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961.
面向城市基调管控的建筑群色彩感知和意义理解分析——以北京故宫建筑群为例 总被引:1,自引:0,他引:1
北京新一轮总体规划提出保护城市色彩基调。本研究认为该任务的目的是保护色彩基调对于人的文化意义,因此从新文化地理学的角度提出问题,人们对城市色彩的感知和意义理解之间是否有联系?研究以北京故宫建筑群为研究区域,运用眼动实验调查人们对色彩的感知,以结构性访谈法了解人们的色彩意义理解,目的是探究文化在感知和认知中的作用,以及眼动实验方法在反映色彩意义理解结果的可行性。结果显示色彩感知与意义理解间两者无统计上的相关性,眼动指标无法解释被试对色彩意义的理解。研究结论是被试对色彩的理解具有“整体依赖”的特点,实践性建议是具有文化认同的城市色彩可以保留,同时允许主体对城市色彩有多角度的感知和积极理解。 相似文献
962.
Dmitry A. Shcheglov 《Imago Mundi: The International Journal for the History of Cartography》2017,69(2):159-175
This article attempts to shed some light on the origins of Ptolemy’s map of the world, which remains a mystery. The premise is that Ptolemy and other ancient geographers largely drew on the same or a similar pool of sources and common beliefs. Similarities between them can, therefore, give us a key to understanding the prehistory of Ptolemy’s map. Comparison of distances on his map with those given by other sources leads to the conclusion that a large area of the map, approximately from the Bosporus to the Indus, reproduced Eratosthenes’ geographical system, with linear distances converted to angular degrees according to Eratosthenes’ own scale. It is argued that this area represents a remnant of an earlier version of Ptolemy’s map. Analysis of latitude and longitude reveals notable differences between Ptolemy’s map and Eratosthenes’ ideas concerning the latitude of Babylon and the Alexandrian prime meridian, and the impact this seems to have had on the shape of neighbouring regions is noted. 相似文献
963.
集体化时期广东省农村工业的发展历程说明:中国农村工业化的历史进程,不仅要注意到改革开放后乡镇企业的快速发展上,而且要考察集体化时期的农村工业化发展的历史。这其中包括:合作化与农村副业的兴起、社队企业与农村工业化的发展。全面梳理集体化和乡村工业之间的关系,能够为我们今天思索乡村的现代化之路提供借鉴。 相似文献
964.
徽州讼费帐单真实地印证了清代基层司法中名目繁多的陋规.陋规的索取者主要是书吏和衙役,其存在及泛滥的原因比较复杂,给清代基层司法和地方民情造成了恶劣影响.清统治者借助于陋规以对百姓起诉权进行控制的理念是错误的,其意图不可能实现. 相似文献
965.
《Journal of Medieval History》2012,38(3):342-343
The relationship between conquerors and conquered in the Latin Empire of Constantinople has traditionally been understood as a relentlessly hostile one, particularly on the religious level. Whatever its merits, the dominance of this view has sometimes resulted in the gross misinterpretation of important pieces of evidence. This article examines two unusual liturgical texts that were treated by their discoverers as products of a Latin campaign of liturgical proselytism. The texts themselves are bilingual presentations of the Western rite of mass, with Greek and Latin text presented in an interlinear format. Most unusually, the Latin text is written in Greek characters. This article makes the case, due to internal evidence as well as the broader context of ecclesiastical relations in the Latin Empire, that these texts were created by Greek clerics rather than by Latin authorities, and that their purpose was entirely different from that imagined by their discoverers. 相似文献
966.
967.
Clarence K. Pott 《Romance Quarterly》2013,60(2):91-95
Although much has been written about André Breton’s concept of the Surrealist image, the present article examines a number of aspects that have so far escaped notice. In particular, it examines several antecedents of Pierre Reverdy’s theory of the image and compares the latter to that developed in the Manifeste du surréalisme. A close reading of the manifesto reveals the presence of a previously unknown model used by Breton in formulating his theory. 相似文献
968.
969.
Liu Huiwen 《中国历史研究》2017,50(2):119-154
ABSTRACTWhile teaching the histories of the Ming and Qing dynasties, Meng Sen (1869–1937), developed three textbooks in the 1930s: Lecture Notes on the Ming History (明史讲义 Mingshi jiangyi), Lecture Notes on the Qing History (清史讲义 Qingshi jiangyi), and Lecture Notes on the History of the Founding of the Manchu State (满洲开国史讲义 Manzhou kaiguo shi jiangyi). In these book titles, the term “history” refers specifically to “standard history.” In tracing Meng Sen’s original intention in producing these textbooks, all three works suggest the author’s desire to write history. He wrote Lecture Notes on the Ming History to prepare a future revision of the History of the Ming (明史 Mingshi); similarly he wrote Lecture Notes on the Qing History and Lecture Notes on the History of the Founding of the Manchu State with the intention to revise the Draft History of the Qing (清史稿 Qingshi gao). Meng Sen summarized Sima Guang’s (司马光, 1019–86) view of history as “imitating the good and avoiding the bad,” which he believed represented the “essential meaning of history.” Meng followed Sima Guang’s model in compiling the Lecture Notes on the Ming History and Lecture Notes on the Qing History, as shown in their style and format. By comparison, his writing of the Lecture Notes on the History of the Founding of the Manchu State attempted to merge the traditional annals–biographic style with narrative history from the West, or to pour old wine into a new bottle. Meng Sen presented his innovative efforts at Peking University, introducing young scholars to standards for history writing, and doing his utmost to guide and encourage his students; some of whom became noted scholars in the study of Ming and Qing histories. 相似文献
970.
From Head‐hunter to Organ‐thief: Verisimilitude,Doubt, and Plausible Worlds in Indonesia and Beyond
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Nils Bubandt 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2017,87(1):38-57
In the last few years, occult head‐hunters – elusive figures that have haunted communities and the public imagination in Indonesia since at least colonial times – appear to have adopted a novel and troubling tactic. Instead of decapitating their victims and using the heads in construction rituals as they are said to have conventionally done, head‐hunters are now allegedly harvesting their victims’ organs to sell them on the global market of body parts. Based on a comparison of ethnographic material from North Maluku, a province in the eastern part of Indonesia, and news reports in regional and national papers, I trace how accounts about headhunting have morphed with narratives about organ theft. I argue that this plasticity is not a merely a change in symbolic ideas of the occult that reflects changing political and economic realities. Rather, I propose that their turn to organ theft enrols head‐hunters in a contemporary and global ‘travelling package’ that includes and entangles organ trafficking practices, media accounts, political imaginaries, and social anxieties within the same field of reality and possibility, a field of verisimilitude in which fiction and fact, rumour and reality, are fundamentally blurred. The article proposes a ‘more‐than‐representational’ approach to the organ‐stealing head‐hunter that sees him not just as a representation of particular political and historical circumstances but as a co‐producer of these circumstances, of particular political worlds and their attendant scales of anxiety. This approach, I argue, challenges the epistemological distinction between symbolic representation and political reality that informed (but also incommoded) the analyses of headhunting rumours in the 1980s and 1990s – and that continues to inform anthropological analyses of ‘the occult’ more generally. 相似文献