FROM NIETZSCHE'S PHILOSOPHY OF HISTORY TO KANT'S—AND BACK

Reflecting on Anthony Jensen's Nietzsche's Philosophy of History, this essay describes Jensen's account of the three‐stage development of Nietzsche's historiographical practices and metahistorical positions: from his early philological writings, through The Birth of Tragedy, and into the mature philosophy of history that Jensen uncovers in Toward the Genealogy of Morality and Ecce Homo, which, so Jensen argues, consists in ontological realism combined with representational anti‐realism. While Jensen notes the importance of a like‐minded readership for the success of Nietzsche's historiographical projects, the essay asks whether Nietzsche did in fact have such a readership and further emphasizes that the Genealogy and Ecce Homo are structured in such a way that they seek to create one. A similar structure is identified in Kant's “Idea for a Universal History from a Cosmopolitan Perspective.” The essay concludes by reflecting on the significance of this similarity in light of the doctrines of eternal recurrence that are expressed in both Nietzsche's late writings and Kant's youthful cosmology.     

Turning International: Foundations of Modern International Thought and New Paradigms for Intellectual History

Summary

This essay provides an overview of the disciplinary and analytical significance of David Armitage's Foundations of Modern International Thought in the context of the new international history, and the so-called ‘international turn’. It then goes on to discuss the significance of the absence of women in this new sub-field of intellectual history.     

Thomas Hobbes as a Theorist of Anarchy: A Theological Interpretation

Summary

Scholars of international relations generally invoke Hobbes as the quintessential theorist of international anarchy. David Armitage challenges this characterisation, arguing that Hobbes is regarded as a foundational figure in international relations theory in spite of as much as because of what he wrote on the subject. Thus, for Armitage, Hobbes is not the theorist of anarchy that he is made out to be. This article agrees with the general thrust of Armitage's critique while maintaining that it is still possible to imagine Hobbes as a theorist of anarchy. Hobbes is a theorist of anarchy, not in a political sense, but in a metaphysical sense. This conception of anarchy is a reflection of a comprehensive theological account of reality that is grounded in an omnipotent God. Any historical inquiry into the foundations of modern international thought must take account of theology, because theology defines the ultimate coordinates of reality in terms of which the concepts of international thought are intelligible.     

Friedrich Sunder and the boundaries of gender

The article explores the gendered imaginary in the Gnadenleben of Friedrich Sunder (1254–1328) and the formation of clerical masculinity in the context of feminine devotional life. Friedrich Sunder worked as a convent chaplain for a Dominican female community and lived within the convent's area. In his book Sunder employs language, images and devotional practices that can be considered in medieval culture to have been feminine. Almost simultaneously, however, he applied masculine roles and emphasised his own manliness. Although Sunder accepted female forms of religiosity and wrote on practices that were considered especially suitable for women, at the same time his priestly masculinity was defined by the physical boundary the cloister created between the enclosed feminine religiosity and that of a pastoral masculine priesthood. His discussion of gender within the mystical frame defined the boundaries of his own masculinity in the web of different traditions of both the proper way of life and the gendered nature of religious practices.     

2. SOME KEYWORDS TOWARD DECOLONIAL METHODS: STUDYING SETTLER COLONIAL HISTORIES AND ENVIRONMENTAL VIOLENCE FROM TKARONTO

This article provides keywords and reflections for decolonial methods, drawing on insights from the Indigenous-led Land and the Refinery project, which concerns the history of Canada's Chemical Valley. This project is crucially organized as Indigenous people co-researching the Imperial Oil Refinery, not as academics studying Aamjiwnaang, and asks how Indigenous and decolonial methods might reorient the use of archives toward other futures. Together, the keywords begin to outline a particular place-based theory of change within decolonial historical practice.     

MIGRATION AND NARRATION: HOW EUROPEAN HISTORIANS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES TOLD THE HISTORY OF HUMAN MASS MIGRATIONS OR VÖLKERWANDERUNGEN

Historians’ interest in the history of human migrations is not limited to recent years. Migrations had already figured as explanatory factors in connection with cultural and historical change in the work of classical and ancient studies scholars of the late nineteenth and early twentieth centuries. In the writings of these scholars, migrations acted as historical landmarks or epochal thresholds and played a key role in the construction of geo-historical areas. This model has been called “migrationism” and cannot be explained simply on the basis of the history of individual disciplines, but must be seen in its complex interaction with scientific and historical contexts. However, “migrationism” does not relate to fixed political and scientific positions or movements. For this reason, it cannot be explained adequately by using a historically or ideologically based approach. Relying on narratological approaches, this article examines migration narratives that historians of this period used to explain the rise and fall of ancient civilizations. Referring to contemporary historiographical representations of the ancient Near East, it distinguishes three main narratives that are still common today: narratives of foundation, narratives of destruction, and narratives of mixtures. In this sense, analyzing older migration narratives helps us to sharpen the critical view on the genealogy of our own views on the history—and present—of human migrations.     

INTELLECTUAL HISTORY CONFRONTS THE LONGUE DURÉE

This review of John Potts's Ideas in Time: The Longue Durée in Intellectual History discusses the advantages and disadvantages of writing intellectual histories that embrace the longue durée. It applauds Potts's concise account of historiographical discussions of continuity and discontinuity in the history of ideas in the last seventy-five years but laments his failure to discuss the contributions of historians of science and scholarship to the practices of knowledge-making and to the transmission of ideas. It suggests that the study of discontinuities can also be rich and revealing, and it proposes one approach to understanding the ways in which ideas go out of fashion. It concludes by noting, first, that the models that contemporary historians of ideas adopt also have to do with book-market opportunities and pressures and, second, that we have work to do to engage our contemporaries and students in whatever form of intellectual history we choose to write.     

OBJECTS OF HISTORY: THE PAST MATERIALIZED1

What is the role of material culture in understanding the past? This review essay explores two principal approaches—the history of museums and antiquities and environmental history—to reflect on their shared investment in historical materialism. It reviews Timothy LeCain's The Matter of History and Peter Miller's History and Its Objects, discussing their perspectives on objects and the writing of history. One important part of this history concerns the relationship of academic historians to the idea of a history museum, curatorial practices, and public history. What kinds of history can we do in a museum, with things, that might not occur without the presence of objects? Why were nineteenth- and early twentieth-century efforts to encourage a close relationship between historical research and the history museum largely abandoned in favor of a document-driven approach? The second dimension of current interest in historical materialism concerns new approaches to environmental history. It draws inspiration from Deep History as well as recent work in archaeology and STS (Science and Technology Studies) to argue for a more integrated history of humans and nature that demonstrates how things have made us. The history of successive efforts to remake the environment in different parts of the world and their consequences offers crucial object lessons in how humans have responded to nature's own creativity. Both approaches to historical materialism highlight the virtues of a more interdisciplinary approach to historical scholarship, in the museum or in the field, but most important, in our own sensibilities about what it means to think historically with artifacts and to treat them as compelling evidence of a shared history of humanity and nature.     

The Science of Empire: Darwinism,Human Diversity,and Russian Physical Anthropology

Summary : The article explores deployment of the Darwinian narrative of the “natural history of humanity” in Russian physical anthropology in the late nineteenth to the early twentieth century. It traces two narratives developed by the leading Russian school of physical anthropology: one narrative advanced a universalist vision of collective scholarly enterprise working toward clarifying the missing links in the a priori accepted developmental evolutionary model. The other constructed a new language that undermined the idea of species/subspecies/races/nations/ as stable, externally bounded, and internally homogeneous units and attempted to rationalize imperial hybridity. The article's main focus is on the latter classificatory narrative, its relational methodology, and the protostructuralist units of comparison that it produced.     

The New View of Makeup and the Consumption of Cosmetics among the Women of Shanghai in the Modern Age

Under the pressure of the national crisis in modern China, millennia-old traditional concepts have been broken and adjusted, and new trends and ideas have emerged in large numbers. In order to defeat local cosmetics, from the moment they entered China foreign cosmetics companies attacked the traditional Chinese cosmetics of eyebrow pigment (dai), lip pigment (gong), rouge (zhi), and face powder (fen). Corresponding to the enlightenment ideas of the early twentieth century, women could no longer pursue beauty in a way that harmed their bodies. In the movement to liberate women’s bodies in the 1920s, radical intellectuals developed a severe criticism of the bad habits of using corsets and applying powder, and the concept of “healthy beauty” came into being. However, in the context of the development of the women’s liberation movement and the respect for women’s consumer rights, the healthy beauty theory failed to suppress women’s consumption of beauty products, and “natural beauty” and “artificial beauty” ultimately coexisted in lifestyles of women in the modern era of Shanghai.