包山二号墓陶罐试析

本主要探讨了湖北荆门包山二号楚墓出土的12件陶罐在其墓主人时代存在的三种不同的原有名称及其各自不同的原有功用。原名“（石缶）”的陶罐是具有保鲜、保温、防碰撞、盛装成品或半成品食物、可供加热之用的稍大型贮存容器;原名“（土缶）”的陶罐是具有保鲜、保温、防碰撞、盛装即食食物、可供加热和携带之用的稍大型贮运容器;原名“”的陶罐是具有掩蔽、保鲜、保温、防碰撞、盛装成品食物之用的稍小型贮存容器。     

论江汉地区二例相关的史前陶文

阴湘城和石家河古城是江汉地区两个著名的史前时代的古城。最近,在这两个古城遗址的发掘中发现了两例相似的陶文。作者对这两例陶文进行了考释,认为它们是“荆”字最初的写法。他进一步认为“荆”是距今4000-5000年前生活在江汉地区的一个远古部落的名称,而荆州也因此而得名。     

大汶口文化的打击乐器——陶鼓浅析

田野发掘所获取的资料显示大汶口化(含北辛化)所发现的陶鼓是原始先民的主体乐器。     

商周印纹硬陶与原始瓷器研究

本文讨论了中国古代高温釉器物的起源、基本特征、产地 ,以及陶瓷器族群不同种类的界定与命名等问题。作者认为 ,陶器和瓷器从商周时期开始形成两个不同的发展序列 ,二者各自发展 ,互有影响 ,且时代越晚 ,其关系越疏远。二者的联结点是特殊的陶器———印纹硬陶。     

从走马楼吴简看孙吴时期长沙郡吏民的联姻

对于走马楼吴简的研究统计,可以反映出孙吴时期长沙郡吏民有将两姓合并表示婚姻的取名风俗。这种风俗一方面透视出土民与移民之间的联姻关系,另一方面也反映出在江南农业开发过程中土民与移民之间的融合特征。     

甘肃新石器时代与青铜代陶器研究的内容和科学意义

综述了现代分析测试方法和数学方法在古代陶器成分分析、年代测定、制作工艺、产地判断、形态分析方面的应用以及甘肃新石器与青铜时代陶器研究的意义。     

Chemical characterization of majolica from 14th–18th century production centers on the Iberian Peninsula: a preliminary neutron activation study

Majolica pottery is one of the most characteristic tableware produced during the Medieval and Renaissance periods. Majolica technology was introduced to the Iberian Peninsula by Islamic artisans during Medieval times, and its production and popularity rapidly spread throughout Spain and eventually to other locations in Europe and the Americas. The prestige and importance of Spanish majolica was very high. Consequently, this ware was imported profusely to the Americas during the Spanish Colonial period. Nowadays, Majolica pottery serves as an important horizon marker at Spanish colonial sites. A preliminary study of Spanish-produced majolica was conducted on a set of 246 samples from the 12 primary majolica production centers on the Iberian Peninsula. The samples were analyzed by neutron activation analysis (NAA), and the resulting data were interpreted using an array of multivariate statistical procedures. Our results show a clear discrimination between different production centers. In some cases, our data allow one to distinguish amongst shards coming from the same production location suggesting different workshops or group of workshops were responsible for production of this pre-industrial pottery.     

试论克孜尔石窟出土陶祖为摩尼教艺术品

摩尼教作为一个公元3世纪后流行东西方的世界性宗教,其神学体系中有关性观念的描述,在世界古代几大宗教中独树一帜。但以往人们对此的认识都是在摩尼教文献中寻章摘句,很难见到形象化的具体实     

多样性、创造力与城市增长

是经济多样性或是产业专业化更有利于技术创新和城市增长是近几年来学界争论的问题。传统的研究方法,多利用经济分类(包括标准产业分类和专利分类)数据来探究产业构成与知识溢出和经济增长之间的因果关系,但这种方法并不能清晰地说明不同环境下知识溢出的具体过程,从而对有关争论无法给出令人信服的结论。本文通过比较人造事物与自然生物的演化差异,发现人类创造力的特性与技术创新的本质在于把现有的、以前不相关的资源或技术进行有效的组合。虽然专业化城市在特定城市体系中也能够促进技术创新及经济增长,但从单体城市的层面看,产业多样性较专业化不仅有利于各种不相关的事物的组合,而且还能提供创新者所需的企业家精神氛围和更大的集聚经济,因此更利于城市的长期增长。     

Painting as Agency,Style as Structure: Innovations in Mimbres Pottery Designs From Southwest New Mexico

The act of painting a design is a form of agency, and the overall style of that design in part can be conceptualized as a kind of structure. This perspective is used as a basis for analyzing chronological changes in designs on Mimbres Black-on-white pottery (ca. AD 750–1150) from Southwest New Mexico. Specific focus is on a methodology that can be used to detect innovations, that is, the introduction of novel designs that are incorporated into the design corpus and thus transform the structure. The conceptualization of a particular tradition (in this instance, pottery painting) as a form of structure analogous to general structure in Giddens' sense thus provides important insights into the recursive relationship between agency and structure.