Postcolonial polar cities? New indigenous and cosmopolitan urbanness in the Arctic

ABSTRACT

The arrival into geography, and especially urban geography, of a frame of questioning coming from postcolonial studies has contributed to a fascinating debate about what a “postcolonial” city is and how the urban duality between ethnically, socially, and spatially segregated “European” towns and “native” settlements is being reformulated and transformed. Obviously, Arctic cities are not postcolonial in the political sense of being independent from the former colonial centre – although this process may be under way in Greenland – but they have seen a progressive move from a Eurocentric culture toward greater hybridization. This article looks into two new trends that contribute to making Arctic cities postcolonial: first, the arrival of indigenous peoples in cities and the concomitant diminution of the division between Europeans/urbanites and natives/rurals; and second, the arrival of labour migrants from abroad, which has given birth to a more plural and cosmopolitan citizenry. It advances the idea that Arctic cities are now in a position to play a “decolonizing” role, in the sense of progressively erasing the purely European aspect of the city and making it both more local and rooted (through indigenous communities) and more global and multicultural (through foreign labour migrants).     

“A beacon-light to the oppressed of every land”: James Connolly and the work of the working-class intellectual

Abstract

This article seeks to defend James Connolly from attacks on both the Left and Right, particularly the charge that his legacy is nationalist delusion and fanaticism. The article argues that Connolly’s politics and his engagement with Irish cultural politics demonstrate his commitment to human equality as both a right, but also a principle of human intelligence. The article addresses Connolly’s status as a working-class intellectual with reference to how he challenges conventional hierarchies between the philosophers of Marxism and the proletarians who are the object of those deliberations. The article argues that from Connolly’s thought and activism an anti-colonial Marxism emerges which might help explain the neo-imperialist world we find ourselves in today and provide a critique lacking in the collapsed teleological versions of orthodox Marxism. The relations between his Marxism and nationalism are explored, as are his play Under Which Flag? his poetry and songs.     

Imagining a Shared State in Palestine–Israel

Abstract:  There has been much deliberation over future solutions to the Palestinian–Israeli impasse. These invariably revolve around the two-state solution. However, some have argued that a one-state solution would be preferable because it stresses the need to imagine Palestinians and Israelis as connected rather than as separate. This article examines notions of a one-state solution and highlights the useful role that geographers can play in discussing such notions. In particular, it focuses on the need to re-think relationships between citizenship, national identity and the nation-state in order to emphasise the importance of shared pasts, presents and futures in the region. The article also outlines the relevance of postcolonial, diasporic and transnational theories to geographical discussions on the one-state solution and concludes that the use of such theories potentially allows a more hopeful exploration of the complex identities, lives and performances of people as they struggle to negotiate contested spaces and places.     

On the trail of social relations in the colonial Sahara: a postcolonial reading

The Atlantic coast of the Sahara Desert was belatedly colonised by Spain. The paternalistic nature of this process and the collaboration of Sahrawi tribal leaders produced a specific type of colonial relations. The military hierarchy of colonial structures overlapped with the social stratification of Sahrawi tribes. Yet outside the upper echelons of Sahrawi authorities and Spanish military officers, daily life in the colony was defined by interactions among workers who performed the less lucrative jobs, Spanish immigrants from the Canary Islands as well as members of the indigenous population. Given their similar social status, four decades after the Spanish decolonisation (1975), we can still recognise the feelings that Sahrawi people inspire among Canarian returnees and the Sahrawis’ recollections of Canarian settlers, proving that colonial relations are never simple but ambivalent and open to new interpretations, especially when they intersect with other categories such as social class. Informed by postcolonial studies, our analysis of in-depth interviews conducted in the Canary Islands and the Sahara over the last ten years reveals the affective bond shared by colonisers and colonised at the bottom of the social hierarchy, allowing us to identify colonial memory as a cornerstone of social and cultural geography.     

The red line over European colonialism: comparison of the Macao museum and Hong Kong museum of history after their return to China

Hong Kong and Macao were once European colonies. A unique, hybrid culture of East and West now flourishes in these two Special Administrative Regions (SARs) of China. Both cities opened new history museums in 1998, but they adopted remarkably different approaches in their representation of their complicated and politically sensitive history. The Hong Kong Museum of History (HKMH) represents history by closely following the orientation of traditional Chinese nationalism. The postcolonial characteristics adopted by the Macao Museum to reproduce history, in contrast, are likely amongst the richest of all history museums in China. What are the reasons behind the different historical representations by Hong Kong and Macao, which were both promised a ‘One country, Two systems’ policy by the Chinese central authority? This paper argues that both museums reveal two faces of a rising China; the one in Hong Kong emphasises national dignity, and the people’s identification with and loyalty to the nation when it is engaged in state building. The one in Macao emphasises the multiple roles in finding a balanced position to coexist with superpowers, forging friendships with developing countries and building an idealised image of a (re-)rising nation through historical construction. The difference between these two museums indicates the exceptional flexibility of China’s postcommunist regime in engaging in soft power diplomacy.     

THE RETURN OF THE SOCIAL

This article is concerned with the social exclusion agenda in contemporary French cultural policy, exploring the relevance of aspects of postcolonial theory to an understanding of that agenda. The tensions involved in recent attempts to evolve policies addressing interculturalism, integration and “emergent” cultures (such as hip‐hop) while also staying true to the French republican tradition of universalism are illuminated by France’s problematic relationship with its colonial past. They are also shown to be related to a wider movement of post‐industrial, postmodern experimentation with aesthetic forms, from video and computer art to street arts, free parties and electronic dance music.     

Putting the drum in conundrum: Guadeloupean gwoka,intangible cultural heritage and postnationalism

Since 2004, Felix Cotellon, the president of the centre for traditional music and dance on the island of Guadeloupe, has spearheaded a grass roots campaign to see gwoka inscribed on the UNESCO’s list of Representative Intangible Cultural Heritage of Humanities. The move has been surprising, even controversial. Gwoka, a drum-based music and dance, has been used as a symbol of Guadeloupean cultural identity and resistance against French colonialism since the late 1960s. Moreover, Cotellon has had a long association with separatist activism. However, because Guadeloupe remains a French overseas department without a seat at the UN, the petition to add gwoka to the ICH list had to be sponsored by the French state. Following a successful bid, gwoka is now listed as representative of the culture of a French region. In this article, I draw from my ethnographic work as well as my own involvement in the committee that drafted Guadeloupe’s application to trace the complex network of individuals, who are shaping gwoka’s transformation from weapon of national resistance to symbol of humanity’s cultural diversity. I argue that these individuals shape and operate within a ‘zone of awkward engagement’ that allows for the emergence and expression of a postnationalist political subjectivity.     

AN IMPERIAL SYLLABUS

Ten Books That Shaped the British Empire, edited by distinguished historians Antoinette Burton and Isabel Hofmeyr, brings together ten essays on individual books with a substantial methodological introduction. Covering the full geographical expanse of the Empire, the volume seeks to unify book and imperial history through careful accounts of the circulation, recycling, and uptake of each of the books under consideration. The upshot is an invaluable overall work with important individual contributions. At the same time, the project's methodology and mode of presentation raise questions for the writing of history, particularly at the nexus of the histories of empire and of the book, that are reiterated but never queried within the volume itself. Specifically, in its focus on the moment of the circulation of texts, Ten Books That Shaped the British Empire reflects a general condition in the human sciences: a resistance to narrative, to causality, and to critique, which this essay attempts to describe and briefly explain.     

Cross over food: re-materializing postcolonial geographies

Recent geographical discussions of postcolonialism have highlighted its emphasis on texts and discourses, its neglect of more material aspects of (post)imperial/colonial domination and the need for detailed empirical research articulating postcolonialism and global capitalism. This paper addresses these issues by reporting on research based in a recent debate in the UK trade press over the 'failure' of Caribbean food to 'cross over' into the UK 'mainstream'. It outlines the contrasting manufacturing and marketing practices of two Jamaican food companies whose accounts of (not) attempting this 'cross-over' illustrate postcolonialism's hybrid, resistant, ambivalent, scale-jumping, boundary-crossing, material cultural politics.