HAMMER TIME

Espen Hammer's exceptionally fine book explores modern temporality, its problems and prospects. Hammer claims that how people experience time is a cultural/historical phenomenon, and that there is a peculiarly modern way of experiencing time as a series of present moments each indefinitely leading to the next in an ordered way. Time as measured by the clock is the paradigmatic instance of this sense of time. In this perspective time is quantifiable and forward‐looking, and the present is dominated by the future. Hammer argues that this manner of experiencing time provides a way of living that brings with it not only the basis for great successes in technology, but also great costs—specifically, what he calls the problems of transience and of meaning. Hammer goes about his task by considering the ways some of the great modern philosophers have characterized present‐day temporality and have responded to the problems he has identified. Specifically, he considers what Kant, Hegel, Schopenhauer, Nietzsche, (early) Heidegger, Habermas, Bloch, and Adorno provide in response to our peculiarly modern predicaments. The book is remarkable for its clarity and perceptiveness, but in the process in crucial places it simplifies the matters at hand or fails to push its insights as far as it ought, and in the end promises more than it can deliver. In this it betrays a rationalist confidence in the power of reason that founders on what in many ways remains a mystery.     

中国史前音乐文化区及相关问题初论

本文从史前乐舞材料入手,对中国史前音乐文化区进行了全面的探讨,将其划分为中原区、海岱区、甘青区、江汉及邻近区、环太湖区、辽河区等六大区域。在此基础上,对中国史前音乐文化的承传方式以及礼乐文化的发展模式予以解析。     

桂林旅游景区书法景观符号效应分析

书法景观是具有中国特色的特殊文化景观和文化符号,广泛应用于旅游景区而成为旅游景观的一种重要类型.本文以桂林旅游景区的书法景观为案例进行研究,结果表明,书法景观作为旅游景区的重要人文景观,旅游者总体上对其具有较高的认知和鉴赏兴趣;书法景观对旅游者产生了一定程度的符号效应,具体表现在书法鉴赏、文化象征、审美引导3个方面,对应于外在行为、文化环境知觉、景观审美活动3个层次的行为效应.书法景观的符号效应在书法鉴赏方面存在显著差异,而在文化象征和审美引导方面无显著差异.书法景观符号效应研究对于揭示人们的地方感和环境行为与书法景观之间的关系、旅游景区书法景观的设计和景区文化氛围的营造等具有指导意义.     

Is the Aboriginal Landscape Sentient? Animism,the New Animism and the Warlpiri

ABSTRACT It is now commonplace for some anthropologists, and others, to say that for Aboriginal Australians in the remote regions, the landscape is ‘sentient’, however, what that means is not always clear. Are the anthropologists using this term metaphorically or do they understand Aboriginal people to be animists? The ‘new animists' have no doubt that the anthropologists are describing what they call the ‘new animism’. Much of this literature refers to the Warlpiri or their near neighbours. Here I examine the evidence for whether Warlpiri speakers are animists.     

试析“冥”字本义

本文通过列举分析甲骨文字形、文义等方面,试图说明“冥”字在甲骨卜辞中不能解释为分娩的“娩”,更结合前人的研究成果提出了对于“冥”字本义的新观点。