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21.
This article analyzes the formative role of medieval theology and aesthetics in the development of postwar American architecture by focusing on the architectural theory and practice of Mies van der Rohe and Jean Labatut, both of whom became actively interested in Neo-Thomism from the late 1940s. More specifically, a closer look at their reliance on the work of Jacques Maritain, the preeminent promotor of Neo-Thomism, sheds light on the transmission and circulation of old and new concepts within twentieth-century architectural theory. By revealing how Maritain’s ideas helped to codify the latter and thus exposed the premodern ideas at the heart of modern architecture, I argue that modernist aesthetics should be re-evaluated with regards to its definition of “the new” and its emphasis on the breakdown or mutation of premodern frames of reference.  相似文献   
22.
Abstract

This article focuses on the aesthetic and affective techniques of saturation through which posters legitimated the Party-State in Mao’s China by closing the gap between everyday experience and political ideology. Propaganda posters were designed to put into practice the principle of unity, as conceptualised by Mao Zedong. The argument posits that while the “poster” is normally a printed edition of a painting or design intended for mass distribution in this way, the term may fairly be deployed to capture other cultural objects that function as “posters”, in that they provide public, political information that expresses or constructs a political self in aesthetic form. This approach requires a metonymic understanding of a visual field in which cultural objects are interrelated and mutually reinforcing. The essay draws on recent in-depth interviews with poster artists of the 1960s and 1970s.  相似文献   
23.
Lillian Ball's art project WATERWASH creates a new ecological imaginary in the South Bronx. Building on a tradition of ‘maintenance art’, the work exhibits the power of soil, plants and microorganisms to clean water – in effect maintaining urban water. An overarching goal of WATERWASH is to educate local people about the metabolism of urban water, causes of river pollution, and to familiarize them with the capacity of soil and plants to respond to that problem. As part of its creation, the project provided diverse groups of people with opportunities to participate, including a group of Bronx youth who assisted in planting the wetland. Several of these apprentices will be involved in future monitoring of the effectiveness of the wetland in mitigating parking lot runoff. I use Isabelle Stengers' notion of ‘diplomacy’ to interrogate the efforts of the artist in negotiating and creating an occasion in which people with divergent interests can both recognize and maintain the relationships of care that sustain them. In effect, this effort extends the feminist discourse of maintenance work to include that undertaken by the ‘other-than-human’.  相似文献   
24.
Religion and art are symbiotic. The ecumenical propagation of Christianity inherently entails a mission of indigenization. Since it spread to China, Christianity has produced many renovated art forms which combined indigenization and local artistic expression on the one hand, with original religious notions and Western art on the other. This article reviews Chinese scholarship on the indigenization of Christianity in modern China and emphasizes that the renovated Chinese architecture, music, and fine art, after integrating with religious ideas and techniques, largely promoted the modern transformation and rejuvenation of traditional Chinese art.  相似文献   
25.
Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art.  相似文献   
26.
Rock art is one of the most salient features of Neolithic societies in eastern Spain and an explicit form of landscape history. This paper summarizes current debates of Mediterranean rock art chronology and interpretation and explores the contextual differences in two areas of Neolithic settlement with rock art: the Canyoles Valley (Valencia) and the Alcoi Basin (Alicante). Large-scale survey of the Canyoles Valley resulted in a clearer understanding of agricultural land use during the Neolithic that contrasts with evidence from the Alcoi Basin. By analyzing Neolithic rock art in its archaeological context, we discuss the significance and limitations of rock art analysis for understanding and characterizing landscape histories and the transition to agriculture in the region.  相似文献   
27.
本文介绍了元代中期墨竹画家柯九思的绘画艺术,并就其艺术师承、绘画风格以及与同期画家墨竹风格的比较进行了分析,对柯氏的艺术风貌作了较为全面系统的评介。  相似文献   
28.
南京堂子街太平天国壁画中有四幅重要的山水画已经相关专家考释并命名。但根据壁画内容及对画中地点的考证,现有命名方式的合理性遭到质疑。对金陵图咏进行脉络梳理之后可发现这四幅山水画的原形应为清乾隆至同治间《金陵四十八景》中的四幅。太平天国壁画历来有为政治、军事服务的传统,故军事因素应是对金陵四十八景中四景的选取原则。  相似文献   
29.
This article accounts for the hitherto unexplained increase in the availability of ivory in mid-thirteenth-century France through an alteration in the medieval trade routes that brought elephant tusks from Africa to northern Europe. A newly-opened passage through the Straits of Gibraltar allowed a small amount of luxury goods to be shipped together with bulk materials necessary to the flourishing textile industries of northern Europe.  相似文献   
30.
The Krafla geothermal system is located in Iceland's northeastern neovolcanic zone, within the Krafla central volcanic complex. Geothermal fluids are superheated steam closest to the magma heat source, two‐phase at higher depths, and sub‐boiling at the shallowest depths. Hydrogen isotope ratios of geothermal fluids range from ?87‰, equivalent to local meteoric water, to ?94‰. These fluids are enriched in 18O relative to the global meteoric line by +0.5–3.2‰. Calculated vapor fractions of the fluids are 0.0–0.5 wt% (~0–16% by volume) in the northwestern portion of the geothermal system and increase towards the southeast, up to 5.4 wt% (~57% by volume). Hydrothermal epidote sampled from 900 to 2500 m depth has δD values from ?127 to ?108‰, and δ18O from ?13.0 to ?9.6‰. Fluids in equilibrium with epidote have isotope compositions similar to those calculated for the vapor phase of two‐phase aquifer fluids. We interpret the large range in δDEPIDOTE and δ18OEPIDOTE across the system and within individual wells (up to 7‰ and 3.3‰, respectively) to result from variable mixing of shallow sub‐boiling groundwater with condensates of vapor rising from a deeper two‐phase reservoir. The data suggest that meteoric waters derived from a single source in the northwest are separated into the shallow sub‐boiling reservoir, and deeper two‐phase reservoir. Interaction between these reservoirs occurs by channelized vertical flow of vapor along fractures, and input of magmatic volatiles further alters fluid chemistry in some wells. Isotopic compositions of hydrothermal epidote reflect local equilibrium with fluids formed by mixtures of shallow water, deep vapor condensates, and magmatic volatiles, whose ionic strength is subsequently derived from dissolution of basalt host rock. This study illustrates the benefits of combining phase segregation effects in two‐phase systems during analysis of wellhead fluid data with stable isotope values of hydrous alteration minerals when evaluating the complex hydrogeology of volcano‐hosted geothermal systems.  相似文献   
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