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11.
Buddhist monasteries in Sikkim Himalayas constitute important religious and architectural heritage. These random rubble (RR) stone masonry structures located in high seismically active regions of the Himalayas have suffered varied degrees of damages in the past earthquakes. The study presents seismic vulnerability assessment of four archetypal monastic temples using finite element (FE) analyses. Linear and nonlinear analyses of these structures were conducted in Abaqus FE environment. These analyses identified the damage prone areas of the structures and provided load-deformation behavior under lateral loads. Fragility analyses indicate a high probability of collapse for the specified design level earthquake of the region. The study shows that performance of the structure can be enhanced by improving the strength and stiffness of the stone masonry walls.  相似文献   
12.
Taking an everyday life setting, namely playgrounds, as a starting point, the paper foregrounds a nuanced analysis of the internal differentiations of the middle class’s positioning in regard to social diversity. In so doing, the paper contributes to debates on contemporary segregation research, (dis-)affiliation of the middle classes in inner-city diverse neighbourhoods and geographies of encounter. Empirical findings are based on an analysis of the narratives and daily spatial routines of middle-class parents in three inner-city neighbourhoods in a major German town. The findings contradict the conventional wisdom that middle-class parents would always seek a socially homogeneous environment in which to raise their children and show the presence of a middle-class fraction with a collective orientation. The analysis highlights the need for a closer look at playgrounds as a setting for cross-social interaction and, in terms of micro-level politics, a setting to promote diverse and inclusive neighbourhoods.  相似文献   
13.
The oldest extant musical instruments in the world are stone chimes. This music was created by the ‘eight tones’ that could be produced by these ‘stone’ voices. Although many of these stone chimes have been unearthed from sites predating the Spring and Autumn Period and the Warring States Period in China, their discussion in archaeological reports is usually not very thorough. In this paper, the ancient and modern samples are analysed from the point of view of lithology. The aim is to explore how the ancients chose to make these stones, and to check that the type of stone from which these ancient Chinese stone chimes are made is actually those recorded in previous studies. The results show that most of the ancient stone chimes in China are made of limestone. These chimes required a material with a single, homogeneous and compact mineral composition. Lingbi chimes (a kind of ‘lithophone’ produced in Lingbi county, China, are pure in composition and have a fine microcrystalline structure, which is the best choice for making stone chimes. This paper makes a systematic study of the lithology of Chinese stone chimes. The results supplement a significant lacuna in the study of ‘lithophone’ and ancient stone instruments both in China and on a more global scale.  相似文献   
14.
The studies on the finishing technique of the stone monuments in Persepolis (Iran) are part of the archaeological project jointly launched in 2008 by Iran and Italy, named ‘From Palace to Town’. The first experimental results, obtained on a very limited number of samples, revealed that the Achaemenid builders and sculptors used a white pigment, a kind of bone white, calcium fluorapatite, obtained by burning animal bones, to hide the dark grey colour of the stone. In order to verify these unexpected results, a new campaign was implemented to analyse a much larger number of samples. XRF spectrometry, a non‐destructive technique, was used and the experimental results were further elaborated by PCA. The presence of a white superficial layer was confirmed, and the use of fluorapatite was confirmed as well, but only on monuments attributed to the Xerxes period or later, while in the earlier monuments the white layer was obtained using gypsum.  相似文献   
15.
The “shamanism” or “neurpsychological” model proposed by Lewis-Williams and colleagues has had a powerful impact on rock art research, and has significantly added to our knowledge of past foragers lifeways in southern Africa and elsewhere in the world. However, this model is primarily based on the view of shamanism as a universal and unvarying characteristic of foragers over space and time. This paper raises both theoretical and empirical problems with this view. The paper examines the relationship between the specific social roles and practices of shamanism and the overarching cosmological structures on which they are based in both southern Africa and Northern Eurasia. In both cases, the paper argues that many cosmological beliefs are highly persistent and durable, extending into prehistory, while the specific practices and roles of shamans are variable, changing to meet the immediate and local needs of their communities. This suggests that rock art is easier to relate to the overarching cosmological dispositions of the people that produced it and the paper closes by suggesting some theoretical and methodological alternatives recognizing this fact.  相似文献   
16.
Our blind tests are distinctive for they were conducted on replicated stone tools used for a variety of tasks that included the processing of animal remains and plants. The analyst was required to differentiate an array of residues from microscopic morphological characteristics, using light microscopy. The original aim of our first tests was to assess the analyst's ability to identify a variety of plant and animal residues, but issues and problems that arose during the testing process made it clear that greater value might be gained from the lessons that we learnt about methodology and the direction for future micro-residue research. We show that problems identified during our first tests stimulated research. Amongst other things, we learnt to distinguish plant and animal remains more confidently than previously. Our residue analyses are firmly embedded in wider archaeological research and our tests help to explain why there are sometimes contradictions between the evidence from archaeologically recovered remains and residues on stone tools. A further outcome of the tests is that we have adopted a multi-stranded approach that provides a cautious, but secure strategy for identifying and interpreting use-residues. Our studies of contaminants through replications have also been invaluable for distinguishing incidental residues from use-related residues.  相似文献   
17.
一批流散海外的吐蕃文物的初步考察   总被引:2,自引:0,他引:2  
吐蕃文物曾通过不同途径流散于海外,主要包括金银器与织锦。从中反映出吐蕃作为七世纪以来兴起于青藏高原的强大政治集团与唐、粟特、萨珊波斯等都有着密切的文化联系,并已形成具有自身特色的金银器制作风格;以对兽纹为主题的织锦是吐蕃人最为喜好的"番锦"之一,有可能为粟特锦,也有可能为包含粟特锦、波斯锦等中亚风格在内的"胡锦"。吐蕃银器上的纹饰更是多见于吐善时期的装饰性图案当中,并且影响到以后的藏族艺术。  相似文献   
18.
陈瑞 《史学月刊》2007,(3):86-93
明清时期,在徽州社会中形成了对朱熹及其《家礼》极端崇拜的社会风气。徽州宗族多依据《家礼》进行本族内部的制度设计和制度建设,同时还十分重视对礼仪的执行与监督,旨在以此实现以礼治族、维持宗族社会秩序的目的。  相似文献   
19.
巩义出土一批唐代题字俑,数量众多,具有一定的地域性。题字内容多为表明俑的名字、身份等,有的题字带有巫诅、避邪镇墓等性质。  相似文献   
20.
张达志 《南方文物》2007,38(3):86-91
本文旨在梳理三角缘神兽镜在日本古代史研究和古代中日关系史研究中的学术源流,结合中日学术界的相关研究,集中探讨三角缘神兽镜的定义、三角缘神兽镜与邪马台国论争、"魏镜说"、王仲殊先生的三角缘神兽镜研究、三角缘神兽镜与日本早期佛教的传播等问题,为相关研究的继续深入奠定基础。  相似文献   
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