Miami's Little Havana: Yard Shrines,Cult Religion and Landscape

The urban square has been a distinguishing characteristic of European cities for millennia. However, in the context of small towns, where the square is often the sole identifier of their physical urbanity, its role differs from that of large towns. This fact is substantial within national administrative systems that endorse desirable urban status to rural settlements endowed with urban morphology. It is also important in times of extensive EU-subsidized actions aimed at improving the quality of public space in small underresourced towns. However, many projects fail to draw from and respond to the specifics of the local context, and, by focusing on the details and disregarding the basics, they may defeat their purpose. Departing from extensive field observations in Poland, this paper puts theoretical framework and current trends in urban design into relation to various elements of a square's spatial configuration in order to arrive at degrees of their urban significance. By interpreting the fundamental values embedded in the morphology of market squares, this paper attempts to isolate the cultural archetypes that shape our perception of such places as urban. The proposed analysis could be used to meet the main goal of market square revitalization, namely to visually articulate urbanity.     

Sign Geography

Signs are significant elements of cultural landscapes throughout the world. Through their form and content, signs reveal a variety of information about places ranging from locational and physical geographic data through social, economic and political characteristics. Signs, which tell of past events, current conditions and future expectations, are landscape notes on the geography of change. Signs are frequently evidence of cultural diffusion and convergence. Many signs give direction to human activity and symbolize societal quest for order. Others reflect tastes, values and attitudes, in concert with prevailing belief systems. Signs are both cultural phenomena and landscape statements that attest to the way of life in a place.     

Corpus cartographique pour l'histoire de Damas,Syrie, à la fin de la période ottomane (1760–1924)

Abstract

De manière générale, la cartographie des villes de l'empire ottoman est peu abondante. Au dix‐neuvième siècle, malgré plusieurs réformes administratives, l'autorité publique ne recourait pas à des documents cartographiques pour organiser les travaux d'édilité tandis que les étrangers rencontraient les plus grandes difficultés pour établir des représentations de ces villes. Damas constitue une exception à ce tableau. On dispose de plusieurs cartes antérieures à l'établissement du mandat français (1920) qui sont de qualité inégale. Les auteurs étrangers sont les plus nombreux et les plus fiables; le plus souvent archéologues ou historiens, ils ont dressé des documents partiels par toujours faciles à évaluer. Cependant, et malgré la faiblesse de son volume (sept documents), le corpus des premières cartes de Damas constitue une source essentielle pour l'histoire du développement spatial de la ville entre le milieu du dix‐neuvième siècle et l'établissement du pouvoir mandataire.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

且末古城地望考

本对以往学术界在且末古城地望问题上的考察和研究进行了全面总结,指出了失败的原因,进而认为且末古城位于车尔臣古河床的东岸,距今来利勒克古城3日路程的地方;如果以此为圆心,以3日路程为半径,由南向北划圆,在与车尔臣古河床交会处找到且末古城的可能性较大。     

中国乡村城市化研究:起源、概念、进展与展望

本文回顾了20世纪80年代以来我国乡村城市化研究的起源,对乡村城市化和自下而上城市化两个概念进行了辨析,对近20年来乡村城市化研究的内容、进展以及存在的主要问题进行了评述,并对未来乡村城市化研究的方向作出了展望。     

秦汉时期的农业和农村经济管理措施

秦汉统治者为加强对农业和农村经济的管理 ,采取了一系列发展农业和农村经济的重要措施。这些措施在一定程度上促进了农业和农村经济的持续和稳定发展 ,为秦汉统治政权的长治久安奠定了坚实的经济基础     

管窥张闻天从个体农业经新民主主义走向社会主义的构想

张闻天关于农村合作经济的思想是他为我们党留下的精神遗产的一部分。张闻天所说的供销合作社与生产合作社 ,是以私有制为基础的各种类型的劳动互助组织 ,发展供销合作社与劳动互助组织 ,为农业集体化准备条件 ,经过长期的说服教育 ,在经济上必须实行一条无产阶级的领导路线 ,以最终引导农民走向社会主义。搞新民主主义建设 ,张闻天提出发展合作社的道路 ,是从供销合作到生产合作。在这条道路中 ,发展农村供销合作社占有重要的地位和作用。供销合作社是把小生产者与国营经济结合起来的桥梁和纽带 ,担负着改造小生产者社会制度的历史任务。需要坚持自愿互利原则 ,反对强迫命令 ;保护农民的私有权 ;正确处理和资本主义的关系     

国内外农村居民点区位研究评述

随着人类经济社会的发展,居民点的外在特征和空间结构也在不断的演化与变迁,居住地点的选址和布局最能反映出人类活动与地理环境之间的相互影响与作用机制。目前国内外在城市居住区位研究方面已经形成大量研究成果,相比之下,农村居民点相关研究还存在一定滞后。文章从居民点区位影响因素、区位演变、居民点分布和等级结构四方面对国外相关研究进行了评述,梳理了国内农村居民点区位研究的相关内容,在此基础上对存在的问题进行了讨论和总结,并对今后研究内容进行了展望。     

县域城镇化发展水平评价与对策

县级区域是我国最为基本的行政地域单元,是农村劳动力得以转移的主要载体。文章以统筹城乡发展的要求为指导,以江苏省沭阳县为典型案例,通过构建融人口、经济、社会文化、基础设施于一体的县域城镇化发展水平综合评价指标体系,采用熵值法和SPSS统计分析技术,从时空尺度视角对沭阳县城镇化发展水平进行了综合评估,并从加强中心镇建设、发展工业、人口控制、政策调整等方面提出了加快县域城镇化发展的对策。