Extending the ‘White Way’: municipal streetlighting and race, 1900–1930

While the illumination of streets by electric streetlights in Western cities is a given today, in the early part of the twentieth century it was a technology whose conspicuous consumption was a status symbol for both individuals and towns. Not long after its introduction, however, electric lighting in cities also became noticeable in its absence. This paper draws on municipal records to consider how ideologies of white supremacy and progress came together to produce the uneven deployment of streetlighting in the small town of Rocky Mount, North Carolina, thus contributing to the city's segregation in the early part of the twentieth century. By tracing the development of hierarchical streetlighting systems, such as General Electric's White Way, I also show how the racialized deployment of streetlighting was aided by large electrical equipment manufacturers. In conclusion, I argue that these insights are crucial to understanding how technologies racialize space, but also how technologies such as streetlighting are central to the production of the spaces in which race is produced and racism takes place.     

American Historical Demography: A Review Essay

Abstract

American historians of modern art routinely assume that after World War II New York replaced Paris as the center of the western art world. An analysis of the illustrations in French textbooks shows that French art scholars disagree: they rate Jean Dubuffet as the most important painter of the era, ahead of Jackson Pollock, and they consider Yves Klein's anthropometries of 1960 as the greatest contribution of a single year, in front of Andy Warhol's innovations in Pop Art. Yet the French texts also show that the French artists' practices and conceptions of art paralleled those of the Americans. Thus, whereas French and American scholars disagree over the relative importance of their nations' artists, there is no disagreement that the most important art of the 1950s was produced by experimental seekers, and that of the 1960s by conceptual finders.     

The Secret of England's Greatness

The Secret of England's Greatness is a portrait by Thomas Jones Barker of Queen Victoria meeting an African envoy and presenting him with a copy of the Bible. Painted around 1863, it has become an icon of British imperialism in this period and of the justification of colonial expansion in terms of the transmission of the values of the Bible. As such, the portrait appears confident and unambiguous: the secret of England's greatness is unravelled and the truth is exposed. This article seeks to disturb the apparent absence of mystery in this painted encounter and to examine what remains concealed in the meeting between the white sovereign and the black emissary. Moving from Barker's painting to William Mulready's The Toyseller, which was completed in the same years and depicts a black pedlar trying to sell a wooden toy to a white mother and child, the article uncovers, within the language of painting and its surrounding discourses, a different kind of disturbing and exhilarating secret, concerned with racial identity and mid-Victorian desire. Working from a reading of the surface of the paintings to related representations of blackness in nineteenth-century science and culture, the article considers how The Toyseller negotiates the proximity of the figures of the black pedlar and the white mother and child and the significance of the compositional gap between them and suggests that Mulready's painting visualizes many of the issues that were at the heart of British imperialism in the middle of the nineteenth century, following the abolition of slavery.     

Freedom of speech and racial vilification in Australia: ‘The Bolt case’ in public discourse

This article examines the public discourse that emerged in the aftermath of the 2011 decision of the Federal Court of Australia in Eatock v Bolt. We characterise the narrative of ‘the Bolt case’ as a ‘mobilising discourse’ that countered rather than echoed the decision itself. This discourse had three main messages: encouraging scepticism about the authenticity of fair-skinned Aboriginal persons and judgment by non-Aboriginal persons about the legitimacy of Aboriginal identity according to skin colour; questioning the legitimacy of racial vilification laws and strengthening a libertarian conception of freedom of speech. We explain how such a contrary discourse became dominant in the wake of a successful racial vilification action and consider the implications of these events.

本文研究了2011年澳大利亚联邦法庭就伊脱克诉博尔特案做出判决后的公众议论。博尔特案的叙事属于“动员话语”,是对判决的反弹而非反响。该话语主要包括三个信息：鼓励对浅肤色原住人士的真实性的质疑,鼓励由非原住人士根据肤色判定原住民身份的合法性;质疑种族诽谤法的合理性;支持言论自由的观念。笔者解释了何以这种矛盾的话语盛行于一次成功的种族诽谤行动之后,并讨论了这些事件的影响。     

The Danzón,North American Racial Discourses,and Reflections on Early Jazz

This essay proposes a way of understanding the formation of jazz as part of a broader transnational exchange of culture. It argues that the processes by which jazz came into being closely resemble others taking place in Cuba and elsewhere, and thus calls for analysis that positions jazz as part of a hemispheric exchange of cultural influences that extend beyond the United States. Second, it reviews and critiques existing scholarship on New Orleans jazz from a transnationalist perspective. It suggests that such literature presents turn-of-the-twentieth-century New Orleans culture as insular, with little or no recognition of the international movement of artists and musical forms. Finally, it suggests that the cultural projects associated with jazz in the United States have necessitated a strong emphasis on the contributions of black US artists to the exclusion of Hispanics.     

Making Real Estate Markets: The Co-Production of Race and Property Value in Early 20th Century Appraisal Science

Analysing the standardisation of appraisal alongside the development of modern real estate markets in the early 20^th century, this article demonstrates that the construction of a racialised proper(tied) economic subjectivity was pivotal for realtors’ ability to secure legitimacy and profit as a burgeoning profession. Appraisal embedded racial logics within real estate markets such that their routine functioning could generate the submarket differentiation necessary for the realisation of class-monopoly rent. This study’s focus on appraisal before federal redlining addresses key lacunae in the historiography of segregation by foregrounding markets’ historical function as infrastructures that produce and spatialise the social difference crucial for profit in real estate. This article also seeks to inform engagements with contemporary processes of land speculation, commodification, and financialisation shaping US cities by advocating attention to the specific mechanisms that constitute race as a modality for the appropriation of surplus by real estate capital.     

In the shadow of Franz Boas: the Italian Committee for the Study of Population Problems and the physical assimilation of immigrants (1938–1955)

ABSTRACT

Between 1938 and 1955, the Italian Committee for the Study of Population Problems (C.I.S.P.), headed by the world-renowned statistician and demographer Corrado Gini, organized a number of field expeditions in order to empirically verify the influence of the environment on the bodily changes of immigrants (Albanian and Ligurian ‘colonies’ in Italy, and Italians in the U.S.). Based on original archival sources, this article analyses, first, how the C.I.S.P. organized the demographic, anthropological and medical investigations on the physical assimilation of immigrants, by adopting a specific research model inaugurated in 1911 by American anthropologist Franz Boas; secondly, it shows how C.I.S.P. research was conceived, from the very beginning, as a fundamental contribution to the elaboration of an alternative, ‘Latin’ eugenic agenda as well as a form of critical distancing from the launch of the ‘Race Manifesto’, in July 1938.     

Normalizing urban inequality: cinematic imaginaries of difference in postcolonial Amsterdam

Combining insights from critical urban studies with geographies of race and racism, this article examines the role of spatial imaginaries in normalizing urban inequalities, showing how such imaginaries make the associations between places and populations appear natural. We extend analyses of the interplay between material landscapes and imaginative geographies to examine how these connections feature in processes of gentrification and displacement and emphasize the necessity of an intersectional approach in understanding the cultural underpinnings of urban change. We propose that such analyses of dominant spatial imaginaries benefit from attention to their colonial roots, given the persistence of monomythical explorer-hero narratives and the mapping of reworked colonial imaginative geographies onto contemporary postcolonial cities. Our analysis focuses on Amsterdam, the popular Dutch film Alleen Maar Nette Mensen and the spatiality of difference that its ‘monomyth’ narrative presents. It justifies an unequal urban order by contrasting Amsterdam’s city centre, which is depicted as White, middle-class and ‘civilized’, with the post-war urban periphery, which is cast as a mysterious place of racialized poverty, squalor and pathological behaviour. This culturally essentialist depiction contributes to the depoliticization of state-led gentrification and normalizes changes to the material cityscape.     

The Scale of Dissimilarity: Concepts, Measurement and an Application to Socio-Economic Variation Across England and Wales

The paper considers the scale – the measure, extent, and dimension – of uneven distributions in space for a wide range of census variables. While the traditional 'index of dissimilarity' is affected by random as well as social factors, a solution presented here allows the index to be calculated even for very small populations. Small areas across England and Wales tend to be fairly similar demographically but quite diverse on ethnic and socio-economic measures. Differences between areas become more noticeable as we move from districts, to wards, to enumeration districts, but the rate of differentiation depends heavily on the variables considered.