'Giant Strides' in Documentaries, 'Ascents' in Archaeology: Nautical Archaeology's Relationship with and Place within Popular Culture

This article covers 30 years of the representation of nautical archaeology on television. It criticises and positions current research, then develops an objective methodology for examining television documentaries. The relationships and similarities between television documentaries and academia and the wider professional and amateur discipline is debated. Original research, which argues for a structure that is ever-present in nautical archaeology as in popular culture and academia, is deconstructed, and the implications reviewed. A sequence of images is defined and it is demonstrated that this forms a 'unique selling-point' used by both television and the academic discipline.
© 2008 The Author     

Negotiating and queering US hegemony in TV drama: popular geopolitics and cultural studies

This article argues that popular geopolitics should pay closer attention to entertainment television and to the negotiations, complexities, and contradictions associated with contemporary televisual texts. This move requires a closer engagement with media and cultural studies than that initiated to date. In the second half of the article, we discuss the ABC TV drama Commander in Chief, which follows the first female president of the USA, and is set in a post-9/11 world wherein the struggle for US geopolitical domination has become a much more complex endeavor. We end by wondering whether entertainment television might provide us with imaginative resources for queering US hegemony.     

El padre transgresor: Crisis familiar y crisis social en el teatro popular bonaerense, 1896–1934

This article analyzes how five exemplary works of Argentine popular theater (1896–1934) construct unconventional readings of a perceived social crisis during Argentina's insertion into the global capitalist market. While dominant discourses focused on women's “errant” sexuality as the source of social demise, these works place the father figure —metaphor for social leadership— at the center of the debate to explore the chain of factors that hinder these fathers from fulfilling their “proper” gender roles, which ultimately causes the so-called social crisis. This focus on the paternal figure allows these plays to posit that social crisis stemmed from a destructive capitalistic logic based on the circulation of money, fraud, competition, and theft rather than from “errant” women. The recovery of these unconventional perspectives contributes to a more complex understanding of discourses on gender in the period, as well as of the relationship between discourses on everyday life and modernization.     

烟捐与民变:1930年代皖北宿县乡村危机与政府控制

1932年皖北宿县因烟捐引发民变是20世纪30年代国民政府治下乡村危机频发的侧影。民变前,国家政权与乡村精英结合掌控乡村,而精英间为争夺乡村权力展开派系斗争,官民矛盾、绅民矛盾和绅士间矛盾尖锐。皖省政府依靠乡绅课征烟税,劣绅借机盘剥农民,绅民、官民矛盾激化。民变发生后,关系各方展开利益博弈,政府交替运用武力与怀柔之策控制民变,但无助于化解官民矛盾、绅民矛盾、官绅矛盾和乡绅不同派系间的利益纠葛,反致乡村危机在政府控制下被雪藏。乡村危机是国家政治、经济和社会等多元因素交互作用下产生的,并非如学界过往所认同的经济单线性诱致之结果。     

Complexity and nationalism

Classic theories of nationalism, whether modernist or ethnosymbolist, emphasise the role of elites and spread of a common imagined community from centre to periphery. Recent work across a range of disciplines challenges this account by stressing the role of horizontal, peer-to-peer, dynamics alongside top-down flows. Complexity theory, which has recently been applied to the social sciences, expands our understanding of horizontal national dynamics. It draws together contemporary critiques, suggesting that researchers focus on the network properties of nations and nationalism. It stresses that order may emerge from chaos; hence, ‘national’ behaviour may appear without an imagined community. Treating nations like complex systems whose form emerges from below should focus research on four central aspects of complexity: emergence, feedback loops, tipping points and distributed knowledge, or ‘the wisdom of crowds’. This illuminates how national identity can be reproduced by popular activities rather than the state; why nationalist ideas may gestate in small circles for long periods, then suddenly spread; why secession is often contagious; and why wide local variation in the content of national identity strengthens rather than weakens the nation's power to mobilise.     

黑山会的故事:明清宦官政治与民间社会

关于明清时期宦官的研究 ,以往史学界多从政治史的角度入手 ,探讨宦官干政及其与皇权的关系。本文从黑山会这样一个宦官的祭祀组织出发 ,探讨他们塑造刚铁这样一个宦官祖神的意义 ,从新的角度理解宦官政治 ,并进而探索宦官与京师民间社会的关系 ,以及他们在宫廷与民间社会之间的中介角色     

Richard Oastler,Toryism, Radicalism and the Limitations of Party,c.1807–46

Richard Oastler (1789–1861), the immensely popular and fiery orator who campaigned for factory reform and for the abolition of the new poor law in the 1830s and 1840s, has been relatively neglected by political historians. Few historians, however, have questioned his toryism. As this article suggests, labelling Oastler an ‘ultra‐tory’ or a ‘church and state tory’ obscures more than it reveals. There were also radical strands in Oastler's ideology. There has been a tendency among Oastler's biographers to treat him as unique. By comparing Oastler with other tories – Sadler, Southey, and the young Disraeli – as well as radicals like Cobbett, this article locates him much more securely among his contemporaries. His range of interests were much broader (and more radical) than the historiographical concentration on factory and poor law reform suggests. While there were periods when Oastler's toryism (or radicalism) was more apparent, one of the most consistent aspects of his political career was a distaste for party politics. Far from being unique or a maverick, Oastler personified the pervasive anti‐party sentiments held by the working classes, which for all the historiographical attention paid to popular radicalism and other non‐party movements still tends to get lost in narratives of the ‘rise of party’.     

Gendered geographies of genetic variation: sex,power and mobility in human population genetics

This article explores the ways in which geographies of human genetic variation are increasingly differentiated in terms of gender, and the ideas of reproduction, sex, power and mobility that underpin their interpretation. It thus seeks to extend recent work on the ways in which the ideas of race and relatedness are being shaped by recent accounts of human genetic variation and evolutionary history within human population genetics by exploring the gendered and sexual imaginaries of this field. At the same time, it seeks to extend feminist geographical work on social reproduction by attending to the figuring of reproduction itself. The article focuses on accounts of the geographies of Y-chromosome variation and the differences between the geographies of Y-chromosome variation and mitochondrial variation, and explores the degree to which this work is underpinned by, and potentially reinforces, particular accounts of gender, sex and the reproductive strategies of women and men. More specifically, I argue that despite some differences between the perspectives of those involved, much of this work deploys a model of male sexual competition that is at the heart of claims about the universal and determined fundamentals of reproduction, and indeed all social life, within evolutionary psychology. Gendered geographies of human genetic variation are being used as evidence for hitherto asserted but unproven claims about human nature. This article is a critical feminist engagement with the renaturalisations of culture within this strand of human population genetics.     

‘Each fantasy chosen begin’: the music of The Divine Comedy

This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona.