Metapodial asymmetry in draft cattle

Traction work by oxen has been well documented in various pictorial and written sources throughout human history. Analysis of metapodial dimensions has been carried out with the aim of quantifying asymmetry related to sexual dimorphism, body size and possibly heavy duty traction work. A modern reference sample of 103 animals from Hungary and Rumania has been used for this purpose. Bone measurements were correlated with bone density and morphological characteristics in order to make the results applicable for the identification of remains from draft cattle in archaeozoological assemblages. Asymmetry is more pronounced in the thoracic extremity and metacarpals of older or heavier animals, sometimes showing excessive widening of the third, medial ray within the fused bone. Relative broadening is also intensive in the distal end of medial metatarsals of cows and oxen. The bone mineral content of the medial carpal region attains mature density first. The weight of phalanges increases for a longer time in the laterally located toes.     

Forbidden Images: Rock Paintings and the Nyau Secret Society of Central Malaŵi and Eastern Zambia

This paper examines the rock art of the nyau secret society of eastern Zambia and central Malai. The art dates principally from the nineteenth and early twentieth centuries. It has been known to researchers since the 1970s but has given up few of its secrets. I examine the questions of why the art was made and why the tradition ceased. Key to answering these is the realization that the art belonged to a specific historical and geographic context: the era and area where nyau was forced to become an underground movement because of its suppression by Ngoni invaders, missions, and the later colonial government. The art provides us with detailed insights into the way nyau has served in the process of overcoming and manipulating the traumatic social changes faced by Chea society in the last few centuries.Cet article examine l'art rupestre de la société secrète de nyau au est du Zambia et Malai centrale. L'art date principalement aux dix-neuvième et bas vingtième siècles. Recherchers ont su l'art depuis les années soixante-dix, mais ils ont appris peu de ses secrets. J'examine les questions de pourquoi l'art était fabriquer et pourquoi la tradition a cessé. Pour résoudre ces questions c'est important à réaliser que l'art était à sa place dans un milieu spécifique d'histoire et géographie: au temps et place où nyau était forcer à devenir un mouvement clandestin à cause de sa répression par les envahisseurs Ngoni, les missions et, plus tard, le gouvernement colonial. L'art nous donne les aperçus détaillé sur comment nyau a servi dans le procès à surmonter et manipuler les changements traumatiques que la société Chea a bravé dans les siècles récents.     

大数据背景下国内人文地理研究进展与方法审视

通过梳理人文地理领域杂志近年大数据文章解释其与大数据应用的关系，强调其应用给人文地理学研究带来机遇和挑战：①大数据作为研究方法，不能代替传统人文地理研究范式，而是对现研究方法的补充。大数据和小数据需对话交流；②大数据本身是一种话语权，嵌入人文地理研究系统。保证人文地理学多样性，避免过度依赖大数据，需在批判角度审视和运用；③需关注大数据对于人文地理学研究方法和思想的影响；④运用大数据解读地理和空间过程复杂性的同时，应看到大数据应用对公共服务的潜力，思考其结果如何更好的服务社会。     

In situ Measurements of Oxygen Dynamics in Unsaturated Archaeological Deposits

Oxygen is a key parameter in the degradation of archaeological material, but little is known of its dynamics in situ. In this study, 10 optical oxygen sensors placed in a 2 m deep test pit in the cultural deposits at Bryggen in Bergen have monitored oxygen concentrations every half hour for more than a year. It is shown that there is a significant spatial and temporal variation in the oxygen concentration, which is correlated to measured soil characteristics, precipitation, soil water content and degradation of organic material. In these deposits oxygen typically occurs when the air content of the soil exceeds 10–15% vol, while oxygen dissolved in infiltrating rainwater is of less importance for the supply of oxygen in the unsaturated zone.     

Roman pottery production in Civitas Tungrorum,central Belgium,during the first–third centuries ce

Aspects of Roman pottery production at the workshops of Kontich, Tienen, Rumst, Grobbendonk and Clavier-Vervoz in the Civitas Tungrorum of central Belgium are explored. A total of 150 wasters from five sites were studied macroscopically, as well as via a combination of thin-section petrography, geochemistry and scanning electron microscopy, in order to gain insights into ceramic technology and aspects of the organization of production. Particular emphasis was given to the individual technological sequences and shared strategies of raw material selection, paste preparation and firing employed at the five adjacent sites. The integration of petrographic and geochemical data permitted the establishment of compositional reference groups for the Roman kiln sites of Civitas Tungrorum, which can be used to track their products within the surrounding landscape.     

Experiencing Dracula's homeland

ABSTRACT

Transylvania has not only a geographical location as a province of Romania but also a mental meaning as Dracula's land. Dracula has become an important brand name for Romania, attracting many tourists in recent years – especially after the fall of communism. The main dimensions of Dracula's castle (i.e. Bran Castle) experiences shared online by tourists were identified to ascertain the primary reasons for satisfaction and dissatisfaction with visits and to test whether narratives and satisfaction vary according to the occasion (i.e. Halloween). Quantitative (i.e. computer-based) and qualitative (i.e. narrative) content analyses were conducted on the Web reviews written by visitors. The results reveal that the experiences are multidimensional, and they include the following themes: ‘castle’, ‘visit’, ‘Dracula’, ‘inside’, ‘tourist’, ‘outside’, ‘trip’, ‘souvenirs’, ‘stairs’ and ‘Dracula's castle’. The main reasons for dissatisfaction are overcrowding, which is connected with the outside theme, and the disappointment of tourists regarding the old furniture, which is associated with the inside theme. The results also reveal that visitors are the most satisfied with their experience around the time of Halloween. The narratives shared online emphasise tourists’ need to associate their imaginings with this region and castle, giving their experiences greater meaning through this destination's image as Transylvania.     

Cultural production in peripheral urban spaces: lessons from Barriera,Turin (Italy)

Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’.     

Commercializing science: nineteenth- and twentieth-century academic scientists as consultants,patentees, and entrepreneurs

Abstract

The collection of essays introduced in this article contributes to the debate on the commercialization of academic science by shifting the focus from institutional developments meant to foster university technology transfer to the actions of individual scientists. Instead of searching for the origins of the ‘entrepreneurial university,’ this special issue examines the personal involvement of academic physicists, engineers, photographic scientists, and molecular biologists in three types of commercial activity: consulting, patenting, and full-blown business entrepreneurship. The authors investigate how this diverse group of teachers and researchers perceived their institutional and professional environments, their career prospects, the commercial value of their knowledge and reputation, and their ability to exploit these assets. By documenting academic scientists’ response to market opportunities, the articles suggest that, already in the decades around 1900, commercial work was widespread and, in some cases, integral to academics’ teaching and research activity.     

Mississippian monumentality in the Yazoo Basin: recent investigations at the Carson site (22CO505), northwestern Mississippi

Investigations at the Carson site (22CO505), located in Coahoma County, Mississippi, have uncovered data on the development of a large Mississippian mound center dating to the period from A.D. 1200 through European contact. Recent sediment coring, excavation, artifact analyses, and radiocarbon and optically stimulated luminescence (OSL) dating shed light on earthworks and household structures at Carson, and on Mississippian culture in the Yazoo Basin more generally. Sediment coring demonstrates a laterally transgressing Mississippi River system deposited coarse sandy ridges and clay-filled swales underneath a surface horizon comprised of variously coarse to medium-fine sediment originating from generalized overbank flooding. In some instances, flood-borne sediments were found on mound flanks, indicating that at times river-based flooding may have interrupted mound construction. Sediment coring and trench excavation also demonstrate that Carson’s Mound D was built in four stages, with Stages II and III comprising the major stages of earth moving. Excavations on the mound summit reveal evidence of several superimposed structures that were burned in place and likely used for the production of stone, shell, and wooden craft items, perhaps related to Mississippi Ideational Interaction Sphere (MIIS) paraphernalia. Here we describe recent investigations at Carson and present preliminary findings; forthcoming publications will emphasize strategies of power, monumentality, craft production, and Mississippian exchange systems.