Danto and the Pale of Aesthetics

Arthur Danto’s Transfiguration of the Commonplace is a new theory of art, seeking to catch the flavour and essence of its contemporary phenomenology. It is obliged, however, to pit itself in toto against aesthetic philosophy, leaning on the derivatives from deuteropraxis and institutional definition while committing itself to a concept of arthood extracted from exoteric ideas, which are held to comprise the artworks’ individuation and identity. This paper examines the principal notions in support of his contentions and contrasts them to the chief principles of aesthetic philosophy. In this juxtaposition, it transpires that conviction eludes Danto, as his suppression of aesthetic criteria yields unsuspected aporias from a disconjugate amalgam of inherence, ontology, epistemology and concept integration. Thus the leap from “mere real things” to the plateau of arthood is never accomplished, as it falters at the step where a perceiving subject has a stake in, and the power of authorisation, of this conception of art.     

Advances in the archaeology of the Pampa and Patagonia

Archaeological data reveal two distinctive cultural adaptations on the Pampa and Patagonia of Argentina: terrestrial hunter-gatherers in the former and most of the latter region and maritime hunter-gatherers along the southern extreme. Both adaptations were achieved by the end of the fifth millennium B.C. Thereafter, a stable equilibrium was maintained, with a slow drift toward greater emphasis on resources providing the maximum return for the least effort. The high productivity of the Fuegian environment sustained a population 30 times greater than occupied the Pampa and continental Patagonia prior to Araucanian penetration in the sixteenth century A.D. The long-term stability is attributable to the absence of environmental or demographic pressures or encroachments by neighboring groups, which might have made more intensive exploitation of the environment necessary.     

晚明文艺思潮对绘画的影响─—徐渭、董其昌比较研究

本文以徐渭和董其昌作为个例分析，讨论了晚明文艺思潮对当时绘画风格、形式变化的影响。     

Full‐Vector Archaeomagnetic Dating of a Medieval Limekiln at Pinilla Del Valle Site (Madrid,Spain)

Archaeomagnetic dating based on the full geomagnetic field vector was carried out on a limekiln excavated at Pinilla del Valle archaeological site (Madrid, Spain). The limekiln tradition in this area is largely documented by historical sources for recent centuries but the date of the studied kiln's last use was unknown. The combination of mean archaeomagnetic directional and absolute archaeointensity results shows that the kiln was last used between ad 1296 and 1413, in good agreement with two independent radiocarbon dates. This study provides the first archaeomagnetic evidence that the local limekiln tradition dates back to at least late medieval times. Furthermore, the inclusion of these data in the Iberian secular variation curve and geomagnetic field models will help to improve the archaeomagnetic dating technique.     

Reading back from Experimental Painting

ABSTRACT

My book, Experimental Painting (1970), was the product of a decade of coming to terms with the history of modern art and with contemporary manifestations of the avantgarde. While at Cambridge from 1960 to 1967, I published art criticism, initially in locally published magazines, and then went on to review art exhibitions both nationally and internationally. This led to being co-editor of Form, which produced further opportunities. The term ‘experimental’ that I adopted in 1970 was intended to suggest the paradigm of scientific discovery which suited some, if not all, of the artists I studied. This article considers concepts directly imported from contemporary scientific enquiry that seemed relevant to me at the time, notably those from experimental psychology, psychoanalysis and structural linguistics. I relate them to the character of intellectual life at Cambridge in a period which saw much debate about the relationship between Sciences and Humanities as ‘Two Cultures’.     

Gustav Metzger: iconoclasm and interdisciplinarity

ABSTRACT

Gustav Metzger (1926–2017) has been described as ‘the conscience of the art world’ for the consistently political content of his art and his commitment to political activism on the subject of nuclear weapons, capitalism and environmentalism. Metzger’s artistic output from the late 1950s onwards reflects a theory of art as both aesthetic form and social action and identifies him as a key precursor of activist art. This article considers the inherent interdisciplinarity of Metzger’s practice as it evolved during this early period between the late 1950s and early 1970s in relation to his agenda of social engagement.     

Keeping it real? Subcultural graffiti,street art,heritage and authenticity

This article considers the implications of framing subcultural graffiti and street art as heritage. Attention is paid to subcultural graffiti’s relationship to street art and the incompatibility of its traditions of illegality, illegibility, anti-commercialism and transience with the formalised structures of heritage frameworks. It is argued that the continued integration of street art and subcultural graffiti into formal heritage frameworks will undermine their authenticity and mean that traditional definitions of heritage, vandalism and the historic environment will all need to be revisited. The article contributes to the current re-theorisation of heritage’s relationship with erasure by proposing that subcultural graffiti should be perceived as an example of ‘alternative heritage’ whose authenticity might only be assured by avoiding the application of official heritage frameworks and tolerating loss in the historic environment.     

Changes in chemical composition caused by water–rock interactions across a strike‐slip fault zone: case study of the Atera Fault,Central Japan

In some cases, water–rock interactions in fault zones can affect radionuclide migration. Here, we analyzed the chemical compositions of well‐exposed fault rocks from the strike‐slip Atera Fault, Central Japan, in order to understand the variability and behavior of major and selected trace elements. The fault zone has a 1.2‐m‐wide, smectite‐rich fault core and paired damage zones that developed within welded tuff on one side of the core and within granite on the other side. The 30‐cm‐wide, kaolinite‐rich fault gouge is developed in granite cataclasite, and it shows indications of the latest fault activity, while the 1.2‐m‐wide fault core appears to be older. Hydrogen and oxygen isotope ratios in the clay‐rich fault gouges, and carbon and oxygen isotope ratios in carbonates indicate that the two major clay‐rich zones formed in bedrock near the surface, consistent with observed deformation structures. Based on chemical analyses, we identified (1) a slight depletion in SiO₂, Na₂O, K₂O, and light rare earth elements at the edges of the 1.2‐m‐wide fault core, (2) a clear depletion in SiO₂, Na₂O, K₂O, and all rare earth elements except Eu in the 30‐cm‐wide fault gouge, and (3) an increase in CaO, MnO, and heavy rare earth elements across the entire 1.2‐m‐wide fault core. Findings (1) and (2) reflect water–rock interactions in the 1.2‐m‐wide fault core and in the 30‐cm‐wide fault gouge that resulted in the formation of smectite and kaolinite. Finding (3) reflects carbonate precipitation caused by the addition of basalt fragments from a nearby site to the 1.2‐m‐wide fault core during faulting, and subsequent sorption reactions of heavy rare earth elements via processes such as complexation with the carbonates.     

Diagenesis and elemental geochemistry under varying reservoir oil saturation in the Junggar Basin of NW China: implication for differentiating hydrocarbon‐bearing horizons

In this paper, we attempt to differentiate hydrocarbon‐bearing reservoir horizons of the Junggar Basin of NW China based on the characteristics of diagenesis and associated elemental geochemistry. Reservoirs at this site have varying levels of oil saturation that correlate with the degree of dissolution in minerals (e.g., calcite and feldspar). Four different horizons with varying diagenetic mineral assemblages were observed, including (i) kaolinite‐rich, oil‐dominated horizons, (ii) kaolinite–pyrite–hematite‐rich, oil–water‐dominated horizons, (iii) siderite–chlorite‐rich, water‐dominated horizons, and (iv) chlorite‐rich horizons with negligible hydrocarbon production. The mean MnO content of the representative diagenetic mineral (e.g., calcite) in each of the above horizons is >2.5, 2.0–2.5, 1.5–2.0, and <1.0 wt%, respectively. We propose that the above methodology can be used for the identification of reservoir hydrocarbon‐bearing horizons. We argue that the indicators presented here can be applied in oil exploration across the Junggar Basin.