‘Well weather is not a girl thing is it?’ Contemporary amateur meteorology,gender relations and the shaping of domestic masculinity

Although there is a growing scholarship on the history of amateur meteorology, contemporary amateur meteorology has tended to remain a largely invisible social phenomenon. Moreover, questions of female involvement and gender relations therein have tended to be overlooked. This paper seeks to address this gap by drawing on interviews with members of one of the most important amateur meteorological networks in the UK—the Climatological Observers Link. The research identifies a predominantly male bias within amateur meteorology in the UK, offers insight into why and how this bias has emerged and explores the implications of this bias for gender politics in the home. It also considers the way in which, as a pursuit that is very much situated within the domestic sphere, amateur meteorology complicates traditional framings of the home as a female realm and contributes to a domestic masculinity.     

Turn your trash into… Rubbish,art and politics. Richard Wentworth's geographical imagination

This paper analyses the photographs and installations of artist Richard Wentworth in order to examine his urban imagination and the cultural politics of rubbish that underlie it. In doing so this paper contributes more broadly to understandings of rubbish and material culture, and to geography's attention to artistic understandings and inhabitations of urban spaces. Central to this analysis are the geographies of Wentworth's work, its production, consumption and circulation. The paper attends to three nested sets of practices: the ‘everyday’ practices of people which draw Wentworth's eye, the potential of creative cultural practices for developing critiques of space and place, and the practices of the artist. As a result the paper pushes forward debates around the relationship between geography and art, reflecting on the analytical value of art practice to contemporary social-cultural geographies.     

Destroying the Joint and Dying of Shame? A Geography of Revitalised Feminism in Social Media and Beyond

Has feminist geography really lost all relevance? This paper examines what the revitalisation of interest in feminist thought and practice, especially in Australia, means for geography. We illuminate the trajectory of the feminist revitalisation in new media and beyond through developing a spatial analysis influenced by Rose and Fincher. Notions of paradoxical space and issue publics inform this reading of two pivotal moments in the feminist revitalisation: first, the creation of Destroy the Joint, a campaign launched and maintained in Facebook and Twitter spaces; and second, the Australian Prime Minister Julia Gillard's speech against sexism and misogyny in Parliament in October 2012. Both these moments, coming from political and public spaces, received worldwide interest, and we critically examine the context and ramifications of these instances while situating the institutional processes surrounding them within the growing feminist revitalisation. In so doing, we argue that these Australian‐based cases indicate a growing feminist movement that is open and multiply focused, connecting personal politics to public campaigning, and achieving material impacts. We conclude that developing a feminist geography of new media is a challenging task, as these spaces circumvent and renegotiate traditional spatial dimensions – including scale and place – through their dynamic networks. It is, nevertheless, a task worth doing.