从知识、技术到智识传统:“非遗”主题展览的话语分析

非物质文化遗产(非遗)作为博物馆展览的主题已成为常态。经过多年的发展,"非遗"主题展览已经形成了相对模式化的叙事类型和同质化的发展特征。这一现状反映了多重话语博弈下的行业惯习,同时也体现了非遗作为一种文化遗产行政话语所应有的限度。"非遗"主题展览应与强调多元、互动与阐释性的新博物馆学发展趋势相呼应,关注非遗变化与改造的实践性,摆脱"非遗"话语与行业惯习接驳的逻辑自洽,反思性的回归博物馆多线和声的智识传统,从而使非遗与展览的关联拥有更多的可能性。     

关于中日"自治传统"的比较分析

近代中日两国在实行地方自治前,都存在着一定的“自治传统。”这种传统在日本日村落共同体,在中国日宗族自治、乡绅自治。但是虽然同为“自治”,实际上有着很大差别。这种差别也可谓是导致两国实行近代地方自治成败的重要原因之一。本文通过对中日“自治传统”在地方公选议会、地方公共财政的运营和地方公共团体法人化的过程中所起的不同作用进行比较分析,从而总结出中日“自治传统”具有的不同的特质。     

Competing Political Theologies: Intra-Muslim Polemics on the Limits of Prophetic Intercession

Abstract

This essay revolves around an analysis of a polemical exchange between two highly prominent Indian Muslim thinkers in Delhi, Shah Isma'il Shahid (d. 1831) and Fazl-i Haqq Khayrabadi (d. 1862), over the limits of the capacity of Prophet Muhammad to intercede (shafa'at) on behalf of sinners on the day of judgment. While focusing on this polemical moment, it explores the question of how this ostensibly theological debate on the limits of prophetic intercession connected to a much broader political debate surrounding the sociology of sovereignty under conditions of political change and transition. It argues that the opposing arguments on the limits of prophetic authority made centrally visible in this debate were intimately connected to larger questions surrounding the normative status of social hierarchies, distinctions and monarchical modes of being in early nineteenth-century India.     

炒杂碎：美国餐饮史中的华裔文化

本文通过美国华人杂碎馆兴衰史,从一个新的视角来说明中餐馆在美国的兴起和普及。杂碎馆反映了华裔文化移植到美国社会并进一步在那里发展的过程。在美国,饮食是最早而且可能是最有代表性的海外中华文化的标志。华人的饮食文化伴随着他们的生活方式、劳动和职业技能、经商能力和资本、家庭及其他文化传统与华人移民一起进入美国。炒杂碎是美国社会族裔文化如何形成的一个有示范性意义的例子。     

Memory,history and the classical tradition

‘Memory’ is often confused and mistaken for myth; this is in turn connected with the widespread use of mistaking collective mythology and common myth for the idea of a ‘collective memory’. This essay discusses memory and history terminology in the context of the generic concept ‘classical tradition’. The case study explored here – the nineteenth-century Walhalla ‘temple’ near Regensburg in Southern Germany – is an attempt to discuss the classical tradition, focusing on archaeology and architecture rather than philology), within the parameters of the memory and history debate in contemporary historiography. The essay aims to develop the position of the iconic and symbolic importance of antiquity and the classical tradition in the memory and history debate as well as in historical writing. The concluding remarks emphasise the necessity of historicising tradition and its genealogies, conceptualised here as a tradition of legacies.     

断裂与延续:意大利历史发展的特征

从西罗马帝国灭亡到意大利统一,从中央集权到大区自治,从罗马教廷的控制到天民党的长期执政,这是发生在意大利历史发展过程中的三次传统的断裂与延续。传统的断裂与延续,是意大利历史发展的一个鲜明特征。     

‘Mother's Blood,Father's Land’: Native Title and Comparative Land Tenure Modelling for Claims in ‘Settled’ Australia

Anthropologists working in the field of Australian native title are required to piece together the early laws and customs of claimant groups and assess the degree to which these have continued since the assumption of British sovereignty. The former task is often difficult in south‐eastern Australia because of a lack of good quality early records. I suggest here that there are general principles of Aboriginal land tenure that can be recovered from elsewhere in Aboriginal Australia, where the ethnography is of a better standard, and these can be used as a guide for working with the patchier materials characteristic of the south‐east. The principles mainly cohere around the organic relationship between patrilineal descent and complementary filiation, and are shown to be relevant to the modelling of contemporary south‐eastern tenure, where people speak of ‘bloodlines’ identified with ancestral lands.     

琉球王国的首里城

随着全面接受明文化的影响,琉球王国成为东亚文明圈的一员。国都首里城与王府正殿朝向西面,这与东亚文明圈"天子南面"的传统明显不同。笔者围绕着"南面与西面"问题解析琉球王国相关的历史,提出了新见解。     

论傅抱石绘画思想中的日本因素

一直以来,日本因素对傅抱石的影响在其研究中众说纷纭、各有见解。本文试图从傅抱石留日经历的史实入手,结合近代中日美术交流等历史情境和社会背景,从三个方面（日本画坛影响下的傅抱石绘画思想之流变、日本画风影响下的傅抱石与岭南画派之比较、日本艺术理论对傅抱石绘画思想之内在影响）探讨傅抱石留学日本的经历对其绘画观念乃至风格造成的实际影响和深层原因,并作出合理的历史阐释,挖掘傅抱石绘画思想中对日本绘画复杂而微妙的文化心态。