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71.
A.V. Baulo 《Archaeology, Ethnology and Anthropology of Eurasia》2013,41(3):97-106
The article focuses on foreign elements in the traditional cultures of northwestern Siberia. The sources of this study are silver and copper saucers mostly bearing representations of hunting scenes, which were manufactured by Russian craftsmen in the 18th–19th centuries for the needs of alien ethnic groups. Ways in which the saucers were used in Ob Ugrian rituals are described along with the specific features and attributions of these objects. The use of Russian metal dishware is viewed in the context of the long cultural tradition of using metal vessels, made in other ethnic environments (Iran, western Central Asia, Volga Bulgaria, Kama region, etc.) as well as in the religious and ritual practices of the Khanty and Mansi. 相似文献
72.
《Mediterranean Historical Review》2012,27(2):179-198
This paper analyses the relationship and influence of North African and Middle Eastern architectures on the birth and development of modern architecture in Central European countries during the first three decades of twentieth century. The authors examine the contacts that the Central European architectural avant-garde had with the architecture of North Africa and the Middle East, and analyse how certain German and Austrian architects reacted to what they witnessed and how they interpreted it in their ensuing designs and projects. Architects in both countries were seeking a new formal code that responded to the needs of the era. The authors’ aim here is to determine how and to what extent each country’s avant-garde adopted the repertoire of vernacular Mediterranean architecture during the critical period of development of the Modern Movement. 相似文献
73.
《亚洲研究评论》2012,36(1):1-17
Abstract This paper discusses queerness in Farewell My Concubine (1993, dir. Chen Kaige) and Green Snake (1993, dir. Tsui Hark). Tracing the process of the textual transmission of these cinematic adaptations back to their chuanqi origins, I discuss queerness, not in terms of representational politics, but within the framework of affective agency. Upholding the concept of qing (sentiments, emotions or feelings) as a central paradoxical concept – that celebrates genuine individual feelings and at the same time serves as a mode of sentimental education – that enables the reiterative freedom of the chuanqi tradition, I argue that queerness in both films emerges out of this reiterative impulse that generates the sphere of queer feelings as a nonnormative structure of feelings. In the case of Farewell My Concubine, the filmic text creates a narrative closure that imposes a nationalistic ideology at the expense of feminine and queer agency. Nevertheless, Leslie Cheung, the actor who portrays the female impersonator, through his performance creates an affective force that extends beyond the textual realm and spawns social discussion of queer sexuality. Green Snake is a revisionist adaptation that renarrativises The Legend of the White Snake from the green snake's perspective and engenders a queer sphere of feelings that revisits the existential divide between the human and the nonhuman. My reading shows that the radical queer interrogations of the sex/gender/sexuality normative alignment in these films must be found in affective moments. 相似文献
74.
作为美国社会中一个较大的学术群体,美国历史学家的中国研究对于我们了解美国知识分子的中国观具有很大的参照意义。最权威的美国史学刊物——《美国历史评论》——在20世纪90年代所发表的中国研究文章便从一个极为重要的角度展示了美国史学界的中国研究在最近十年的主要线索:中国的传统儒家思维方式左右着中国近现代的社会发展和对外交往。 相似文献
75.
《African Historical Review》2013,45(1):67-69
AbstractThis article aims to analyse the water policy of the French Protectorate in Morocco (1912–1956). After the proclamation of the protectorate, actions on the part of the new rulers affected both the modern and traditional water sectors. The authorities aimed to regulate water resources to help economic growth and favour the settlers living in the occupied areas. On the management side, they tried to adapt traditional institutions and practices to those of metropolitan France, while respecting tradition to some extent. During the first half of the 20th century, these colonial interventions caused profound changes in the established order, which can still be seen at the heart of water management systems used today in this part of the Maghreb. For the purposes of this article, we have adopted evolutionary and institutional theories and applied a methodology based on historical and anthropological analysis, with contributions from the fields of law, economics and geography. 相似文献
76.
西方科学发展史上学者传统的科学观把对知识和真理的追求视为科学的目标和动力,认为科学是与经济利益无关的一种纯学术活动。这种科学观一方面激发了科学家投身科学、献身真理的勇气,倡导了一种纯洁的学术风气;另一方面,它又忽视了科学与社会生产之间的联系,对科学本身的发展和人类文化的丰富性、多样化是不利的。 相似文献
77.
78.
潘晟 《中国历史地理论丛》2008,23(1):122-131
本文通过对古典目录学的考察,认为汉唐之间地理学发展的一个重要背景就是,古代学术体系由王官、家法向私著的转变,知识体系从以人载道转为以书载道。而此时期地理学发展有两个十分重要的问题,一是形法的转化与古代地理学两分格局的逐渐形成;二是描绘了地理学的独立知识谱系。 相似文献
79.
Jessi Quizar; 《对极》2024,56(3):801-820
This article examines the ways in which Detroit Eviction Defense (DED) and other activist organisations employ a logic of care to argue for Black Detroiters’ right to define who may claim home and place in the city. The article uses the foreclosure case of longtime Detroiter Lela Whitfield to examine the ways in which DED successfully resists eviction by arguing publicly that legitimate claims to land and home should be based on how one cares for it—in terms of stewardship, in terms of relationships on and with places, and based on how one uses it. This essay argues that this logic of care has roots in a Black radical tradition and in the particular conditions of racial capitalism in Detroit. Ultimately, DED and other Detroiters offer care as an alternate logic to resist “racial banishment” and establish alternate place-claiming logics in the context of urban housing crisis, austerity, and financialisation. 相似文献
80.
Robert A. Pois 《History of European Ideas》2013,39(2):277-278
This essay explores one of the potential implications of the cross-displinary work implied in the idea of a literary instrument of enlightenment through a consideration of the relationship between James Macpherson's The Poems of Ossian (1761–1763) and their most immediate social-political context, Adam Ferguson's Essay on the History of Civil Society (1769). It notes that revisionism of Macpherson that has tended to minimise the disruptive elements in Ossian in favour of a reading in terms of cultural wishfulfilment. The essay argues however that while Macpherson's prose theorising seeks to transcend the anxieties about progress and corruption articulated in the Essay, the peoms themselves offer eloquent testimony to the force of those anxieties, and rather than solving them restates them in pressing terms. This, the essay concludes by suggesting, is a measure of their literariness, and it not to be elided in the otherwise entirely appropriate reading of Ossian as a literary instrument of enlightenment. 相似文献