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71.
Liu Shilong 《中国历史研究》2016,49(3):126-141
ABSTRACTInterdisciplinary literary and historical studies of late Qing vernacular are rare, and the vernacular texts of the Sichuan Railway Protection Movement have been overlooked by academics. This paper focuses on this topic, arguing that the discursive strategies in such texts revolved around the movement's aim of “breaking the agreement and protecting the railway,” and primarily included discourses on constitutionalism, financial interests, patriotism, cultural order, and the late emperor, as well the ideas of “ridding the emperor of evil ministers,” borrowed from traditional Chinese political discourses, and “national subjugation,” within the context of the national crisis. None of these discourses were “anti-Manchu” or “revolutionary,” yet they were able to mobilize the people of Sichuan to devote themselves to the Railway Protection Movement, as well as attracting the “sympathetic understanding” of high-ranking Sichuan officials, such as Wang Renwen 王人文 and Zhao Erfeng 赵尔丰, thus lending discursive power to the railway protection camp in its game of political chess with the Qing court. Meanwhile, the government's weak discursive power was an important factor in the overthrow of the Qing Dynasty by the revolutionary tide triggered by the Sichuan Railway Protection Movement. The discursive strategies in vernacular texts on railway protection (including the particularly strategic discourse on the late emperor) spread, transformed, and were reborn to varying degrees over the course of history. 相似文献
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“I found the truth in Foot Locker”: London 2011, Urban Culture,and the Post‐Political City
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Gareth Millington 《对极》2016,48(3):705-723
The article begins with an overview of what is implied in the notion of the “post‐political” before looking closely at post‐political interpretations of the 2011 London riots. It presents a critique of the restricted sense of political subjectivity in such accounts. It demonstrates how participation in the riots and their aftermath may be seen as indicative of an embryonic form of urban politics that works with and against the post‐political city. This discussion is illuminated by an analysis of the discursive space of London hip‐hop which reveals an ironic, complex and reflexive dialogue about identity, justice and politics that is far removed from the caricature offered by “strong” interpretations of the post‐political subject. This is then linked to readings of the post‐political city that place a welcome stress not only on the evacuation of the political dimension from the city, but also on the opportunities for the re‐emergence of the proto‐political. 相似文献
75.
Ophlie Vron 《对极》2016,48(5):1441-1461
This paper examines issues of power and resistance in “divided cities”. Basing my analysis on fieldwork I carried out in Skopje, Macedonia, I look at how urban space may be constructed and used by hegemonic groups as a means of asserting their power and how, in turn, the city may be a place of resistance where power is contested and public space reappropriated. Drawing on Lefebvre's perspective on the production of space, I compare the conceived city to the lived city and examine how urban inhabitants may resist the division of the city and challenge hegemonic representations. I also draw on Debord's psychogeography to define an artistic, active and participatory approach to urban space through which the inhabitants may re‐conquer their right to the œuvre and to the city. I argue that the city as a lived environment may offer narratives other than division and that there are alternatives to the divided city. 相似文献
76.
Brenda Parker 《对极》2016,48(5):1337-1358
In this paper I argue that imbalances and silences persist in urban research. In particular, there is insufficient attention to anti‐racist and feminist theoretical, methodological, and empirical insights. Intersectional and materialist urban analyses that take difference seriously are under‐represented, while patriarchy, privilege, and positivism still linger. As a partial and aspirational remedy, I propose a “Feminist Partial Political Economy of Place” (FPEP) approach to urban research. FPEP is characterized by: (1) attention to gendered, raced, and intersectional power relations, including affinities and alliances; (2) reliance on partial, place‐based, materialist research that attends to power in knowledge production; (3) emphasis on feminist concepts of relationality to examine connections among sites, scales, and subjects, and to emphasize “life” and possibility; and (4) the use of theoretical toolkits to observe, interpret and challenge material‐discursive power relations. My own critique and research centers on North American cities, but FPEP approaches might help produce more robust, inclusive, and explanatory urban research in varied geographic contexts. 相似文献
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In this article, Sappho’s Brothers Poem is re-evaluated and analysed from various perspectives that have not been addressed sufficiently in scholarship so far. First, some questions of principle regarding the role of the brothers and the Sapphic speaker are discussed. Secondly, the poem’s communicative situation is examined, and different options for the identification of the person addressed as “you” are considered. Thirdly, it is demonstrated how the poem establishes an intertextual dialogue with the Homeric Odyssey on various levels, and how this dialogue affects the general understanding of the poem. Finally, the commonly held view that the five transmitted stanzas do not represent the entire poem is challenged. The article concludes with some wider considerations about some of the most common assumptions regarding the nature and the fragmentary state of the Brothers Poem. 相似文献
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Katrina Bormanis 《War & society》2016,35(3):219-240
This article chronicles and contextualizes the creation of a Tomb of the Unknown Soldier in Canada’s capital. In so doing, it traces the myriad considerations, as well as complexities — political, procedural, and practical — that abounded in bringing this major memorial installation into being, namely the repatriation, from a Commonwealth War Graves Commission cemetery in France, of a Canadian unknown soldier of the Great War and his ceremonial reburial in Ottawa. Moreover, it argues that the Tomb of the Unknown Soldier, situated within an existing monumental space, functions, in the coinage of geographer Owen Dwyer, as an allied symbolic accretion to the National War Memorial. 相似文献
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Neriko Musha Doerr 《Journal of Cultural Geography》2016,33(1):80-99
Study abroad offers a specific configuration of encountering cultural Others: in a demarcated “abroad” space in a compartmentalized time period. Informed by Bakhtin's notion of chronotopes, this article investigates narratives of American college students who studied in Paris, France and Bilbao, Spain in June–July 2011 based on an ethnographic fieldwork of their stay. I identify two chronotopes held in tension in their narratives that reflect tenets of the discourse of immersion: of homogeneous space where every minute students spend in the host society is “local” time full of learning, which risks portraying the host society as frozen in the time of the students’ stay; and of heterogeneous space where local space–time and outsider (e.g. American students and tourists) space–time co-exist hierarchically, where students strive to show their engagement with the former. This article calls for encouraging students to examine the effects of these chronotopes on their experiences and for viewing study abroad not as an encounter of two cultures but as diverse students joining in the ongoing production of heterogeneous host society space with a compartmentalized yet expanding notion of time. 相似文献