“Lwów Saved Us”: Roma Survival in Lemberg 1941–44

The ritualized memory of genocide has been a cornerstone of Roma political mobilization during at least the last three decades. A uniqueness paradigm has been developing for some time, applying a memorial discourse inspired by the Jewish Holocaust model. While paralleling each other in time, the mass murders of Jews and Roma during the Second World War differed on several points. In the General Government of the Occupied Polish Territories and the territories occupied by Nazi Germany after Operation Barbarossa, the persecution of Roma took place largely in local initiatives. Consequently, the Nazi policies varied considerably, leading to territories in which Roma were annihilated and those in which about half of the Roma population survived. Considerable differences could also appear within the same administrative unit. In Distrikt Galizien, the southeastern-most district of the General Government, Roma were persecuted violently in the countryside, while the district capital of Lemberg (Lwów, Lviv) saw a different course of events. The picture that appears from the available documents also diverges from survivor testimonies and general accounts of the persecution of Roma as being similar and parallel to that of Jews. Roma were present in Lemberg throughout the Nazi occupation and the authorities were aware of their whereabouts. Roma were not confined to the ghetto, but many, along with Poles and Ukrainians, remained within the territory of the ghetto, parts of which had constituted areas of Roma settlement in Lemberg since the mid nineteenth century. Several Roma also lived in wagons in various locations in 1942–43, as well as in quarters close to the town’s centre. Altogether, several hundred Roma lived in Lemberg, and their treatment by the local courts was different from that of Jews, bearing more similarity to the way in which Polish and Ukrainian cases were handled.     

Knowledge Production,Urban Locations and the Importance of Local Networks

This paper analyses the relationship between knowledge production and urban locations in industrial design, a knowledge-intensive business service (KIBS). KIBS concentrate in urban locations. This is often explained by the co-location of client firms and market access in large cities. Recent research on knowledge production, however, reveals that knowledge productive networks are significant for both the competitiveness and location of KIBS. Thus, to understand the urban location of industrial design, it is important to analyse how knowledge production is organized within the industry. Industrial design is concentrated in urban locations, but most of its clients are located elsewhere. Hence, it seems that industrial design firms concentrate in urban locations mainly because their knowledge networks include specific types of formal and informal local social networks.     

南诏大理国金属佛像制作工艺初探

为研究南诏大理国金属佛像的制作工艺,对部分金属佛像进行了科学分析,表明制作各种铜佛像时,主要使用失蜡铸造工艺,已使用多种金属元素作为材质,阿嵯耶观音像和其他铜像是以含砷的铜合金为特征,金质佛像的材质主要用金银合金,铸造小铜佛像则采用复杂的合金成分配比。根据铭文和绘画资料分析,这些金属佛像主要是大理本地的工匠制作。     

Wissenschaftsstädte – Zur Bedeutung des Topos der ‘kreativen Stadt’ für die Wissensproduktion

Science Cities: What the Concept of the Creative City Means for Knowledge Production. – The article aims to show that the relationship of science and the city has changed since the 1970s in the context of the knowledgeable society. While cities have principally been regarded as the typical space of science, of new ideas and innovation for centuries, since the 1960s and 1970s universities, research institutes as well as industrial research institutes have relocated to the periphery of cities. There, however, these sites of knowledge have been organized in an ‘urban mode’. That means that the concept of the city as a place of science and innovation has determined the architectural, spatial, and social organization of these sites on the periphery of cities. Certain features of the city have been copied, such as social infrastructures, places of communication, restaurants, cafes etc., while others have been left out – housing, cinema, theatre etc. An ‘urban mode of knowledge production’ in the sense of a very stylized model of the city has become a tool to enhance the production of scientific and technological knowledge. – The article exemplifies this by focusing on a case study, namely of the so‐called ‘Science City’ of the Siemens Company in Munich‐Neuperlach.     

六世纪中后期的中国联珠纹织物

联珠纹在中国虽有更早的源头,但它从6世纪中期才开始流行。那时中国的联珠纹虽以粟特地区为中介受到萨珊艺术的影响,但也融入了自身的文化理解和艺术形式,这令联珠纹在很大程度上丧失了原有的萨珊图案寓意、改变了西方原貌。邺城等黄河中下游的丝织重镇,应是联珠纹织物在内地的重要产地。     

14C测定判别武王克商年代范围始末

武王克商年代是我国古代编年中的一个关键点,近年来^14C测定技术有了重要发展,我国^14C测年界在此基础上探讨了^14C方法应用于商周历史纪年的希望。1996年夏商周断代工程正式立项,利用^14C测定判别武王克商年代范围的任务得以实施。1998年初两个常规^14C实验室以3‰测定精度,前后开始对陕西丰镐遗址出土样品^14C测定,并于1998年10月6－7日先后公布了^14C数据,提出武王克商代范围应判别在公元前1050－1020年间。1998年下半年AMS室开始测定。三室测定数据对比结果基本相合,利用殷墟,琉璃河等遗址出土的样品系列作^14C测定得出的结果,与上述年代范围一致。1998年11月30日公布了天计算结果,与测定结果不谋而合,经多方面反复验证,历时近二年,都无法动摇已有的判别结果,具有较高的可信度。     

Roman pottery production in Civitas Tungrorum,central Belgium,during the first–third centuries ce

Aspects of Roman pottery production at the workshops of Kontich, Tienen, Rumst, Grobbendonk and Clavier-Vervoz in the Civitas Tungrorum of central Belgium are explored. A total of 150 wasters from five sites were studied macroscopically, as well as via a combination of thin-section petrography, geochemistry and scanning electron microscopy, in order to gain insights into ceramic technology and aspects of the organization of production. Particular emphasis was given to the individual technological sequences and shared strategies of raw material selection, paste preparation and firing employed at the five adjacent sites. The integration of petrographic and geochemical data permitted the establishment of compositional reference groups for the Roman kiln sites of Civitas Tungrorum, which can be used to track their products within the surrounding landscape.     

Cultural production in peripheral urban spaces: lessons from Barriera,Turin (Italy)

Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’.