The Agote Map of Hainan Island,China: A Case Study for Cultural Dialogue in Eighteenth-Century Cartography

The idea of cartography as an example of Western imposition or process of cultural transfer is one that has long fascinated scholars interested in the margins of empires. This article analyses the maps in the possession of Manuel Agote, a Spanish factor in Canton at the end of the eighteenth century. The focus is on the use made by Agote of a Chinese map of Hainan, together with the European maps available already in China for commercial interests, and the way this reflects the cultural dialogue that was operating among local and foreign cartographers engaged in similar European mapping activities in the region.     

IS SOCIAL CAPITAL USEFUL FOR EXPLAINING ECONOMIC DEVELOPMENT IN POLISH REGIONS?

The concept of social capital is widely perceived as a promising tool for explaining differences in economic development between countries and regions. According to this theory, weak links (bridging social capital) and social trust in an area favour its better access to other forms of capital, that is, economic and human capital. However, strong links (bonding social capital) may stifle creativity and entrepreneurship. Since the vast majority of research on the impact of social capital on economic development focuses on highly developed Western European countries, it seems particularly interesting to evaluate the usefulness of this approach when applied to post‐communist countries with their different experiences. The objective of this article is to identify the spatial variation of different forms of social capital in regions of Poland and then to test a hypothesis on the impact of this capital on regional economic development. The results demonstrate that despite the existing differences between regions there are no significant relationships between levels of social capital and economic development. This may be explained either by low social capital levels or by the overall degree of Polish economic development.     

Sacred Geography,Antiquarianism and Visual Erudition: Benito Arias Montano and the Maps in the Antwerp Polyglot Bible

The final volume of the Polyglot Bible, edited by Benito Arias Montano and printed in Antwerp by Christophe Plantin, was published in 1571–1572. Forming part of the Bible's Apparatus, the volume contains a number of essays, illustrations and maps by Montano relating to questions raised by the biblical text. Montano's maps were a product of his philological training in Oriental languages and exegesis, his profound interest in antiquarianism and geography and his practice of visualizing and tabulating knowledge. He designed his maps both as study aids and as devotional‐meditative devices. Moreover, the maps reflect his wider philosophical outlook, according to which Holy Scripture contains the foundations of all natural philosophy. Montano's case encourages us to re‐examine early modern Geographia sacra in the light of the broader scholarly trends of the period.     

近代学人关于国学书目及大学国学教育的思考

近代学人为后学开设国学书目者甚众,但以大学生为对象拟定国学读书书目的并不多,其中较有名者有吴汝纶、梁启超、胡适等人。他们三人为大学生所拟国学书目虽各异其趣,却有诸多相通之处:一是所拟书目均以传承国学为宗旨;二是所拟国学均有学习程度上的层级划分,以适应不同层次大学生的学习需求;三是所拟书目基本上是按传统图书四部分类法分类筛选,这种书目筛选法在相当程度上保证了所拟国学书目能系统、完整地传承国学。他们关于国学范围的界定、国学书目的筛选、国学书目的分级与分类等问题的思考对于当今中国大学的国学教育仍然有一定借鉴意义。     

论康有为对近代博物馆的认知和宣传

康有为是中国近代史上提倡向西方学习的文化先驱,是最早明确提出建立博物馆的有识之士,是积极倡导建立博物馆的领袖人物。康有为对近代博物馆的认知和宣传,以其1898年逃亡海外为界,分为两个时期。第一个时期,他通过大量阅读西书,知道了近代博物馆及其功能;第二个时期,他流亡海外,仍向国人介绍众多亲历的博物馆,并提出建立博物馆的理论和建议。     

Incisor labial surface wear striations in modern humans and their implications for handedness in Middle and Late Pleistocene hominids

Over the past four decades several workers have argued that the orientations of striations on the labial surfaces of the front teeth of Middle and Late Pleistocene fossils attributed to Neanderthals and antecedent archaic hominids can tell us something about handedness. These researchers have suggested that such scratches result from stone tools scraping across the incisors during ‘stuff‐and‐cut’ behaviours, and that they reflect directions of hand movements and handedness. In this study, we examine comparable wear features on the incisors of anatomically modern humans to determine whether striation angle may reflect handedness. The teeth from 66 individuals representing four groups with known differences in subsistence practices (Aleut, Arikara, Illinois Bluff, and Puye) were examined. Photomicrographs were made of the maxillary central incisor labial surfaces of all individuals at 56× magnification. These photomicrographs were scanned to image files, and orientations of all visible wear striations were measured using a semi‐automated image analysis procedure. Approximately three‐quarters of all labial surfaces showed a preferred striation orientation. Of those, most had preferred apico‐cervical or vertical striation orientations, independent of cultural affiliation. Few showed the tendency toward diagonally‐oriented scratches expected if handedness is related to scratch orientation. We found no evidence for ‘stuff‐and‐cut’ striations, despite the fact that at least one of the groups studied—the Aleut—are documented to have used this behaviour. In sum, there is evidently no relationship between striation orientation and handedness in the groups studied. It is, therefore, unlikely that labial scratch orientation in Middle and Late Pleistocene hominids reflects handedness if they used their front teeth in a manner comparable to that of any of the anatomically modern groups considered here. Copyright © 1999 John Wiley & Sons, Ltd.     

现代艺术运动发展演变的地理学研究

现代艺术是目前唯一在国际上占统治地位的艺术现象。本文从地理学角度出发研究现代艺术的发展演变。首先回顾了现代艺术的发展过程,重点分析了现代艺术的地域性特征,指出国际现代艺术体系有"中心-边缘"性的分布格局,从流派数量和艺术主题的变化方面总结了其发展演变特点,并且总结了历史上三次重要的艺术扩散过程。其次分析了我国现代艺术发展的时空分布和地理格局,指出我国现代艺术的中心位于东部沿海大城市,具有分布不均、在国际体系中地位不高的特征。最后指出我国城市积极参与国际现代艺术体系、提升文化艺术地位的重要性和途径。     

中原先秦丧葬制度中的茔域与方位之制

在先秦时期的中原,基地、墓葬的头向以及夫妻合葬墓中左右方位的选择,不断被赋予礼制的内涵,体现了我国古代丧葬制度不断发展、演变的过程。尤其是到周代,丧葬制度趋于完备。其中的茔域与方位之制,成为古代礼制的重要组成部分。     

北宋东京汴河东水门考

本文综合研究文献记载与考古资料,认为北宋东京汴河东水门应由河道之上的水闸门、汴河南北两岸的陆行门,以及南北拐子城所组成。拐子城,系直门两重,是为了保卫上善与通津两座陆行门和汴河漕运而建,在北宋末年抗击金人的东京保卫战中,起了重要作用。张择端《清明上河图》中所绘制的那座城门,即为汴河南岸的上善门