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221.
Rob Raven Frans Sengers Philipp Spaeth Linjun Xie Ali Cheshmehzangi Martin de Jong 《European Planning Studies》2019,27(2):258-281
ABSTRACTCurrently little is known about how institutional arrangements co-evolve with urban experimentation. This paper mobilizes neo-institutional literature and recent urban experimentation literature as a framework to explore how and why institutional arrangements differ across urban contexts. Empirically the paper focusses on smart city initiatives in Amsterdam, Hamburg and Ningbo. These three cities are frontrunners in adopting a comprehensive smart city agenda, but they do so in different ways. The paper examines regulative, normative and cognitive elements of institutional arrangements, explores how they shape experimentation, and reflects on their place-based specificities. The comparative analysis suggests that the focus of, and approach to, experimentation can be understood as resting in a (possibly unique) combination of strategic agency and dynamics at multiple spatial scales. 相似文献
222.
Lucy Kilfoyle 《Parliamentary History》2023,42(1):94-112
Political print satire, construed as an articulation of sedition and dissent, is most commonly associated in Britain with its 18th-century ‘Golden Age’. Beyond Victorian fiction, the go-to 19th-century source tends to be the hegemonic, London-centric Punch. It is not widely known that, as Punch mellowed and popularised in the 1860s and 1870s, England's booming urban centres gave rise to a distinct form of citizen journalism which used boisterous satire as an effective vehicle for sociopolitical comment, evidence-based analysis and civic activism. Not only did the provincial satirical periodical filter parliamentary affairs through a critical provincial lens but at a time when politics were largely local, it engaged with the extra-parliamentary power vested in civic and municipal governance. It aspired to much more than diversion through witty posturing. Morally and ideologically inspired, fuelled by righteous indignation, it successfully used the protest of the pen to agitate in the cause of social and political reform, demonstrating the ‘everyday’ resistance and common sense essential to liberal governmentality. Referencing some of the most enduring and respected examples of the genre – the Porcupine in Liverpool, the Town Crier in Birmingham and the Free Lance in Manchester – this article casts light upon this poorly understood journalism of conviction. A cause and effect of both emotional and intellectual release, it serves as an excellent example of citizenship as performed political passion, in an age of public conformity and restraint. 相似文献