从九种《皇朝经世文编》看晚清自然科学认知的变迁

本文以九种<皇朝经世文编>为史料依据,考察近代科学知识从西方输入时,晚清社会大众如何进行文化和知识架构的调整,以试图认识近代科学的本质,形成自己对近代科学的认知体系的过程.     

Sustainability Science Partnerships in Concept and in Practice: a Guide to a New Curriculum from a European Perspective

This paper makes the case for advancing sustainability science partnerships (SSPs) both within universities and through innovative means of integrating universities with external public‐private and civil sectors. It links the basic principles of sustainable development with an emerging science of cooperative learning that connects researchers to a wide range of partners. SSPs are specifically designed to be transformational through becoming active agents for societal change. Universities play a special role here because they can act both as communication networks and as laboratories for developing the capability to design and manage SSPs in the creative transition to sustainability. It is gratifying to note that these ideas are beginning to emerge in a number of universities, with European examples being highlighted in this paper. Further steps towards introducing full‐blooded SSPs across the university spectrum are suggested.     

1840-1860年间清政府三种外交体系分析

两次鸦片战争期间的中外关系,如果按照类型分析法标准来划分,可以基本分为朝贡体系Ⅰ型、Ⅱ型和Ⅲ型三类。中国与三类国家间的关系及其各自体制内部的演变错综复杂。两次鸦片战争之间的中外关系显然发生了重要变化。澄清这一时期中外关系复杂的性质,对中国近代史研究具有重要意义。     

CHALLENGING CERTAINTY: THE UTILITY AND HISTORY OF COUNTERFACTUALISM

Counterfactualism is a useful process for historians as a thought-experiment because it offers grounds to challenge an unfortunate contemporary historical mindset of assumed, deterministic certainty. This article suggests that the methodological value of counterfactualism may be understood in terms of the three categories of common ahistorical errors that it may help to prevent: the assumptions of indispensability, causality , and inevitability. To support this claim, I survey a series of key counterfactual works and reflections on counterfactualism, arguing that the practice of counterfactualism evolved as both cause and product of an evolving popular assumption of the plasticity of history and the importance of human agency within it. For these reasons, counterfactualism is of particular importance both historically and politically. I conclude that it is time for a methodological re-assessment of the uses of such thought-experiments in history, particularly in light of counterfactualism's developmental relatedness to cultural, technological, and analytical modernity.     

地理学学科研究的科学社会学视角——重新审视约翰斯顿《地理学与地理学家》一书

约翰斯顿(R J Johnston)所著《地理学与地理学家》一书既是一本关于英美现、当代人文地理学的学科史著作和科学哲学著作,又是人文地理学的科学社会学著作。前两种价值已得到公认。本文从作者写作目的、写作内容、论述的问题、内容结构、地理学史或地理学思想史中的科学社会学视角五个方面来重新审视该书对地理学本身研究的科学社会学视角。与已有的经典地理学史及其思想史著作相比,该书是当前唯一的将学科史、学科的科学哲学、学科的科学社会学三种视角结合起来来考察人文地理学本身的著作,也是当前唯一一本以科学社会学的视角成为全书基本主线之一的人文地理学理论著作。     

Currents and trends in the archaeological sciences

Here I use ISI Web of Knowledge to build on a recent paper by Butzer (2009) and track current trends in the archaeological sciences. I researched eight thematic keywords replete in the title, abstract, keywords and main body of archaeological science literature for the period 1970–2008. For all keywords investigated a steady rise in archaeological science research is evidenced after 1980, with pronounced growth occurring after 2000. I attribute this pattern to the standardisation of research production and academic evaluation, in addition to the democratisation of new information technologies, notably the Internet. The evolution of 10 leading archaeological science journals was also tracked. Since the 1970s, the bibliometric data show that nine of the ten journals have successfully expanded on an annual basis. I found that the biggest growers (the Journal of Archaeological Science [JAS], the Journal of Human Evolution and the Journal of Anthropological Archaeology) are all published by Elsevier. In 2008, the JAS was ranked first for five of the eight thematic keywords by ISI, underlining the popularity and interdisciplinary scope of the journal. According to the 2008 Journal Citation Reports, the JAS ranks second for total citations (4219) in archaeological science and third for its overall impact factor (1.779).     

High modernism in the Arctic: planning Frobisher Bay and Inuvik

This paper considers Frobisher Bay and Inuvik, two Canadian Arctic towns, as examples of the high-modernist planning that swept the globe during the middle decades of the twentieth century, but also Cold War projects reflecting a sudden interest in the Arctic as a region of military significance. Building on the framework provided by James Scott in Seeing like a State (1998), the paper details the connections between modernization theory and Cold War militarism before turning to the strikingly parallel case studies. In each instance, federal officials proposed ambitious urban models designed to simultaneously overcome the hostility of a northern environment and catapult native northerners into conditions of modern living. While the limits and failings of such schemes varied by location, both sites were also laboratories for social scientists employed by the federal government to document and analyze the modernization of the Arctic. The work of these scholars represents a particularly rich and complex record of governmental interventions, tied variously to Cold War imperatives, in northern lives and landscapes at a time of great faith in the transformative power of modern engineering.     

李四光与辛亥革命

在近代中国仁人志士探索国家出路的大背景下,李四光作为一位新式知识分子,在时代的号召下亦曾投入到革命洪流之中,参与辛亥革命。这充分体现了时代与个人的互动关系。在时代的号召下,他接触革命党人,接触革命思想,实现思想转变,走上革命救国道路,而革命党人的思想也对李四光的一生产生了深远影响：在辛亥革命后,面对辛亥革命的失败,他积极参与实业建设,力图实业救国,走上了科学救国之路。     

Crafting the future: envisioning space exploration in post-war Britain

Prior to the launch of Sputnik, knowledge about human space travel was widely circulated by spaceflight proponents, scientists and news producers in mainstream culture through print, film and broadcast media and displayed in public sites such as museums and public exhibition spaces. Focusing on the timeframe 1947–1953, this article examines how key members of the British Interplanetary Society used a combination of craft skills, graphical technologies, and communication media to create pictures and models to support rhetorical claims that spaceflight and astronautics are legitimate fields of scientific research and space travel could and should be achieved in the near future. Production and circulation of factual knowledge about space travel was not confined to material and discursive practices in established fields such as astronomy and aeronautical engineering. Actors from other professional, non-professional, and social groups contributed to the realization of future spaceflight as an heterogeneous cultural endeavor or astroculture encompassing an array of technical processes, artifacts, craft skills, and scientific knowledge.     

The Universe will be televised: space,science, satellites and British television production, 1946–1969

This essay uses material from the British Broadcasting Corporation (BBC) archives to show how space-related technoscientific activities played a key role in the development of BBC television. The essay focuses on a crucial period when this influential cultural institution transitioned away from radio as their primary broadcast medium in the 1930s and 1940s to reluctantly embrace television in the 1950s and 1960s. Space-related activities, including astronomy, cosmology, rocketry, aerospace engineering, astrophysics and interplanetary research, played a key role in the modernization of BBC television broadcasting in two intersecting ways. Space-related material provided informative, yet popular, programmatic material that helped BBC television compete in an increasingly commercialized media market, and, later, space projects supplied technologies that impacted on the mechanics of broadcast production and transmission. The profile and prestige of space as a topic, in particular, its visuality, the drama of exploration it presented, and its association with celebrity scientists like Bernard Lovell and Fred Hoyle, meant that such programming became a crucial business asset for the BBC and a professional asset for ambitious producers who saw its commercial potential. Following the launch of Sputnik in 1957, space technology became further intertwined with the development of British broadcasting as the fields of satellite communications and broadcasting transmissions infrastructure converged. In particular, BBC producers promoted the potential development of communication satellites within their television programming by portraying such satellites as plausible and necessary for the advancement of civilization, and most crucially, as a prospective British Space Race achievement.