Palynological and Archaeological Evidence for Ritual Use of Wine in the Kura-Araxes Period at Aradetis Orgora (Georgia,Caucasus)

Pollen and non-pollen palynomorphs from two zoomorphic Kura-Araxes vessels (ca. 3000 b.c.) from Aradetis Orgora suggest they were utilized for the ritual consumption of wine and likely represent the beginning of the enduring tradition of animal-shaped wine-drinking containers in Georgia. This hypothesis is supported by archaeological and geoarchaeological data: they resemble later wine-containing vessels from Georgia and elsewhere and were found in a building whose context is suggestive of a small shrine. Their palynological spectra match those of present-day wine and wine containers of other periods. One of them was intact, with only a small access hole; consequently, its palynological spectrum can be utilized as a standard for determining the presence of wine in other archaeological vessels. Palynological analyses from different contexts of the Aradetis Orgora settlement and its cemetery (Doghlauri) yielded other significant results regarding the practice of viticulture and the cultural relevance of wine during the Kura-Araxes period.     

Revelation and Resolution: Religion as the Key to Cognition,Power, and History in Anthropology

Religion is often considered as key to interpreting human psychological and social processes. Yet, the notion that ritual performance and religious beliefs offer a transparent portal onto the inner workings of culture, power relations, historical change, and cognition are subject to critique. The political and psychological implications of ritual practice differ considerably from culture to culture and religion defies reduction to a single explanatory or etiological framework. Anthropologists best learn about emic and etic understandings of belief by interpreting the historically varied articulations of religious experience with other social domains.     

新郑铁岭墓地M1404、M1405发掘简报

新郑铁岭墓地M1404、M1405为东西向大墓,南北相距2米,均出土成套青铜礼器与陶器。铜器墓紧临,这在铁岭墓地还是首次出现。周围大中型墓葬,也多出土有成套的陶器。其北、其西40米开外的墓葬极少随葬器物,说明这一带可能为一个家族墓地。     

Varied visions: an iconographic reevaluation of Ramey Incised production and distribution in the American Bottom,Illinois

ABSTRACT

Ramey Incised ceramics, characterized by incised symbolic motifs, are often viewed as a hallmark of Stirling-phase Cahokia and the surrounding American Bottom region. However, few comprehensive analyses of the regional Ramey motif assemblage have been conducted. Here I evaluate spatial and temporal variation in Ramey Incised motifs across 16 sites in the American Bottom to improve understandings of Ramey Incised production and distribution. Stirling-phase motif data indicate that the Ramey Incised manufacturing process likely was not as centralized as previously proposed. A qualitative analysis of the regional motif assemblage uncovers variation that may reflect stylistic experimentation. Additionally, motif frequency distributions reveal potential site-specific thematic preferences. Both findings support the existence of local production within the region. Diachronic data suggest the collapse of the Ramey Incised tradition in the Moorehead phase, perhaps in response to sociopolitical and religious transitions occurring at Cahokia. Overall, Ramey Incised ceramics may have served as vehicles through which American Bottom Mississippians variably expressed their interpretations of and relationships to the cosmos.     

In Praise of the Ordinary Man: Popular Media,Social Hierarchy and Identity in a North Indian Text

This article recounts a story found in a popular genre of religious literature known as vrat katha[ritual storytelling]. The narrative is of an “ordinary” low-caste man and his everyday struggles. It tells of the social and economic suffering experienced by the poor man upon encountering god (called Trilokinath/Vishnu) and receiving his blessing, mediated through a series of miraculous events. However, the transformative power of the events and fortunes that follow is undermined by a Brahmin who refuses to acknowledge the poor devotee, rebuffing his ritual gift [prasad] as polluted and considering him untouchable. The ambiguous nature of the gift and the ideology and practice of devotion [Bhakti] present an intriguing and complex picture of Hinduism, revealed in the multiple social roles and social contexts in which subalterns operate in the course of their day-to-day lives.

?I offer a critical reading of this fascinating story. What seems like a straightforward, standardised ritual text is analysed in terms of its competing and sometimes subversive views of “dominant” Hinduism. By examining the tensions and ambivalence in the text I argue for a more nuanced rendition of subaltern power and agency which cannot be reduced to that of resistance and opposition alone.     

谈士山盘铭文的“服”字义

本文从唐兰先生旧说出发,讨论新见士山盘铭文“服”字含义,认为其相当于《左传》、《国语》中所见的“职贡”一词,具体包括职事与贡赋两个方面。另外提出士山盘铭之方国“履”应即金文所见的“眉敖”之“眉”。最后指出士山盘铭对于探讨西周恭王时期的政治和先秦服制都具有重要意义。     

Landscapes of the Ghost Dance: A Cartography of Numic Ritual

Recent historical and ethnographic research indicates that the study of ritual behavior could be greatly enhanced by combining parameters of place and landscape use with interpretation of material culture. This strategy is especially useful for identifying the archaeological record of ritual among societies that incorporated topographic features and natural resources into their liturgical order. In this article we apply a behavioral framework to the study of Numic ritual technologies. By intergrating ethnographic and historic data on the geography, practice, and material culture of the nineteenth-century Nevada Ghost Dance, we demonstrate how this framework helps to determine the configuration of a ritual place and its position relative to other ritual and nonritual places.     

从曲阳到浑源:北岳移祀过程补考

顺治十七年(1660年),自汉代以来就在直隶曲阳县举行的祭祀北岳礼改在山西浑源州举行。这次移祀事件有复杂的历史背景,首先五代之际北岳祭祀地点确实存在变化,其次至少金元之际就已经出现了浑源北岳说,到了明代弘治六年(1493年)马文升提出北岳移祀一事时,浑源北岳说无论是在以方志为代表的文本上,还是在实际的祭祀活动中都得到了延续和发展。     

The Discourse of Fengsu in the Song Literati’s Writing: The Example of Boat Racing

The category of “customs,” or fengsu, was important for the literati of the Song dynasty in writing local histories. It covers local practices of festival rituals, weddings and funerals, rites for passage into adulthood, sacrificial rites, and the like. The main purpose behind the literati’s efforts to record fengsu was not to acknowledge local variations but to censor local customs and transform society. This paper looks at these type of texts as a discourse that is meant to promote the correct, standard performance of rites and suppress those deemed improper. It uses boat racing in Song records of fengsu as a case study to illustrate how the imperial spectacle of boat racing in spring was propagated and how the linkage between the death anniversary of Qu Yuan and Duanwu were reinforced. Meanwhile, the popular ritual of boat racing during the summer, which bore distinct violent and shamanic attributes, was strongly criticised. Through these efforts by the literati, a normative discourse of the boat-racing ritual was repeated and reinforced in the fengsu recording.     

湖南衡阳县赤石天门山西汉墓发掘简报

该墓是带墓道长方形土坑竖穴墓,出土随葬器物54件,其中有5套陶礼器鼎盒壶钫完整组合,出土30件日常生活陶器,还伴出大量泥郢称、泥半两.随葬器物从侧面反映了楚国故地衡阳在西汉早期,一方面承袭战国晚期楚国的礼制习俗,另一方面又开启西汉中晚期的封建田园经济生活新风尚.