论"九一三"事件后"解放军学全国人民"活动

"九一三"事件后,中国人民解放军在"批林整风"运动中,为排除林彪反革命集团对军队建设的干扰和破坏,在全军开展了"解放军学全国人民"活动.通过开展这项活动,进一步加强了军民团结和军政团结,在整顿军队的纪律和作风方面取得了较好的效果.     

朱彝尊《经义考》问世原因析论

本文从学术史的角度来审视《经义考》的问世原因,指出该书既是中国经学与目录学发展的结果,也是清初征实学风影响下的产物,同时还是朱彝尊生平经历与治学旨趣相互作用下的学术结晶。     

Le Poète Évêque, Le Moine, Le Financier et L’Académicien

This article aims to analyze together several kinds of XVII ^th century correspondence which usually are studied separately: business letters, devotional letters, «literary» letters sent and received within a network of friends. In order to understand a strategy of epistolary writing, these letters and the various forms of their publication including scribal publication are here considered as tools used within the social world. This strategy implies, for every writer, an effort to gain social recognition for excellence in the art of writing. Literary institutions are indeed involved here, but put to use to further careers and various other operations. We see, for example, a conflict within a religious order settled, a man of letters recognized in the eyes of the law, a pious individual making his way in society, and the shaping of a bishop’s career grounded on influential social circles. These case studies allow us to grasp how social networks function, and to understand the specific role played by men of letters.     

The Statistical Style of Reasoning and the Invention of Bose‐Einstein Statistics

This paper is a preliminary exploration of the connections between the statistical style of reasoning and the research practices of statistical mechanics in the early period of the long quantum revolution. It suggests that before 1925 the instantiations of the statistical style in physics went through two phases. The first phase consisted of the formulation of the Maxwell‐Boltzmann statistics on the basis of the population‐gas analogy. The second phase was characterized by the generalization of the Maxwell‐Boltzmann statistics through analogies between ideal gas molecules and other microphysical entities, analogies that shaped and were shaped by the rise of quantum theory. Einstein's invention of the Bose‐Einstein statistics started a third phase and created the conditions of possibility for a new classification of microphysical entities according to their different statistics.     

金刚眼力鞫盗心思——风格是鉴定书画的主要依据

个人风格是风格中的最基本元素。书画家的个人风格寓于时代风格之中,个人风格是时代风格的组成部分,个人风格与时代风格是个性与共性的关系。时代风格中还包含着地区风格。书画家的艺术风格既有其一致性,也有其多样性。个人风格的多样性与一致性是辩证统一的。风格对书画鉴定具有重要意义。     

《周礼》的内容、行文特点及其史料价值

《周礼》前五篇的内容和职官结构各有其特点,也包含着许多矛盾、错综和不合理处,而导致这种情况的原因,主要因为《周礼》是一部未完成的著作。《考工记》的内容和体例则与前五篇不同,自成一家。《周礼》前五篇的行文有如下特点,一是各篇前皆有一《叙官》,二是以职官联系制度,三是兼记有关的经验、技术或人们对某些问题的认识,四是互文见义,故读《周礼》贵在会通。《周礼》虽出于战国人之手,但其中保留了大量有关西周的珍贵资料,只要善于择别,并参以先秦其他文献和出土资料,即可为我们研究古史、特别是研究西周史所用。     

探赜索隐 钩深致远——论魏晋六朝人物画风的演变

在中国绘画史上,魏晋六朝是中国人物画由汉代粗放简略的画风转向精致工整画风的时期,其内部也因不同时期的审美趣味蕴含了一一个整体性演变过程,显示出人物画风格成熟过程中诸多样式的艺术追求。     

犍陀罗与马图拉造像艺术比较研究

犍陀罗艺术和马图拉艺术是贵霜王朝时期大乘佛教传播过程中产生的最重要的两种造像范式,两种佛像的雕塑材料、造型特征、艺术风格上都呈现出巨大的差异性。本文将两者进行比较,介绍了犍陀罗和马图拉艺术的文化、地理范围和分期,列举了犍陀罗和马图拉造像艺术的主要差异性。根据两地出土文物证实,两者虽然归属于独立发展的艺术体系,但两者之间始终联系紧密、互为影响。马图拉艺术所代表的印度本土因素,在犍陀罗艺术形成初始期就已经对犍陀罗造像产生影响,并一直持续至犍陀罗艺术晚期灰泥阶段。受犍陀罗艺术"迦毕试样式"的影响,贵霜时代马图拉艺术出现了着通肩式佛衣、身材矮短的佛像。笈多时代马图拉艺术在融合犍陀罗灰泥造像的基础上创造了"湿衣佛像",并以此完成了印度佛像自诞生之日起便不断融入亚洲人审美特征、逐渐向着东方风格佛像回归的整个历程。     

社会大变革时期的文体抗争——以詹安泰对旧体诗歌的坚守与传承为视点

20世纪前半叶是社会大变革时期,也是文化大转型时期,诗歌文体经历了较大变化,白话新诗以强劲的革命姿势崭露头角后发展迅速,并最终在新旧交替战中以主流形态进驻诗坛中心,而长期居于风雅中心的旧体诗歌生存窘境则日益凸现,逐渐减弱了话语权,黯然淡出诗坛核心圈。身历其间的传统诗人如詹安泰者经过长期艰苦的坚守、挣扎与调整,最终将旧体诗歌的创作、研究与传承结合起来,确保了大变革时期传统文体的有效延续,也确定了他们在20世纪诗学史中的独特地位与价值。     

Hotel design in British Mandate Palestine: Modernism and the Zionist vision

From the early 1920s through the 1930s, an important yet forgotten avant-garde architectural phenomenon developed in the Zionist community of British Mandate Palestine. In cities and resort regions across the country, several dozen modernist hotels were built for a new type of visitor: the Zionist tourist. Often the most architecturally significant structures in their locales and designed by leading local architects educated in some of Europe's most progressive schools, these hotels were conceived along ideological lines and represented a synthesis of social requirements, cutting-edge aesthetics, and utopian national ideals. They responded to a complex mixture of sentiments, including European standards of modern comfort and the longing to remake Palestine, the historical homeland of the Jewish people, for a newly liberated, progressive nation. This article focuses on Jerusalem's most ambitious modernist hotel, the Eden Hotel, to evaluate how the architecture of tourism became a political and aesthetic tool in the promotion of Zionist Palestine.