Making screen production work at the margins: path-dependent development in Brisbane and the Gold Coast

While screen production is notoriously centralised, it is still found outside major media cities where the central problem for actors in these subordinate media cities is how to create sustainable levels of screen production capabilities in circumstances of increasing centralisation and globalisation in media production and its design. This article discusses how the screen production sectors of two subordinate media cities, Brisbane and the Gold Coast, are organised. Each city represents a different pathway for the sustainability of a media sector. The Gold Coast is a production location for globally and nationally dispersed high-budget feature film and TV drama production; while Brisbane is mostly a ‘national production’ location for domestically oriented news, documentary, infotainment and sports programming with a focus on lower budgeted feature filmmaking and occasionally, television drama. These different city pathways are the product of the creative resources and infrastructure evident in each city.     

A critical perspective on socially embedded cultural policy in France

This paper aims to show how in France, the synthesis of cultural policy and social concerns throws up a number of tensions and pitfalls. These tensions are perhaps most acute because these sorts of cultural policies are not merely about socio‐economic issues but are actually tied to France’s colonial legacy and the presence of a large and often marginalised population of migrants and their descendents. The pitfalls stem from the universalist starting point of French cultural policy, which, although designed to integrate “new” and migrant/postmigrant publics, emergent artists and cultural practices, seems to simultaneously marginalise them since it is already premised on a binary that opposes art as aesthetic expression and art as an expression of cultural (anthropological) identity or social cohesion.     

Neoliberalising the Fordist University: A Tale of Two Campuses in Frankfurt a. M., Germany

Abstract: In 2009, the central building of the new IG Farben Campus of Johann Wolfgang Goethe University (JWGU), Frankfurt, Germany was occupied by students protesting against the neoliberalisation of higher education. While similar occupations at the old Bockenheim Campus were usually tolerated, if not welcomed, by the university management, this time 176 students and members of staff were forcefully evicted after only 3 days, when the university's presidential board called in the police. To better understand this way of ending such protest, a level of oppression almost unheard of at a German university in the last 20 years, we reconstruct the way in which JWGU, as part of the state apparatus university, has produced the two campuses as particular places that are bound up in and expressions of the national and local condensations of forces of Fordism and neoliberalism respectively.     

Two AHA Sessions: The Revolutionary Mr. Kuhn and the Evolutionary Mr. Bertalanffy

Abstract

Quantitative methods of content analysis have become established in most subfields of political science, but remain relatively unutilized in studies of political theory, despite the exclusive focus of that subfield on textual sources. This article develops a variation of content analysis—termed usage analysis—and employs it to resolve a standing debate in scholarship on Cicero's political theory regarding the synonymy of the major Latin terms for the state (civitas and res publica). The resulting distinction between these concepts then informs an exposition of Cicero's ideal state not as the Roman Republic itself or the mixed constitution alone, but as a universal, everlasting political society supported by justice, a mixed constitution, and active citizenship.     

Selective woodland exploitation for charcoal production. A detailed analysis of charcoal kiln remains (ca. 1300–1900 AD) from Zoersel (northern Belgium)

A detailed study of charcoal burning activities has been made for the Zoersel forest (Northern Belgium) based on an inventory of charcoal kiln remains, the analyses of wood charcoal and other charred botanical macroremains and radiocarbon dating of 10 of these kilns. Age determination of the youngest kilns was refined by dendrochronological analysis of trees growing on top of these kiln sites. The results show that, although many kilns were found, charcoal was produced in Zoersel only at certain moments during late and post-medieval times suggesting that charcoal burning was not a part of the regular management practice of these forests. The wood used for the production of charcoal mainly consists of taxa of alluvial (alder) forests while the kilns are situated on sites that currently are rather dry, with an oak dominated vegetation. For the older kilns, this contrast could be explained by an important change in local soil conditions. The younger kilns may be related to the conversion of alder woodland to grassland in the lower parts of the domain, with the kilns being constructed in the nearby dryer woodland areas.     

Anticipated mobility and its archaeological signature: A case study of Folsom retooling strategies

This essay highlights the value of anticipated mobility for untangling variability in prehistoric stone tool manufacture. To do so, it explores the organization of weaponry production at a series of Folsom campsites via the highly visible archaeological signature of Folsom fluting. A model of weaponry replacement based on deep planning and anticipation of needs is proposed, according to which Folsom hunters commonly replace their projectile points as they wear down, break or are lost, but on fewer occasions engage in the mass production of fluted points. This technological organization is consistent with a highly mobile way of life in which advanced planning buffers the risk associated with limited or stochastic access to good quality lithic raw materials. The model is then put to the test at the Lindenmeier site in northern Colorado. The spatial patterning of fluting activities in two discrete areas of the site demonstrates contrasting strategies of point manufacture: conservation versus gearing up (creation of a surplus). It is argued that these patterns represent distinct facets of a single technological organization.     

Explaining the monopoly in shell-bead production on the Channel Islands: drilling experiments with four lithic raw materials

Significant political and economic developments among the Chumash of southern California were catalyzed in part by the emergence of an intensive, specialist-driven shell-bead industry during the second millennium CE on the Santa Barbara Channel Islands. The production of millions of beads depended in turn on the availability of lithic microdrills of standardized form and materials. Channel Islanders quarried a particular stone type, a blocky Monterey Formation chert, from multiple outcrops situated close to the eastern shores of Santa Cruz Island. Rich archaeological assemblages document the lithic and shell byproducts of these intertwined production systems, each of which endured for several centuries (CE 1150–1819). Islanders invariably chose Island chert for making microdrills: hundreds of thousands of specimens recorded to date are of this material. Furthermore, nearly every microlith in all of Chumash territory (post CE 1150) was produced on the islands; the large populations on the mainland did not participate in microlith making or bead making after CE 1150–1200. We argue that this pattern had its roots not only in the patchiness of key resources and shifting regional social relationships, but also in the physical properties of available raw materials. Here we experimentally assess the properties of Santa Cruz Island chert alongside three important mainland raw materials—Grimes Canyon fused shale, Coso obsidian, and Vandenberg chert—that potentially could have been tapped to make microliths. We test the proposition that Island chert outperforms other lithic materials in drilling efficiency and drill use life. Our experimental results from 108 drilling trials reveal sharp distinctions in performance characteristics across the four materials. We infer that the process by which Islanders became the more-or-less exclusive manufacturers of shell-bead currency in southern California was facilitated by both the efficacy and physical properties of the Island cherts and the propitious locations of the outcrops.     

Cultural dynamics and ceramic resource use at Late Bronze Age/Early Iron Age Troy,northwestern Turkey

Changes in resource use over time can provide insight into technological choice and the extent of long-term stability in cultural practices. In this paper we re-evaluate the evidence for a marked demographic shift at the inception of the Early Iron Age at Troy by applying a robust macroscale analysis of changing ceramic resource use over the Late Bronze and Iron Age. We use a combination of new and legacy analytical datasets (NAA and XRF), from excavated ceramics, to evaluate the potential compositional range of local resources (based on comparisons with sediments from within a 10 km site radius). Results show a clear distinction between sediment-defined local and non-local ceramic compositional groups. Two discrete local ceramic resources have been previously identified and we confirm a third local resource for a major class of EIA handmade wares and cooking pots. This third source appears to derive from a residual resource on the Troy peninsula (rather than adjacent alluvial valleys). The presence of a group of large and heavy pithoi among the non-local groups raises questions about their regional or maritime origin.     

Accommodating ‘design’: introducing the Western concept into Soviet art theory in the 1950s–60s

This article investigates the background of Soviet industrial design in Soviet art theory. Instead of considering design's interconnection with technology and science, or with consumption and everyday life, the author traces its conceptualisation as a new artistic phenomenon. Using archival records of professional discussions, polemical articles in the art press and design projects, the author looks at how industrial design was incorporated into the Soviet order of things. She concludes that accommodation of the Western model was the way to reform the system of socialism from inside, typical for the Soviet intelligentsia of the 1960s.