Nami's Middle Bronze Age Suburb: The Coastal Settlement at Site 104–106

This study presents a late 19th to early 18th cent. BCE, MBIIA settlement in the immediate vicinity of Tel Nami on the Carmel Coast of Israel. Site 104–106 has been all but destroyed by modern agricultural activity as well as quarrying, but a large number of ceramics and small finds were salvaged during a 1985–6 survey of Tel Nami?'s hinterland as well as subsequent geoarchaeological research of the area. Little of the site remains, and the current study functionally amounts to a salvage project for an MBIIA coastal site, which was mentioned in an earlier survey. Geomorphology reveals how the sandstone kurkar ridges in this area of the coast governed the dynamic relationship between Tel Nami and its hinterland. Comparable ceramic chronology for Site 104–106 presented derives from Aphek-Antipatris, Megiddo, Kabri, Tel Ifshar, Tel Nami itself, and other MBIIA coastal sites of the Southern Levant. The ceramics include well-produced local wares as well as imports from coastal Lebanon, Syria, and Cyprus confirmed by petrographic analyses. Finds suggest a small agro-industrial site in the immediate periphery of the coastal Tel Nami.     

Roman pottery production in Civitas Tungrorum,central Belgium,during the first–third centuries ce

Aspects of Roman pottery production at the workshops of Kontich, Tienen, Rumst, Grobbendonk and Clavier-Vervoz in the Civitas Tungrorum of central Belgium are explored. A total of 150 wasters from five sites were studied macroscopically, as well as via a combination of thin-section petrography, geochemistry and scanning electron microscopy, in order to gain insights into ceramic technology and aspects of the organization of production. Particular emphasis was given to the individual technological sequences and shared strategies of raw material selection, paste preparation and firing employed at the five adjacent sites. The integration of petrographic and geochemical data permitted the establishment of compositional reference groups for the Roman kiln sites of Civitas Tungrorum, which can be used to track their products within the surrounding landscape.     

The Santa María pottery of El Bolsón valley (Catamarca,Argentina): Compositional characterization and implications on the elaboration processes,ca. 1000–1600 ce

The results obtained from the multi-analytic compositional characterization of ceramic pastes and paints of the Santa María style, from the El Bolsón valley (Belén Department, Catamarca Province, Argentina), are presented here. This pottery style had a wide regional distribution in Northwestern Argentina between ca. 1000 and1600 ce and is characterized by its complex iconography painted in black, cream and red. The analyses show that the containers correspond to the technical tradition of using grog temper and suggest that its manufacture involved a double firing process. This reveals a new practice for the time.     

河南汉代陶阙及相关问题

本文依据已发表的考古学资料,对河南出土的汉代陶阙进行了分类分期研究,并对其中一类陶阙在汉墓中的位置、寓意、双阙中间的“罘罳”及其上面的浮雕像内容进行了探讨。     

The World under the Stars: Astrological Geography and the Bologna 1477 Edition of Ptolemy’s Cosmographia

ABSTRACT

This article is a re-examination of the first complete printed edition of Ptolemy’s Cosmographia (Bologna, de Lapis, 1477), hitherto considered flawed and defective. An investigation of the status and priorities of the team of court astrologers responsible for this edition, and an examination of the alterations they made to Ptolemy’s maps, suggests that their aim was a redaction intentionally different from existing versions of the Geography. It is suggested that the editors sought to adjust the arrangement of provinces from that recommended in Ptolemy’s Geography (book VIII) to the astrological arrangement detailed in his Tetrabiblos (book II) and that they modified the content of the key regional maps accordingly. In this light, the Bologna 1477 edition underlines the importance of assessing the reception of Ptolemy’s geographical work against a cultural background in which astrology prevailed as an integrated system of knowledge, practices and beliefs.     

Wedgwood’s Glazes: A Poetic Sequence Derived from Glaze Chemistry with Contextual Essay

Abstract

The Wedgwoodian heritage of Stoke-on-Trent’s pottery industry is examined from the perspective of an ‘outsider’ and through the double-lens of glaze chemistry and poetics. These glazes, in their acrobatic language and hieroglyphic formulae, formulate a new perception of Stoke. New expressions and perspectives are described that emerge free of a mythologized past and interrupt the narrative of this creative heritage. The poems are as much about demythologized approaches to heritage as they are about identification with a foreign place; a re-psychogeography.