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文章试图通过崧泽墓地的结构了解当时的社会情况,本文和一般文化分期式的研究有所不同,重点不是总结文化的分期标准,而是尽量梳理每一种文化特征演变的细节过程。 相似文献
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Xabier Gainza 《European Planning Studies》2018,26(4):792-811
Former industrial premises provide material and symbolic resources for grassroots creative production, but planning is complex as these sites are transitory and excessive intervention may stifle creativity. This paper analyses the transformations of La Ribera (Bilbao), a mixed-use peninsula waiting to be redeveloped, where, in the meantime, creative-based grassroots projects have settled. Drawing upon relevant planning documents, documentary material and interviews with key actors, the paper explores (i) the spatial and built form advantages of these spaces, (ii) their impact on neighbourhood life and (iii) the contradictions faced in the planning process. The analysis suggests that spatiality plays a critical role, but it is threatened by market pressures, local governments’ interest to encourage the city's reputation and neighbours’ mistrust for the changes they may trigger. As a result, we contend that art spaces’ institutionalization in the neighbourhood is decisive for their sustainability, but the conflicts that arise for the symbolic appropriation of space should be considered. Regarding policy, governance approaches that preserve users’ autonomy and spaces’ built form and atmospheric qualities are rather suitable responses if they are part of a comprehensive agenda that includes local socio-economic conditions and neighbours’ aspirations. 相似文献
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夹砂陶是陶器中非常重要的一个品种,特别是作为炊煮器是古人生活中不可或缺的日用器具。对夹砂陶器中掺合料的研究能够反映当时夹砂陶的制作工艺,也可以用来探讨掺合料的来源以及当时手工业分工以及产品的流通等问题。为此,本研究主要利用显微共聚焦拉曼光谱分析等技术手段对河南灵宝西坡遗址出土夹砂陶器中人工分离出的掺合料进行了初步分析,讨论了其中掺合料的类别、所占比重及来源。结果表明,西坡遗址出土的红褐色夹砂陶中掺合料的矿物成分主要以长石、石英、云母为主,而对样品及砂粒的称重结果表明,一些样品所用掺合料的比重可达20%左右。同时,对该遗址出土石料的分析表明,石料的物相组成与掺合料相似。另外,结合对良渚古城遗址夹砂陶器的分析结果,提出古代夹砂陶器的掺合料很有可能一部分来自于当时石器和玉器等加工废料的论断。研究成果为今后有关陶器掺合料的研究提出了新的方法和思路,同时也为探讨古代手工业生产的专业化模式提供依据。 相似文献
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为了探索六安双龙机床厂墓葬出土西汉黑陶的呈色机理,利用现代科技分析手段对黑陶的黑色物质进行物相分析、显微观察和成分分析。拉曼光谱结果显示黑色物质是无定形碳;SEM显示黑色物质均匀覆盖在胎体表面,其颗粒大小为3μm左右,属于炭黑颗粒;能谱分析显示碳元素分布较为均匀;红外光谱检测出黑色层中含有生漆成分。综合分析显示黑陶样品的呈色机理是:胎体表面被均匀地涂饰了一层由生漆和炭黑构成的黑色物质。该研究对探讨黑陶呈色机理具有重要意义,对了解黑陶制作工艺的发展有一定的补充作用。 相似文献
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Determining the Provenance of Cayo Pottery from Grenada,Lesser Antilles,Using Portable X‐Ray Fluorescence Spectrometry 下载免费PDF全文
Portable XRF was used to analyse the chemical composition of 52 indigenous Cayo ceramics from excavations and from private collections on Grenada, Lesser Antilles. Initially, a comparative baseline of data representing three different islands (Grenada, St Vincent and Trinidad) was created by analysing with pXRF ceramic material that had previously been analysed both chemically and petrographically. The field data, when compared to the laboratory baseline data, indicated that the majority of the ceramics were made with clay local to Grenada. Four samples were potentially made with clay from another, as yet unidentified, source. 相似文献
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Accumulations research examines the dynamic relationship among artifact discard, duration of occupation, and population size.
The history of accumulations research is reviewed, emphasizing studies that use accumulation rates to measure site occupation
span. Ethnoarchaeological and experimental research demonstrates that cooking pots are an ideal artifact type for accumulations
research. Data from the Duckfoot site in southwestern Colorado are used to develop an annual accumulation rate of cooking
pot sherds for households. This rate is used, along with population estimates and estimates of the total cooking pot sherd
accumulation, to determine the occupation span of five sites located in the nearby Dolores River valley. 相似文献
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Recent ceramic analysis: 2. Composition,production, and theory 总被引:2,自引:0,他引:2
Prudence M. Rice 《Journal of Archaeological Research》1996,4(3):165-202
This is the second of two articles reviewing the burgeoning literature on recent ceramic analysis. The first (Journal of Archaeological Research, Vol. 4, No. 2, 1996) (pp. 133–163) surveyed functional and stylistic analyses and pottery origins. This article reviews compositional investigations and studies of pottery production, both of which have flourished in a period of heightened examination of specific techniques, assumptions, and concepts, such as standardization. In addition, researchers are exploring new analytical methods as well as approaches to ceramic theory. The review closes with a series of observations and critiques of current directions. 相似文献