Urban preached crusade to the East in 1095 returned with stone fragments of the Holy Tomb to commemorate their visit and to consecrate architectural copies. Like the bodily remains of saints, these stone fragments acted as parts signifying the whole: they represented their place of origin and lent authenticity to local monuments. They could also act in unusual ways, attracting cults and prompting narratives, visual representations and staging in the church that announced their significance.     

A kingdom without a capital? Itineration and spaces of royal power in Castile,c.1252–1350

In the thirteenth and fourteenth centuries, Castilian kings were constantly in motion, travelling through their kingdom, an activity which has traditionally been linked with the absence of a single capital in Castile. This paper re-examines the role played by royal itineration in this period and the reasons which inhibited the consolidation of an undisputed capital in the kingdom. In doing so, the changing importance and functions of the main cities of the realm, Toledo, Seville, Burgos and Valladolid – the spaces of royal power – will also be discussed. The main factor which precluded the rise of a single capital was the kingdom's specific territorial configuration, not bureaucratic under-development. The Reconquista led to the creation of a ‘composite kingdom’, in which kingship was exercised differently in some regions compared to others.     

SCHOPENHAUER'S PHILOSOPHY OF HISTORY

Contained mostly within one brief chapter of his The World as Will and Representation, Schopenhauer's philosophy of history has long been considered either hostile or irrelevant to nineteenth‐century philosophy of history. This article argues that, on the contrary, Schopenhauer maintained what would become a widely accepted criticism of the methodological identity of historiography and the natural sciences. His criticism of Hegel's teleological historiography was more philosophically rigorous than is commonly acknowledged. And his proposal of a “genuine” historiography along the model of art became a major influence on the historiography of Burckhardt, Emerson, and Nietzsche. This article accordingly aims to restore Schopenhauer to the conversation of nineteenth‐century philosophy of history.     

Potemkin Revolution: Utopian Jungle Cities of 21st Century Socialism

This paper explores the entanglement of ideology and materiality in the production of the spaces of 21^st century socialism. “Millennium Cities” are currently being constructed for indigenous communities throughout the Ecuadorian Amazon, with revenues derived from petroleum extracted within their territories. As iconic spatial symbols of the “Citizens’ Revolution”, the Millennium Cities would appear to embody “the original accumulation of 21^st century socialism”—a utopian state ideology promising the collective appropriation of natural resources without the dispossession of the peasantry. Drawing on extensive field research, we argue that they are better understood as a simulation of urban modernity that is symptomatic of the predominance of ground rent in South American capitalism, and which conceals the violent repression of an autonomous indigenous project of petroleum‐based modernization. The original accumulation of 21^st century socialism can therefore be interpreted as a “fantasy of origins”, which functions to reproduce the primitive accumulation of capital.