中世纪法兰西王室徽章研究——百合花象征主义的神学渊源及内涵

在中世纪法国 ,滋养象征主义的土壤极为丰厚。法国王室百合徽章作为象征符号 ,发轫历程较为明晰 ;但在论及其渊源和象征内涵时 ,学术界则存在较大分歧。王室百合与基督教神学有着深刻的渊源关系。但是 ,随着王权的逐步强化 ,王室百合的神学色彩渐趋弱化 ,而其政治色彩则趋于浓重。法兰西王室百合的发展史曲折地反映了王权和神权之间利用与被利用的关系 ,同时也反映了法兰西王权由弱到强的历史行程。     

The Marriage Well at Teltown: holy well ritual at royal cult sites and the rite of temporary marriage

This article discusses Lag an Aonaigh, the ‘Marriage Well’ of Teltown, and the unusual temporary marriage ritual that once took place there during the annual Lughnasa festival. The relationship of Lag an Aonaigh to the modern and ancient fairs (aonach and óenach), and to the broader cult of holy wells is considered, which it is suggested largely represents the local adoption of the Mediterranean healing-spring cult. The article investigates the possibility that this marriage rite was informed by lore of a divine wedding at Teltown, and by the inaugurations carried out at many royal centres that entailed the matrimonial symbolism of the king marrying the Goddess of the land. The relationship of this site to the broader landscape of Teltown, especially to the nearby Knockans linear earthwork is explored. This relationship is then used to analyse the landscapes of the other main ‘royal’ sites, where linear earthworks similar to the Knockans that terminate near springs or ponds are also found. It is considered that all of these earthworks may have been used in ritual processions involving the springs, or even as devices to segregate young men and women at these assemblies, and lead them to the spring to start their own ‘Teltown weddings’.     

Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

从园林起源谈六朝时期的皇家宫苑及其它园林形式

从我国古代神话及有关文献记载中探索中国古典园林的起源,以及早期园林构景要素的基本形式,并由此追溯作为六朝都城－建康城中皇家园林及佛寺园林、私家园林形式,尤其对当时著名的皇家宫苑－华林园、乐游苑的建园与盛衰过程的考释作了一定的分析与阐释。     

Of Male and Female Heirs; of English and Scottish Peerages: The Fine Tuning of the Peerage Bills of 1719

There were two versions of the Peerage Bill in 1719, one which was lost in the house of lords in April when the parliament was prerogued and one in December which was defeated in the house of commons. The first was constructed in debates in the Lords, in conjunction with the judges, based on resolutions introduced into the upper House by the duke of Somerset; the second was introduced into the Lords as a fully formed bill. Both bills underwent changes during their progress through the house of lords. The result was that the second bill differed significantly from the first. Based on the first bill, the second allowed for more peerages to be created, while trying to prevent the problems associated with female succession, particularly in the Scottish peerage, and more closely defining when a peerage had become extinct. This article is based on documents generated by the passage of the two bills through parliament which have not been studied before.     

The Clanking of Medieval Chains: Extra-Judicial Banishment in the British Empire

Banishment in English law was circumscribed by the Magna Carta and habeas corpus and prohibited except by legal procedure. The Transportation Act of 1718 legalised exile and enshrined convictism in law. The case of Bancoult (No.2), 2008, which considered the banishment of the Ilois of Chagos Island in the 1960s, brought consideration of banishment into the twentieth century and opened the royal prerogative to modern scrutiny. What becomes clear from this case is that banishment relied on royal prerogative without resort to legal process and was surprisingly routine throughout the British Empire. This article considers the implications of this case and some of the wider history of banishment in the empire.     

Lost Palaces,Lost History: The Wang of Bangkok’s Rattanakosin

Siam’s practices of polygamy variously bemused and shocked European visitors to the kingdom in the nineteenth century; however, especially in the case of the early Chakri monarchy, there was always also a strong political rationale to such customs. Multiple liaisons would yield multiple sons who could subsequently serve as defenders of both realm and dynasty; later, as the nation evolved, they could form a pool of ministers and administrators. Multiple daughters, in turn, were always useful in shoring up support from a restive nobility. Sons in particular, however, presented a real estate challenge as they had to be housed in appropriate style and this called for a profusion of both small and large palaces, wang, throughout the old historic city of Rattanakosin. From the locations of wang and their degrees of splendour one might have been able to read the evolving politics and political economy of early Bangkok, also the always evolving role of the monarchy, except that most have been swept away for more mundane urban development. Yet enough evidence remains for the story still to be pieced together, thereby throwing some light on currently fraught debates over the political context and role of the monarchy.     

殷墟1004号王墓出土青铜胄研究

对商晚期都城殷墟遗址的1004号王墓出土的7件青铜胄进行了热电离质谱(TIMS)铅同位素比值分析和电感耦合等离子体发射光谱(ICP-OES)成分分析,数据显示铜胄的合金类型可分为两类——锡青铜和铅锡青铜,且其二者的铅同位素比值均处于高放射性成因铅范围。此研究结果为探索金属矿料的产地来源及此著名王墓的年代等问题提供了重要线索。     

Solemn Entries in 12th- and 13th-century Norway

This article addresses the role of Solemn Entries as part of the Norwegian kings’ communication programme from the late 12th and 13th centuries onwards. The study covers two particular political contexts that greatly influenced the political significance of the Solemn Entry and the ways in which different players musically accompanied them: the civil war of 1130–1240 and the period of greatness that followed. It shows that the ritual provided the kings and bishops with the means to assert their political ambitions during the conflict for royal succession and as part of the ongoing competition between the royalty and the Norwegian clergy after the war.     

“■禁丞印”补证

秦封泥“□禁丞印”,文字经考证,应为“■禁丞印”。“■”同“玤”,地在秦汉时古渑池,春秋时期“玤宫”作为周王“离宫”,具备苑囿等可供游玩的职能。战国时期,秦国取得渑池后,将“玤宫”和苑囿提升到新高度,专门设立“玤禁”负责离宫和苑囿安全。随着秦朝灭亡,汉初革秦制,“玤宫”及附近苑囿最终被更名后的“渑池宫”替代了。四枚同文秦封泥的存在,是这段变革历史的见证。