Advancing culture’s role in sustainable development: social change through cultural policy

ABSTRACT

This paper examines the potential for cultural policy to shape sustainable development in the context of expectations arising from research and policy work on development. We use, as the basis of a critique, the categorisation of the relationship between culture and sustainable development proposed by a major study funded by the European Union, being emblematical of how researchers and policymakers understand this relationship. The critique highlights a need for multiscalar social change, towards revaluing relations with the natural world, and reforming social relations between producers and consumers. This paper locates cultural policy as an arm of governance, with the capacity to lead social change across several interdependent pathways (revaluing technological change; fostering an aesthetic appreciation and environmental ethical consciousness; and pro-social behaviour) alongside the development of more sophisticated governance frameworks. The paper further proposes that through (re)education, cultural policy can and should play a more active role in shaping social change.     

Disability and Social Inclusion: The Blind Songstress in Early Twentieth-Century Guangzhou

This article examines disability as a contested notion of social inclusion by focusing on the blind songstress (guji) in early twentieth-century Guangzhou (Canton). Through personal memoirs, the print press, and institutional documents, this article reconstructs the social life of guji as their experiences intersected with professional community, workplace, and charity. First, I show that the adoption of blind girls from families into training guilds managed by veteran guji was a chosen kinship strategy for blind women since the late Qing period. Second, the commercial sponsorship of guji following the establishment of the Republic not only expanded working opportunities for blind women but also exposed their vulnerability to male-dominated entertainment spheres. Third, the reformist critique of guji as an inappropriate form of sex-related consumption pushed the nascent military government to collaborate with foreign missionaries in “rescuing” blind girls from their professional households. The experiences of guji thus reveal competing ideas of what qualified a disabled person to become a member of society at the beginning of the twentieth century, as work-based inclusion gave way to charitable inclusion as an outcome of shifting social attitudes toward the employment of women with disabilities.     

“Catching the Yellow Ghost”: A Case Study of Popular Religious Activities and Social Transformation in Rural North China

This article studies the relationship between local society and social change in rural north China from the late Qing dynasty to the People’s Republic of China period through the activity of “Zhuo huanggui” (literally, “Catching the Yellow Ghost”). “Catching the Yellow Ghost” is a ritual activity in Guyi village, Wu’an county, Hebei province. According to villagers there, “Catching the Yellow Ghost” has been celebrated since the late Qing dynasty. However, due to political pressures in the 1950s, it was not until the 1980s that “Catching the Yellow Ghost” began to be revitalized. Since that time, “Catching the Yellow Ghost” has gained rapid popularity and fame in north China. Through the lens of the “Catching the Yellow Ghost” ritual, this article explores social transformation in China from the late 19th to the early 21st century. By analyzing the continuity and discontinuity of “Catching the Yellow Ghost,” this article offers a new understanding of the relationship between local society and social change in rural north China.     

Community gardens as third places

As the world population becomes increasingly urbanised and mobile, “third places” take on greater importance for incorporating new residents into their neighbourhood and reducing social isolation. The third place concept has been applied to a range of public space research and embraces informal public meeting places outside of home (first place) and work (second place). This article critically investigates the connection between community gardens and third place, applying a framework based on the characteristics of third places to qualitative case studies of three Australian community gardens. The article highlights the role community gardens can play as third places in alleviating some of the challenges associated with population mobility. The findings show that two of the case study community gardens exhibit all characteristics of third places facilitating informal interactions between people of the neighbourhood while one does not for reasons considered. Findings also suggest that third place community gardens act as dynamic sites of placemaking, helping to connect people to the place. Community gardens can function as third places with a communal purpose inclusive across socially diverse neighbourhoods, within and beyond the garden boundaries. The article suggests appropriate design and location features for community gardens that best facilitate third place interactions.     

Scandal: Olivia Pope,Pope Francis,and Catholic Social Thought

Millions of viewers tune in to watch ABC's Scandal where political corruption, sexual infidelity, secret lives, and hidden crimes abound. What is it that makes something scandalous? In popular culture, scandal involves something morally or legally wrong coupled with public outrage. In contrast, as a theological category scandal is that which impedes the community's relationship with God. Pope Francis identifies poverty as just such a scandal damaging our relationship with God and each other. Examining scandal in popular culture and the media along with Catholic social thought, this article identifies three types of scandal: hypocrisy, impurity, and dehumanization. Ultimately, the theology of scandal can direct us away from the salacious towards addressing scandals of dehumanization.     

Of Makerspaces and Hacklabs: Emergence,Experiment and Ontological Theatre at the Edinburgh Hacklab,Scotland

This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency.     

The complexity of aspiration: the role of hope and habitus in shaping working-class young people’s aspirations to higher education

In this paper, I explore how working-class young people in Leicester hope and plan for their futures as they consider the possibility of attending university. I respond to Pimlott-Wilson’s [2011. “The Role of Familial Habitus in Shaping Children’s Views of Their Future Employment.” Children’s Geographies 9 (1): 111–118] call for further research to investigate how individual dispositions and habitus affect how young people hope and aspire towards the future. I do this in three ways. First, I empirically test Webb’s [2007. “Modes of Hoping.” History of the Human Sciences 20 (3): 65–83] hope theory to understand how aspirations are formed on an individual and societal level. In doing so, I critically question what is understood by the term ‘aspiration’. This allows me to question what it means for young people to ‘raise aspirations’ towards university. Second, I explore how a spatial analysis can contribute towards an understanding of how habitus, hope and aspirations interlock to shape young people’s futures. Third, I argue that hope can be regarded as a form of capital which in turn influences habitus.     

From Labrets to Cranial Modification: Credibility Enhancing Displays and the Changing Expression of Coast Salish Resource Commitments

Recent developments in evolutionary psychology expanding on signaling theory provide key insights to the connections between expressing social commitments and resource rights. Credibility enhancing displays (CREDs) are a means to convince individuals of commitment to belief systems and can link costly acts or extravagant displays to social success. In the Salish Sea, the transition from labrets to cranial modification from 3200 to 1000 BP has often been framed in terms reflecting a shift from achieved to ascribed social status. Other researchers have argued that labrets may reflect village scale identity not tied to political power. We suggest that an explicitly evolutionary approach provides novel insights into the changing material expressions of Coast Salish social commitments, specifically reciprocal resource access. The shift to cranial modification reflects increased CRED investment and cost, but not necessarily a transition towards ascribed status. Instead this shift may be changing expressions of the same forms of social commitments.     

Power to the people: when culture works as a social catalyst in urban regeneration processes (and when it does not)

This article focuses upon the relationship between culture, urban regeneration schemes, and their impact on socio-cognitive assets – namely, social and human capital. It examines three major urban regeneration projects in the districts of Saint Michel (Montreal, Canada), Auburn (Sydney, Australia) and Bicocca (Milan, Italy), where culture has been invoked as a main transformational driver at the economic and socio-environmental levels, but with different approaches and results. Through comparative analysis, we develop a more general reflection on the social impact of culture-led urban transformation processes, questioning the actual role of cultural initiatives – particularly those related to the creation of new cultural facilities and the programming of big cultural flagship events – and participation as a means to improve the local social milieu. We find that a key role for social efficacy is played by projects’ capacity to elicit the commitment of residents through inclusive cultural participation, as opposed to instrumental top-down initiatives mainly addressing city and neighbourhood branding and real estate marketing purposes.