A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two?

The central church of the monastery of Christ Antiphonitis near Kalogrea, within the district of Kyrenia in Cyprus, is decorated with wall paintings that date from the last decades of fifteenth century. Two large and elaborate scenes, the Last Judgement and the Root of Jesse, had been preserved in the church until the Turkish invasion (1974) after which they were cut into tetragonal pieces, separated, and sent by looters to Germany for selling at illicit markets. The German Police returned thirty-two of the pieces to the Archbishop Makarios Foundation in Nicosia.     

南阳发现的汉代钱范及相关问题探讨

20世纪60年代以来,南阳以汉宛城遗址为中心出土了数批汉代钱范,这些钱范反映了汉代铸钱技术的发展和南阳郡的铸钱业概况.     

周一汉毛织品的染色工艺探讨

为探讨1985年新疆且末县扎洪鲁克墓群和洛浦山普拉墓群出土的一批周一汉毛染织品的染色工艺,用能量色散x射线荧光仪和色度仪对这批毛染织品分别进行了元素分析和反射光谱的测定。结果表明,这批毛染品均使用植物染料染色,分别采用四种染色工艺：直接染色、媒染染色、复染染色和套染染色。其中,蓝色毛织品为直接染色;红色毛织品采用了媒染、复染工艺,绿色毛织品由蓝色与黄色套染而成。进一步的研究表明,红色毛织品是用铝盐作媒染剂染色而成,铝盐含量与毛织品的色度呈相关性。说明能量色散X射线荧光分析仪和色度仪的使用是分析古代毛染品染色工艺的有效手段。     

传统金箔制作工艺调查研究

传统的金箔制作工艺是传统金属工艺的重要组成部分。制作金箔的主要和唯一方法是锻造,自商代起一直沿用至今。早期由于未采用隔层材料,只能逐片锻打,厚度也不可能太薄,随着隔层材料的使用,特别是至迟在明代使用的乌金纸,使金箔的厚度大大降低。从最早的逐张锻打发展到目前的一次锻打1000-2000张,生产效率有了极大提高。工序也有了进一步发展细化。科技的发展和大规模的工业化生产,对传统工艺产生了极大的冲击,因此对传统工艺的保护成为当务之急,有效的途径之一是对传统工艺进行调查和研究,为此对南京金线金箔总厂的传统金箔制作工艺进行了调查,从合金的成分、熔炼、打制和切割工具、隔层材料、制作工序等方面对金箔的传统制作工艺流程作了记述。     

中国古代焊接技术初步研究

我国古代的多项金属技术都很早就取得了较高成就，但由于多方面原因，人们对我国古代焊接技术的发明、发展状况还是了解较少。本文主要依据考古实物的科学分析和文献研究，对此试作一初步探讨。...     

法门寺地宫出土唐髹漆平脱秘色瓷碗髹漆工艺初探

在1987年的法门寺地宫考古发掘中,出土一对髹漆平脱秘色瓷碗,是秘色瓷与金银工艺、髹漆工艺完美结合的珍贵文物。为了对其髹漆工艺进行了探讨,本研究利用显微观察、扫描电镜能谱分析和红外光谱分析等方法,对髹漆残块、银扣残块样品进行检测分析。在此基础上,提出了其髹漆工艺的流程。研究结果可为文物保护修复、科学技术史和艺术史研究提供可靠参考。     

Seamus Heaney and the “place of writing”: technique as evidence of redress as a construct

This article re-examines the significance of redress for Seamus Heaney’s poetry and prose by illustrating that redress is a deeply considered intellectual construct which incites, facilitates and renews creativity throughout Heaney’s career. Redress neither constitutes a project of self-fashioning nor indicates uncertainty in terms of equivocation. Rather, it suggests Heaney’s characteristic uncertainty of how to create a space for himself from and within which to write. In his early work in particular, his contemplation of redress is indicated by his ritual recourse to spatial metaphor. Having arrived at the “place of writing”, the process of unwriting is immediately initiated and the space deconstructed. It is this deconstruction of the created place and the unwriting of what has been written which, in Heaney’s words, “makes the renewal of artistic effort contemplatable”. And it is that contemplation which functions as an impetus for poetry. This article therefore explores Heaney’s diction, rhetorical strategies and ritual performance of redress.     

试论房地产估价信息系统化及其实现

本文通过对当今时代发展趋势和房地产估价发展现状分析,提出信息系统化是房地产估价发展的新方向;以房地产价格学、信息系统学和计量地理学为基础,阐述房地产估价信息系统化基本概念及目标体系;提出估价信息系统化实现的基本思路、主要方法和关键问题。     

先秦马车构造技术探讨——关于重心平衡的问题

先秦马车在构造技术上力求解决车辆重心的平衡与协调,尤其是为促进牵引力与重心力之间的平衡及保持重心的稳定而发展起来的构造与组装技术,进一步提高了车辆的各项性能,技术的进步使得马车各部分构件及整体形制渐趋合理。     

六朝染织史考

六朝染织业在沿袭两汉旧制基础上有所突破与发展,各类锦绣绫罗层出不穷,其质量与产量都在恢复的基础上有了较大的提高。本文通过对六朝纺织业发展水平的考察,对六朝的经济和文化面貌作了全面的认识。