‘Not Like the Stories I am Used to’: East German Film as Cinematic Memory in Contemporary Chile

This paper is concerned with East German films which deal with the subject of Chile in the aftermath of the 1973 coup d’état in a contemporary Chilean cultural framework. Conceived in the charged political atmosphere of the Cold War, this material is valuable in Chile today because it reflects East Germany as a cultural and social environment for Chilean émigré artists during the 1970s and 1980s. The author explores the films’ potential as a form of cinematic postmemory for younger Chilean audiences, focusing on two feature films, Die Spur des Vermißten (1980) and Blonder Tango (1985). Do young Chileans accept these images as truthful and do they inspire a rethinking of the controversial subject of the Pinochet regime? The results suggest that the DEFA films, due to their narrative and aesthetic textures, present this audience with challenging perspectives, uncover misconceptions and evoke empathy with antagonistic social and political agents. Based on this case study, the author argues that the DEFA films are audio-visual materials which can be highly productive in cultural and educational contexts and can complement efforts to revive collective memory in Chile.     

历史文化街区声景语义的主观评价研究——基于人文地理学的视角

声景即声音景观,是人文地理景观的核心要素之一,它既塑造了特定区域的文化地理特征,也是地方感知的重要依托,声景主观感知评价对声景的创设和改善具有重要意义。本文以六个历史文化街区的实地声景为例,选取九组语义对,利用语义细分法进行声景主观评价实验,初步分析了客观声学参数与主观语义评价的定量关系。在对普通学生与本土人群对比分析的基础上,指出应关注对本土受众意义重大,反映本土地理、人文的声音及其发生场所和行为习惯,以期为历史区域的建设提供新的思路,也是从声景角度进行人文地理的探索。     

Imported memories: the Italian audience and the reception of American movies about the Second World War

Memories of the Second World War played a central role in shaping the European imaginary and in founding the European political order after 1945. Nevertheless, while the Second World War was a global event, its memories have been mainly studied from a national point of view, thus underestimating the conspicuous phenomena of transmission of narratives and representations of the conflict from one country to another. This article analyzes the Italian reception of American movies about the Second World War, as a way to overcome the preponderance of a nation-centered perspective and to open up to a transnational analysis mainly based on the concepts of communication, diffusion and exportation of cultural products. After a theoretical introduction, the article analyzes an original source of great use for the study of the reception of American movies: the evaluation forms produced by the audience of an Italian cineforum about five American war movies in the 1960s. The importance of the source lies in its rarity: direct testimonies of the opinion of a non-specialist public about a movie are very rare, and thus extremely precious for a bottom-up approach to such issues.     

Experientia and the Machiavellian turn in religio-political and scientific thinking: Basel in 1580

This study is centred on events in 1580 surrounding a scandalous publication of Machiavelli’s The Prince by Pietro Perna in Basel. With the presentation of new documents the paper fully reconstructs the judicial case that followed its publication, raising new questions about the author of the infamous book Vindiciae contra tyrannos. However, this fascinating story will serve only as a starting point for the investigation of Machiavelli's late-sixteenth-century reception, providing insights into not only the political and religious but also the scientific context of its publication. These fields, it will be argued, were thoroughly interrelated, all sharing similar epistemological premises.     

Meeting The Bamfords: The Accounts of Victor Aimé Huber and of Fanny Lewald

The distinguished German scholar and political commentator Victor Aimé Huber travelled to Blackley in 1844 to see Samuel Bamford on the recommendation of Thomas Carlyle, in order to pursue his study of the Social Question in England. In 1850 his compatriot, the celebrated novelist and travel writer Fanny Lewald, on a tour of England and Scotland, paid a social visit to the Bamfords instigated by the writer Geraldine Jewsbury, who subsequently arranged for her to see Samuel Bamford again, in Manchester. The reports provide a wealth of information about the Bamfords’ circumstances, opinions and reflections on their past. They also point up differences between English and German culture, class and social conventions. For both Huber and Lewald, meeting the Bamfords was one of the most revealing experiences of their stay in Britain. Whilst reviews of Passages in the Life of a Radical in the German press, like the critique in the Quarterly Review, contain both partisan and measured appraisal, by the late 1840s Bamford’s account of Peterloo had become the standard reference text in German-speaking lands.     

Prognosis and Postgnosis in Biblical Prophecy

The Prophetic books of the Hebrew Bible are more than documents containing pronouncements from the prophets after whom the texts are named. They include not only prophecies, but also interpretations of these prophecies’ historical consequences, a quality that makes the Bible’s prophetic literature stand out from its ancient Near Eastern counterparts. This interpretive dynamic is indispensable for understanding the reception of these prophecies in the texts from Qumran and in the New Testament.     

The American war: Italian culture and Hollywood movies on the Second World War

Abstract

This article deals with the reception of American narratives on the Second World War in Italy, assuming the key role that myths and memories about the conflict played in post-war Europe and the importance of transcultural exchanges in the mass-media age. Such narratives were not imported to Italy by official US propaganda, but were mainly conveyed by Hollywood war movies, which were centred on the ideas of the righteousness of the conflict and of the fight between good and evil. The article focuses on a specific sector of the Italian audience, that of critics and film reviewers, who played a key role in interpreting the films and in fostering their acceptance – or refusal. Through the analysis of cinema magazines and newspapers, the research outlines how the reception of such movies was influenced by multiple elements, the different political and ideological allegiances, the cultural gap between elite and popular periodicals, and the interactions with Italian myths and memories about the war. Finally, the article compares the results of the inquiry with the rare sources about the reception of American narratives among a mass audience, and underlines the importance of a transnational approach to the study of cultural issues in contemporary history.     

Music,antiquity and self-fashioning in the Accademia dei Lincei

The members of the Accademia dei Lincei are known chiefly for their achievements in early modern science, most notably supporting and funding Galileo’s projects. Their investigations of the natural world using both microscope and telescope were ground breaking, but potentially heretical. This article investigates aspects of their interest in the music of antiquity and its place in early modern Rome and Naples, presenting Fabio Colonna’s book La Sambuca lincea as a case study. The timing of the Lincean musical activities is juxtaposed with other significant events such as the injunctions against Galileo, throwing into relief some curious coincidences. The antique on the one hand evoked classical authority and was afforded due reverence, but could on the other, also provide the means of fashioning an outward identity different from internal intent. It will be suggested that elements of this antiquarian heritage are reflected in the patronage and cultural politics of the Accademia dei Lincei, whose participation in musica erudita, as evidenced in the work of Colonna, may have been part of a tacit display of corporate self-fashioning.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.