Topographies of Difference: Cartography of the City of Naples, 1627–1775

The eclipse of the city view by the geometric plan around 1700 is a well‐documented phenomenon that traditionally has been explained by recourse to a meta‐historical narrative about the progressive triumph of science over art. In actuality, throughout the early modern period the modes of representation available to the cartographer ranged from the geometric to the pictorial, and their employment was predicated on concerns that were more cultural and political than scientific. To show how these concerns contributed to the dramatic shift in the representation of cities which occurred at the outset of the eighteenth century, the content of the languages employed in the most famous early modern view (1627) and the plan of Naples (1775) is analyzed and the ways in which their respective strategies of representation explicitly sought to accommodate or challenge the political status quo are exposed.     

The Pleistocene art of Asia

While the Pleistocene art of Europe has been described, discussed, analyzed and explained in thousands of publications, that of Asia has attracted almost no interest at all. This paper is a brief summary of all known Ice Age art of Asia, both rock art and portable art. The current evidence is critically reviewed, region by region, and hundreds of specimens purported to be art are rejected by the author. Those considered to be authentic are often extremely isolated, in both time and space. It is argued that this record can only be explained effectively as having been greatly distorted by several factors. The geographical distribution, for instance, is clearly conditioned by such factors as intensity of research activities and local preservation conditions. Thus the pronounced paucity of available evidence is, at least in part, imposed by taphonomic biases of various types.     

Materiality and metaphor: Sound in circulation

Four recently published books examine sound in social contexts, including brass bands on the streets of New Orleans, Hawaiian steel guitar, the genre of Noise and its social circulation, and Aboriginal radio production in northern Australia. The authors present the material and metaphoric power of sound in social contexts through thoughtful and thorough historical research and long-term ethnographic study. The influential thinking of John Blacking, Steven Feld, and others is expanded and critiqued in new contexts. Three of the authors are editors or contributors to a recent publication on keywords related to sound in anthropology and ethnomusicology.     

Compassionate Protector of America: The Symbolism of Old Hickory in a Jackson Woman's Mind

Serving as America's only female newspaper editor during the election of 1832, Anne Royall became possibly the first public “Jackson Woman” by supporting the chief executive's bid for re-election in her sheet titled Paul Pry. A closer look at Royall's recollections from her travels in Alabama from 1818 to 1822 shows her to be a blooming “Jackson Woman” developing before the Jackson party was even conceived. In 1828, Royall's Black Books produced a scathing indictment of American society. Both the Adams and Jackson campaigns actively recruited her for their mud-slinging contest but she declined. Three years later Royall started printing Paul Pry. The Black Books and Paul Pry gave Royall a public voice, and she was not afraid to use it. Between 1818 and 1832, Anne Royall went from being a Jackson admirer to being a public Jackson woman.     

Forging a nation: the Ethiopian millennium celebration and the multiethnic state

Due to a different calendric system, Ethiopia celebrated the turn of the millennium in September 2007. This paper investigates how Ethiopia's coalition government, associated by many Ethiopians with minority rule, set up and mobilised a year‐long millennium project to propose new idioms of nationhood redefining Ethiopia's identity to deal with the challenges of ethnic federalism and to accommodate its multiethnic society. I argue that the millennium celebration sought to find a solution to the divisive effects of the politics of ‘difference’ derived from a policy of ethnic federalism, and to the existing outdated metaphors of nationhood rooted in Semitic culture and Orthodox Christianity. It proposed more suitable idioms of common identity based on the idea of ‘unity in diversity’. This paper contributes to our better understanding of the role of symbolism, commemorative events and appropriation of the ‘sites of memory’ in the complex process of the transition of multiethnic societies into nation states.     

Boats Apart. Building and Equipping an Iron-Age and Early-Medieval Ship in Northern Europe.

Archaeological ship remains usually induce a functional, i.e. technological and social, interest. This text introduces what is not 'another' aspect in fact, but rather something that runs parallel or is contained within both. Maritime societies and individuals develop cosmologies and rituals, not only strategies for sustenance, which to them are supposed to be as necessary for survival. It is an additional challenge to archaeology to explore and interpret these cognitive elements and their role in maritime cultures of the past, illustrated here by the wood, the building place, the equipment, the ship as a unit, illustrating power, ancestors, and pars-pro-toto .
© 2007 The Author     

Huysmans's Flowers

Contemplating the grotesque specimens just delivered from Paris nurseries, J.-K. Huysmans's decadent esthete, Jean Floressas des Esseintes, reflects on floriculture as the intersection of nature and artifice: “par le temps qui court,” he intones, “les horticulteurs sont les seuls et les vrais artistes.” A multifaceted symbol appearing throughout Huysmans's oeuvre, flowers mark off the stages of the author's artistic and religious development. Beginning with the plebian geraniums of En Ménage (1881), progressing through the Decadent blooms of A rebours (1884), and ending with the lilies in Sainte Lydwine de Schiedam (1901) representing the spiritualization of flesh into holiness, the Huysmansian flower evolves as does the spiritual naturalist who used them in his fiction.     

The descent of nations: social evolutionary theory,modernism and ethno‐symbolism

This article explores the use of a revised conception of social evolutionary theory towards an understanding of nationalism. First, I review the debate between ethno‐symbolism and modernism, through the lens of the Warwick Debate between Gellner and Smith, arguing that both are partly right. Secondly, I outline what the revised conception of social evolution is looking first at its traditional conception before outlining a Darwinian view of social evolutionary theory. Finally, I examine how Darwinian social evolutionary theory can help fruitfully bring the ethno‐symbolic and modernist perspectives together. This is done by a sustained engagement primarily with the theories of Anthony Smith and Ernest Gellner pointing to how Darwinian social evolutionary theory can provide a link between the two theories that makes them mutually supportive rather than opposed.