唐淮南大长公主墓志所反映的唐代历史问题

淮南大长公主墓志是目前发现的形体最大、铭文最长的一盒唐代公主墓志,具有重要的历史和文物研究价值.本文在对淮南公主墓志考证的基础上,对墓志中记载的太平公主、唐睿宗李旦等重要历史人物及著名音乐家王长通的有关史事进行了梳理论证,对墓志所反映的武则天"以周代唐"的重大历史事件以及唐代的礼仪风俗、宗教活动、音乐文化等也进行了较充分的论述.     

殷墟出土青铜礼器铸型的制作工艺

前言作为商代晚期的都城,殷墟也是商代后期青铜铸造业最重要的基地,遗址内出土有大量陶范、芯、模,熔铜、盛铜器具,制范、铸后清理所用工具,以及相关的遗迹、遗物等。这些出土资料为我们了解殷墟青铜器生产的工艺流程,印证或是修正以往关于某些技术细节的猜测和假说,提供了重要的依据。     

Tooth Ablation in Prehistoric Southeast Asia

A sample of skeletons excavated from an undisturbed prehistoric (4000–3500 years BP) burial site in Thailand included a high proportion of individuals with anterior teeth missing in distinctive, mostly symmetrical, patterns. The patterns, types and numbers of teeth missing have been compared between males and females, with age at death, with depth of burial and among spatially distinct groups within the cemetery. The patterns of missing teeth changed over time. In early burials, lateral maxillary incisors were most commonly missing. Two-thirds of the adults had missing teeth. There were no significant differences between the sexes or with age. In later burials, central maxillary incisors and mandibular incisors were most commonly missing. All adults and some children as young as 11 years had missing teeth. There were no significant changes with age but females had more missing teeth than males. Loss as a result of extreme wear inflicted through the use of teeth as tools, congenital absence and ritual ablation are discussed as explanations for the absence of the teeth. The evidence suggests that ritual ablation is the most likely explanation, although the loss of mandibular incisors in some early burials may be as a result of industrial use of the teeth. The ablation of maxillary lateral incisors, found in the early burials, has been recorded at another prehistoric site in the west of Thailand and at sites in southern China.     

From the Ground Up: Agency,Practice, and Community in the Southwestern British Bronze Age

Embodied, sensual, engagements between people, earthly elements, and celestial bodies during focused, periodic acts of ritual construction and artifact deposition in the southwestern British Bronze Age resulted in the remaking of identities, local communities, symbolic/mythical knowledge, and the landscape itself. To appreciate how material culture, time, and space were employed to define the criteria by which people understood themselves and their world necessitates an archaeological focus upon shared practices in particular settings that served to define rules of engagement with the environment based upon shared human perceptions. Agency appears in this encounter as central in the construction and perpetuation of symbolic perception, shared social memory, and community identity.     

The iron age in Mediterranean France: Colonial encounters, entanglements, and transformations

During the last seven centuries of the first millennium BC, the indigenous societies of Mediterranean France underwent a series of gradual social and cultural transformations that are linked in complex ways to their encounter and increasing entanglement with the broader Mediterranean world. This article presents a synthesis of current knowledge of this issue and explores some of the main themes guiding research. New evidence concerning the alien colonial agents (Etruscan, Greek, Punic/Iberian, and Roman), and the contrasting nature of their presence and power in the region, is discussed, as is evidence concerning forms of indigenous engagement with colonial states and paths of social and cultural change. The consumption of alien goods (wine, ceramics) and the adoption of foreign techniques and practices (ceramic production methods, coinage, writing) are examined in terms of the locally situated logic of demand and the ramifications for entanglement and change. Transformations in settlements, ritual spaces, funerary practices, and the agrarian landscape are discussed.     

地理学视角下的集体记忆研究综述

集体记忆植根于人、空间(地方、景观)、时间,是地理学研究人地关系的重要视角与手段。本文从理论渊源、研究内容、方法等对国内外相关文献进行梳理,提出地理学视角下的集体记忆研究框架。研究立足于集体记忆主体、载体和机制三方面,以空间、地方、景观、仪式、旅游等为主要研究对象,关注现象背后的政治性、竞争-协商性以及利益主体,个案研究为主,案例类型较为丰富,方法上定性为主,鲜有定量研究及相关模型构建。相比国外研究热潮与成果,国内研究仍处于萌芽起步与概念引入阶段,未来可拓展集体记忆载体形式的研究,深化集体记忆机制即人地关系层面,加强实证与量化方法应用。     

The Spring Festival of Akaška / Nunal Celebrated by the Southern Udmurts in the Late 19TH–EARLY 20TH Century

The article describes the traditional spring festival of Aka?ka celebrated by the Southern Udmurts. The content and form of the festival indicate that some elements were borrowed from the Turkic world. While some borrowed elements have their counterparts in the ritual practices of the Turkic-speaking peoples of the Middle Volga region and the Urals, the sources of other borrowed elements can be found in the Turko-Mongolian environment of southern Siberia and the Altai.     

The Ubiquity of Performance: Theory and Practice in Expressive Genres

Performance and performativity occupy a significant place in anthropological analytics. In this review, I examine recent publications that address, document, and analyze how different performance genres and practices, enacted across a variety of socio-cultural domains, can be productively mined to establish how pervasively they contribute to our understanding of human behavior. These publications, moreover, range across anthropological fields as well as multiple societies and historical periods, further underscoring that performance has been crucial for human cultures and in our own discipline.     

成物祈求或技术控制——青铜时代铸铜祭祀功能再析

在中国青铜时代的王都、诸侯国的都城遗址或区域中心,有大量的铸铜祭祀遗存被发现。以往对铸铜祭祀的功能分析多是基于后世文献的相关记载,认为"女性投炉"是确保铸铜能够顺利进行的一种成物祈求。然而从仪式化生产的角度来看,这一时期铸铜祭祀的成物祈求作用并不突出,铸铜祭祀本身可能和铸铜技术一样,作为重要的知识体系为统治阶层所掌控,成为其权力控制的一种方式。     

Ethnic Performance and the State in Laos: The Boun Greh Annual Festival of the Khmou

Following the 1975 revolution, the Laotian statesmen adopted a modernising discourse that targeted “backward” traditions as undesirable. But since the 1990s, authorities have mitigated this standpoint, distinguishing “good” from “bad” traditions according to their compatibility with the program of national development, and professing their will to (re)instate the former as suitable expressions of culture in a multi-ethnic nation. This is manifest everywhere from the National Constitution to TV shows and ethnic catalogues. This paper analyses the implementation of these principles through the case of the boun greh New Year festival, an invented ethnic tradition of the Khmou, the largest ethnic minority in Laos. The article demonstrates that this implementation has consequentially implied the adoption of a grammar of national ethnicity; that this official framework paradoxically allows the Khmou to articulate demands for better recognition of their group; and that this process does not mute expressions of “cultural intimacy” at variance with this matrix. The official frame of ethnicity has been eventually adopted by the Khmou, but this state effect has multiplied the layers of expressed ethnicity: it cannot be equated with a unilateral regimentation that would deprive the Khmou of their agency.