书画鉴定与个案研究

最传统的书画鉴定,靠的是零碎的感性经验,用的是以视觉印象对照待鉴作品的比较方法,而对书画在历史承传中发展的系统知识及相应的视觉把握,需要较长时间的积累,因此传统的鉴定每每陷入先入为主和少见多怪的误区。现代的书画鉴定引进了美术史的风格概念,把时代风格和个人风格作为鉴定方法论的主要依据,使大体依赖感性认识的鉴定眼光,变为讲求方法和理性认识的学问。虽然在鉴定实践中,首先要看时代风格,而后再看个人风格。但时代风格包含在个人风格之中,大家的个人风格又会左右一个时代的风气。所以把握风格应从研究著名书画家个人风格入手,即为把握风格而进行书画家个案研究,以便为鉴定积累翔实系统而扎实有据的样板系列,让临场鉴定奠立在坚实的学术研究的基础上。个案研究要根据具体对象使用不完全相同的方法,本文亦就此进行了有关研究方法和研究程序的讨论。     

南非白人政权的“分别发展”图谋和“黑人家园”的设立

20世纪60年代“班图斯坦”（黑人家园）的设立,是南非现代史上的一个重大事件。白人政权不遗余力地积极推行这一“创举”,在南非国内和国际上都引起了强烈的反响。“黑人家园”的设立可谓“意味深长”,它是种族主义的极端体现,在政治上“让步”的背后,是精心设计的经济上“分别发展”计划的实施。     

Jumping Fish: Engendering Contestation and Development on the Waterways of the Aramia River in Papua New Guinea

ABSTRACT Set in the Aramia River basin, this article explores the intimate and interactive relationship between communities in Western Province, Papua New Guinea, and the water that dominates the environment in which they live. Located amongst tidal rivers, creeks and lagoons, Gogodala villages sit high on ‘islands’ of land. In this environment, water is the site of seasonal change and the space of movement. The Aramia River is synonymous with an ancestral figure called Sawiya who travelled in her canoe, naming, creating and populating the water and land of the area. As the ‘mother of all fish’, Sawiya controls the movement and abundance of fish and other aquatic resources. Water is embodied in Sawiya, whose capacities to both nourish and punish are the basis of seasonal variations in fish, and in the colour and clarity of water in the local lagoons and rivers. Set against the backdrop of the Ok Tedi Mine and recent logging operations on the Aramia, the article explores some of the ways in which water and its resources are defined and experienced in this rural community and the impact this may have on the exploitation and development of natural resources in PNG.     

改革开放以来小康社会理论的形成与发展

小康社会理论是中国特色社会主义理论体系的主体组成部分之一,是马克思主义现代化理论与中国发展实际相结合的产物,丰富和发展了对中国特色社会主义现代化过程的理解。在1980年代由邓小平提出,经历了六个发展阶段,到中共十七大提出＂全面建设小康社会新要求＂之际,完全成熟。由＂大同论＂向＂小康论＂转型,有其深刻的现实、历史、理论与文化的根源。＂小康论＂立足于社会主义初级阶段的基本国情,以社会化大生产与工业市场文明为目标诉求,在强调公有制的主导作用下,显示出对个人利益的认可、宽容与疏导,强调＂法治＂、＂市场＂＂、共同富裕＂与＂民主＂。注重循序渐进而不急于求成。小康社会理论的形成与发展,是对中国特色社会主义现代化理论的创新。     

日本发展入境旅游的政策措施与成效

自20世纪90年代开始,日本政府为推进入境旅游发展所采取的政策措施主要有：制定完备的旅游相关法律,成立专门行政管理机构制定并实施观光立国战略,规划建设广域国际旅游特区,加强国际旅游合作,积极申报世界遗产,发展生态旅游与产业观光游等。这些政策措施已经取得较为显著的成效,其中一些成功经验对我国发展入境旅游具有借鉴作用。     

Youthful Creativity in Regional Australia: Panacea for Unemployment and Out‐Migration?

This paper addresses the theme of youth out‐migration from rural Australia, in the context of recent policy discussions about creativity and its role in regional development. Ethnographic fieldwork in one rural location – the New South Wales Far North Coast – is drawn upon to highlight how creative industries are being cast as a potential way of promoting cultural activities and jobs for young people, and in turn, how they might be imagined as a means to mitigate youth out‐migration. Yet, creative industries have contradictory employment and social outcomes. Creative industries are likely to generate higher rates of youth participation in economic activities than public data reveal. However, strategies for future job growth should also consider the limitations and instabilities of creative industry employment. Second, and more broadly, the paper discusses those socio‐cultural dimensions of nascent creative industries that may have a more substantial impact when conceived as part of strategies to stem youth exodus from rural areas. Creative activities may contribute to rural development in indirect ways, especially if linked to policy goals of increased tolerance of youth activities, better provision of cultural services, and improved well‐being for young people. While formal job‐creation may be limited, creative industries could mitigate some of the impacts of youth migration to cities by enriching regional social life and mediating perceptions of the advantages and drawbacks of rural versus urban life. This kind of policy imagination requires a shift in attitudes towards young people and a more genuine commitment to encourage young people to feel that they belong in non‐metropolitan areas.     

识瓷五笺

本文分窑与窑系、官窑诠释、纹饰、器名杂识、残瓷琐语、科技之光照耀下的古瓷五个部分,论述、探讨、解决了古陶瓷研究方面存在的诸多问题,同时,阐述了研究的方法论,对将来进一步推进古陶瓷研究具有重要的参考价值和指导意义。     

明代贵州开发的心理准备

明代贵州得到前所未有的开发,中央政府既有大同思想,对贵州各民族施行怀柔政策,希望天下归心,形成四海一家的气象,又有明显的等级观念和大汉族主义情结,坚持汉族正统地位,“明华夏之别”、“谨夷汉之防”。外来移民到贵州求生存谋发展而又疏高贵州,生活在贵州却又有着强烈的故乡情怀;依托贵州而又有傲慢之态,与贵州少数民族相依相偎而又心存排斥。贵州土司迫于政治形势接受开发,却又竭力维护既得利益;下层广大民众热心学习中原封建文化和生产技术,但是在基本生存权力得不到保障时被迫反抗。矛盾的心理一方面推动着贵州的开发进程,另一方面又使开发出现停滞或破坏。     

我国历史文化遗产科学数据共享的现状及对策研究

本文论述了历史文化遗产科学数据共享管理的必要性,系统地分析了我国历史文化遗产科学数据共享存在的问题及其制约因素,就做好历史文化遗产科学数据共享管理提出了转变观念、健全法律法规、建立规范标准体系和构建服务体系的建议。     

可持续发展文化是科学与人文融合的必然选择

“科学”与“人文”的关系表现为“分立”与“融合”,二者的分立所导致的严重后果直接表现为科技的异化和人类价值观的扭曲,间接导致了生态环境的极度恶化和日益严重的生态危机,不利于人类社会的可持续发展。从科学与人文分立的历史追溯,发现既有科学对人文的压制,又有人文对科学的反抗。随着全球性生态危机的日益凸现,科学与人文的融合是必然选择,这既是理论发展的趋势又是现实的要求。可持续发展文化融合了科学与人文的内涵,体现了人文关怀,营造了“科技人性化”发展的氛围。科学与人文必将伴随着可持续发展文化的发展而不断融合。