《云笈七签》卷113（上）所收14则仙传归属置疑

《云笈七签》卷——三(上)收录的14则仙传,通常以为《逸史》佚文,李剑国先生《唐五代志怪传奇叙录》虽曾怀疑为《神仙感遇传》内容,但经过分析,还是归为《逸史》佚文。本文在此基础上进一步对比考察,认为这14则仙传乃是杜光庭改编自《逸史》的篇目,与《逸史》原文已经有很大差别,应属在《神仙感遇传》名下。     

胡人发型:中古“剪头胡雏”艺术形象试解

古人发型是文化界长期关注的一个重要现象。发型不仅是时代的特征与时尚的符号,也是各个族群的辨识标志。从北朝到隋唐的中古社会,"剪头胡雏"的文物图像屡屡出现,一般来说,此类胡人形象是剪发而不是束发,在当时以"高髻为尚"的社会习俗中,"剪头胡雏"发型是有着"阶级感"的存在,是有关底层胡人的直观艺术产物。也说明当时入华胡人还没有彻底"汉化",仍然保留着本族群的发型特征。该发式是胡人与汉人的区别,也是其身份归属的象征。     

辛亥革命元勋王天培将军遗文

辛亥革命元勋贵州籍将领王天培,一生追随孙中山先生革命,笃信三民主义,由于性情直率,胸怀坦荡,遭到蒋介石、何应钦等人嫉妒,以＂莫须有＂罪名陷害,英年早逝。从他撰写的一些对联、讲话、题词、诗歌、信函等遗文里,不难看出王天培聪颖的才华,直率的性格,忠诚的思想,坦荡的胸怀,以及坚定的信念和高尚的气节,不愧是贵州人民的好儿女。     

隐囊考

隐囊是一种源于印度的以织物为表、以织物或纤维为填充物的圆筒状卧具,南北朝时期由佛教徒和粟特人传入中国北方地区,之后传入南方地区,并成为士族阶层喜爱的晏佚用具。隐囊在南北朝时期和隋唐时期广为流行,宋代以后消失,仅作为名士的象征物在诗文和绘画中出现。     

世界社会的民俗协商:民俗学理论与方法的新生命

民俗学是随着现代性的全球扩张而发展起来的一门高度国际性的关于民族文化传统的学科,它在方法上采取集体主义,在理论上假设民族在民俗上的同质性。在现代性走向巅峰的时候,同质性人群和民俗传统的快速消逝带来民俗学的危机。面对危机,从日常生活来界定民俗的思潮兴起,却并不能解除危机。在人口流动、文化杂糅的世界社会,个人与小群体必须与他人协商安排日常生活的细节,这种世界社会的民俗协商正在成为广泛的事实。能够应对这种趋势的民俗学将会获得发展的生命力,这有赖于从业者带来理论与方法的创新。     

Recent Books in the Field of Mediaeval Literature

In the Cantigas de Santa María, King Alfonso X unveils an intricate cultural, political, and economic system that defines the relationship between Christian society and religious minorities. This article illustrates that the Cantigas must be understood as an ideological instrument of cultural codification that reaffirms the established Christian social order in relation to three principal groups: heretics, Jews, and Muslims.     

Subsistence variations and landscape use among maritime hunter-gatherers. A zooarchaeological analysis from the Beagle Channel (Tierra del Fuego,Argentina)

Changes in the exploitation of resources among prehistoric hunter-gatherer-fishers of the Beagle Channel (Southern South America) are examined in this paper. Archaeological investigations show the prevalence of maritime hunter-gatherer organization throughout the occupation of the region (ca. 6400 BP – 19th century). Notwithstanding, variations in the exploitation of different kind of animal resources have been detected, and a concomitant reorientation in the landscape use is then inferred. Zooarchaeological evidence from five shellmiddens is analyzed here: evenness measures and relative abundance prey types are used to evaluate such adjustments. Results indicate the major utilization of coastal and terrestrial ecozones and the predominance in the exploitation of mammals (pinnipeds and guanacos) in ancient occupations. While, during the Late Holocene an expansion in ranges of maritime mobility for subsistence is detected, which was associated with an increase in the representation of birds and fish in the zooarchaeological record.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

La clerecía del Fernán González

The Poema de Fernán González is usually regarded as a hybrid text—while its subject matter is deemed epic, its expression, intentionality, and ideology are considered clerical. This article studies several elements shared by Fernán González and the other poems of the mester de clerecía school: the same stanza (the cuaderna vía) and poetic rules; similar modes of composition, transmission, and reception; and common structural, thematic, and verbal patterns. The article concludes that the Poema de Fernán González fully participates in the common artistry of the mester de clerecía and therefore can be regarded as the attempt to produce epic poetry by this learned clerical school.     

Maurofilia y maurofobia en el Libro del conde de Castilla

The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an epic poem or a historical account commemorating the foundation of San Pedro de Arlanza Monastery. It is rather a hybrid text that employs all the literary and historical resources available around the middle of the thirteenth century to an educated poet who was intent on transmitting to future generations the memory of the Count who made possible the independence of Castile. All episodes in the poem point to Castile's unique place in history, describing through the protagonist's bellicose deeds its hegemonic ascendency as the most important kingdom of the Iberian peninsula. Its destiny is determined by the hero's combative character against all enemies, whether Christians or Moors, and more specifically by confronting the powerful kings of neighboring states León and Navarre.