The Image of the Sámi in Finnish Visual Arts before the Second World War

Abstract

This article examines how Finnish artists depicted the Sámi people in their paintings from the beginning of the nineteenth century to the Second World War. In the first paintings that represented the Sámi, the attitude was very romantic and artists were not interested in knowing the Sámi culture or even in encountering the Sámi people. In the nineteenth century, nationalism required building an image of the Finns, thus most Finnish artists were not interested in the Sámi. The French philosopher Hippolyte Taine's writings influenced the young artist Juho Kyyhkynen, who started to depict the Sámi culture. In the 1920s and 1930s, Sámi were thought to be primitive or Mongolian, so Finnish artists painted relatively few portraits of Sámi. All this time it was only Finnish painters who depicted the Sámi, as the voice and ideas of the Sámi themselves did not become prominent in Finland until the 1970s.     

Oral/Past Culture and Modern Technical Means in the Literature of the Twentieth Century in Greenland

Abstract

The present article takes as its starting point a short story from 2001 and relates it to the development of the Greenlandic literature in the twentieth century. The Greenlandic literature evolved around 1900 and mirrors the socio-political trends and the stages of nation building through the twentieth century. The overall tendencies of the century start with a striving towards more knowledge of and competence in European culture (including technical know-how) before 1950. Then a feeling of overwhelming impact from Danish culture followed during the Danification policy of the 1950s, 1960s and 1970s and this resulted in a protest movement in the 1960s and 1970s and Home Rule from 1979. However, if we read the literature in details and supplement it with the contemporary newspapers a much more diverse picture of an appropriation process (i.e. a conscious adaptation of selective parts of the impact from outside) emerges. The present article focuses on how these sources give us glimpses of an ongoing debate already in the first half of the twentieth century i.e. in colonial times: the Greenlandic population was not just passively under colonial domination. The history of the twentieth century is the history about a fairly well functioning appropriation of technical means and cultural impact from outside up till 1950, and then – after three decades of heavy modernization and Danification –-a process from 1979 on towards more and more agency in a “ glocalized” Greenland.     

Domestication,Reindeer Husbandry and the Development of Sámi Pastoralism

Abstract

A recurrent topic in ethnographic, historical and archaeological research has been the origins of Sámi reindeer pastoralism. The article discusses how prevailing theories have been influenced by general conceptual schemes, apriori constructed models and an extensive use of taxonomies. The debate has centered around how and when domestication took place, presupposing a paradigmatic change from hunting to pastoralism. However, there has probably never been an abrupt change; hunting and herding have both been parts of a multifaceted adaption existing up to the nineteenth century. What did change was the social organization of herding when a pastoral economy became the norm at that time. Such a change also had qualitative consequences in terms of new values and economic strategies.     

Le modèle des petites filles: structure familiale dans l'œuvre de la comtesse de Ségur

This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.     

Natàlia's Journey from the Imaginary to the Symbolic in Mercè Rodoreda's La plaza del Diamante

In Mercé Rodoreda's La plaza del Diamante (La plaça del Diamant), the main character Natàlia rejects the Symbolic Order, represented by the nom du père (“Name-of-the-Father”), the imposition of the Law by the father. This article analyzes Natàlia's journey from the Symbolic to the Imaginary in Lacanian terms. In the novel, the Symbolic manifests itself on the plain of the forces hostile toward the protagonist, signifying suffering and displacement, the war, the losses, hunger, the doves, and ultimately, her first husband, Quimet. Natàlia rejects the Symbolic Order represented by the father by denying him access to her life and by rejecting his presence. In Lacan's analyses, the father represents the culture and the language. Thus, by imposing the nom du père, the father imposes the Law and becomes the one “that makes possible the Symbolic Order and the separation from the state of nonconsciousness of the Imaginary” (Carbonell 23). Natàlia's moments of disorientation and lack of self-identity are triggered when she is opposed by the Symbolic Order, when, according to Lacan, the Name-of-the-Father is foreclosed. Natàlia, initially unable to come to terms with the male-dominated hostile Symbolic Order, through numerous transformations in her life achieves to break out of her Imaginary existence and become incorporated into the Symbolic world.     

Proceedings Of The Fourth Annual Meeting Of The European Association For The History Of Psychiatry (Eahp), The European Club For The History Of Neurology (Echn), And The International Society For The History Of The History Of The Neurosciences (Ishn)

Abstract

Osphresiology, though beginning with Aristotle, and the title of a classical monograph from 1819 by Cloquet, has, like the human sense of smell itself, played a relatively modest role, compared to other sensory functions. The anatomical and physiological connections of the nose to the brain proved to be more complex than those of sight, hearing and even touch, and were therefore poorly understood before the second half of the 19th century. Moreover, the close association between smell and taste gave rise to much controversy regarding the respective roles of the first and the fifth cranial nerves. Next, came the unfolding of the evolutionary influence of cerebral structure and function ‐ viz Broca's “limbic”; concept, and the “olfactory desert”; in the brains of “anosmatic”; animals. Jackson's “uncinate”; seizures featuring olfactory hallucinations brought the hippocampal formation into focus. Finally, there were the clinical manifestations of hyposmia and hyperosmia, from “coryza”;, the common cold, to injury or neoplasms causing hyposmia, as well as some endocrine alterations causing hyperosmia. (And let us not forget Charles Huysman's “Against the Grain”; and Marcel Proust's evocative fragrant madeleine.)     

A Unique Project of Mission: Forty Years on,a Personal Memoire

Fifty years ago, Call to the North was conceived against the background of sectarian terrorism. This was a unique occasion when all the traditional Christian churches of the North of England were engaged in unitedly presenting the Christian faith to the general population. The exercise was led by the Anglican Archbishop of York together with the Roman Catholic Archbishop of Liverpool and Dr John Marsh representing the Free Churches.

The objectives of the exercise, the methods employed, the problems encountered and its eventual outcome in 1973 are outlined, together with an account of the Roman Catholic Archbishop’s strategy of seeking Pope Paul VI’s support to help his traditional dioceses come to terms with the new Vatican thinking of Pope John XXIII and Vatican II.

The account concludes with a reflection on the historic outcome of this unique exercise.     

The Calderstones,Near Liverpool

Abstract

This article is a contribution to the revisionist literature on the monastic orders in late medieval England and their art and architecture. It discusses the visual and material cultures of the Cistercians in northern England in the period immediately before the Dissolution of the Monasteries, demonstrating the enduring popularity of the Order in the late Middle Ages and that patronage of art and architecture continued until the very moment of the Suppression. Evidence is also discussed showing that monks and nuns salvaged property from their houses in the hope that their monasteries would be restored.