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51.
AbstractThe intersection between social media, liminality and nature-based tourism experiences hasn’t been the focus of previous tourism research. Such intersection, on the other hand, is illustrative of how social media relate to the constitution and performance of tourism spatialities, tourist identities, storytelling and place-making, and can lead to relevant theoretical contributes. We aim to investigate how liminality is expressed in relation to nature-based experiences by tourists on social media, and what role social media plays in mediating liminality during nature-based tourism experiences. The analysis is based on a participatory netnography of images and text posts, as well as online interviews with users of the popular social media Instagram. Findings show that the expression of tourism experiences in nature is closely related to specific notions of liminal otherness as opposed to the urban life and the everyday, where nature and wilderness are expressed as related to the genuine, the authentic and a true inner self. Creative combinations of pictures, captions and hashtags make it easier for tourists to express the contrast between the natural landscape and the everyday landscape once they returned home. These combinations also relate closely to performances of resistant and alternative selves and communities. At the same time, such performances are mediated and contested between freedom of self-expression, surveillance and social norms, an aspect that makes their liminal nature ambiguous. 相似文献
52.
Amit Birenboim 《Tourism Geographies》2016,18(1):9-17
Nowadays, a growing number of researchers are investigating subjective attitudes of people toward their environment with ever-increasing spatial and temporal resolutions. It seems that researchers' interest in daily experiences is not merely a passing research fad, but rather that individuals in current societies find more interest in their own momentary experiences. They talk about their affective states, they spend considerable portions of their income on intangible experiences, and they instantly share personal ‘moments’ through various online social media platforms. These trends are even more apparent in the tourism and leisure industries which aim to generate positive experiences among individuals. This research note points out new directions in the exploration of experiences during tourism and leisure activities. It discusses a new relevant concept, subjective momentary experiences on one hand and presents novel methodological opportunities on the other. In order to portray these new trends, a case study that describes the episodic experiences of festival attendants in a high tempo-spatial resolution is presented. 相似文献
53.
Joanna Kempiak Lynsey Hollywood Peter Bolan Una McMahon-Beattie 《International Journal of Heritage Studies》2017,23(4):375-392
This study seeks to explore the visitor experience at heritage sites pre, during and post visit. A conceptual model depicting the heritage visitor experience was proposed. A self-administered survey (n?=?195) was completed by visitors at six heritage sites across Northern Ireland. Visitor characteristics and pre-experience were analysed and results showed that heritage visitors are primarily motivated by recreation and base their visitation decision on advice from friends and family. Results from the exploratory factor analysis showed that audio and visual communication, atmospherics, on-site engagement, information and heritage preservation were the most influential factors during a visit. Post-experience results indicate that 54% of the sample was satisfied with their visit and 85% would revisit the heritage site. The final model suggests a range of factors which positively contribute to the visitor experience at heritage sites though this requires further testing. 相似文献
54.
ABSTRACTThis paper examines an unusual type of ‘cultural theme park’, one that is not based on simulating existing cultural diversity or historical places, but based in some senses on a ‘double simulation’. The theme park is based on an historical painting assumed to represent the North Song Dynasty period in Kaifeng, China; however, it is a representation that historians argue may never have existed. Utilising on-site interviews and participant observation, this paper traces the connections between the classic painting (清明上河图) and the actual historical landscape of Bianjing (the first simulation), and in so doing, unravels the links between the painting and the theme park (the second simulation) and the simulacra that are envisioned to form within the spaces of the theme park as a result of the interplay of simulations during theme park visits. The simulations and intended simulacra are ‘consumed’ to various degrees, suggesting that the representations of Kaifeng's historical past and culture have been impactful and (in)authenticity has not been an issue. Moreover, the theme park has served to entertain and, in some cases, inspire through playful appropriations of Kaifeng's past and culture. The resultant simulacra and its double simulations (in simulating both the real Bianjing and the neo-real landscape painting) contrast and simultaneously connect with rampant replications of the Occident in contemporary Chinese residential landscapes, townships and themed spaces. 相似文献
55.
Jürgen Lawrenz 《European Legacy》2018,23(6):658-673
Arthur Danto’s Transfiguration of the Commonplace is a new theory of art, seeking to catch the flavour and essence of its contemporary phenomenology. It is obliged, however, to pit itself in toto against aesthetic philosophy, leaning on the derivatives from deuteropraxis and institutional definition while committing itself to a concept of arthood extracted from exoteric ideas, which are held to comprise the artworks’ individuation and identity. This paper examines the principal notions in support of his contentions and contrasts them to the chief principles of aesthetic philosophy. In this juxtaposition, it transpires that conviction eludes Danto, as his suppression of aesthetic criteria yields unsuspected aporias from a disconjugate amalgam of inherence, ontology, epistemology and concept integration. Thus the leap from “mere real things” to the plateau of arthood is never accomplished, as it falters at the step where a perceiving subject has a stake in, and the power of authorisation, of this conception of art. 相似文献
56.
建国60年来党内民主发展的历程、经验及前瞻 总被引：1，自引：0，他引：1
发展党内民主不仅是党的建设的重要内容,而且是国家民主政治建设的路径选择。本文以党章的修改为历史视角,研究从其中折射出的新中国成立60年以来党内民主科学发展的历史进程,进而总结了党内民主实现科学发展的基本经验,并以此历史经验为理论依据,试对党内民主的未来发展走向做出学理性的前瞻。 相似文献
57.
1959年5月,为适应防疫的需要并迎接新中国成立10周年,中华人民共和国卫生部、中国人民解放军总后勤部卫生部和中华医学会在北京联合召开了全国急性传染病学术会议。会议贯彻中西医结合的卫生工作方针,结合时代发展需要,交流并总结了新中国成立以来医学界在防治急性传染病方面取得的成功经验,制定了8种急性传染病防治方案,对此后的传染病防治和研究起到了重要的推动作用。此次会议既为当代中国防疫史增添了浓墨重彩的一笔,同时也在我国医学发展史上具有重要意义。 相似文献
58.
日本世界工厂的发展及其经验 总被引：2，自引：0，他引：2
上世纪50～60年代,重化学工业迅速发展初步奠定了日本世界工厂的基础.80年代中期前后,以汽车工业、电气机器工业、机械工业等加工组装型工业和半导体工业的高度发达为标志,日本继英国、美国和德国之后,终于成了名副其实的世界工厂.在日本世界工厂发展的过程中,产业政策、贸易立国战略、技术革新和设备投资、大批量生产与专业化分工、充分利用国内外有利条件等发挥了重要的作用. 相似文献
59.
Martin Black 《Perspectives on Political Science》2013,42(1):2-7
Abstract Mark Blitz has written an analysis of Plato’s political philosophy that engages with a large proportion of the Platonic corpus. His examination is orientated by Plato’s intention of expressing his views in dialogue form, and animated by Plato’s principle that political philosophy must emerge from the attentive critique of ordinary or political experience. This article raises the question whether Blitz has done justice to the “poetic” (constructed, historical, etc.) character of ordinary experience or doxa, and so of the radical nature of Plato’s political thought. 相似文献
60.
根据自己在国外求学的经历,介绍几位西方左派知识分子感人的作为。马若德、丹尼尔.贝尔、本.哈罗德都是全世界在他们那个领域里面最著名、有的甚至可称之为最伟大的学者。这些学者治学、为人的方方面面,可以让大家了解西方意义上的左派优秀知识分子。同时,以自己出生于中国三代贫民家庭的孩子,能够有机会在改革开放之初,通过教育扶贫的政策,一步一步走向世界最好的大学,有机会在全世界最伟大的思想家和大学者的身边学习的经历,说明最穷困的地区的孩子翻身,可以通过读书而不是造反去实现。期待通过教育扶贫的方式,改变贫困地区孩子的命运。 相似文献