Emigration,return migration and surprise homecomings in post-Celtic Tiger Ireland

This article explores the cultural and ideological management of mass migration in twenty-first-century Ireland, arguing that narratives of return have come to dominate representations of emigration. The almost universal focus on the moment or experience of return distinguishes the current era from other periods of high emigration in Ireland. The phenomenon of the surprise homecoming video is scrutinised alongside recent cinematic releases, newspaper articles, blogs and cultural events including The Gathering (2013) and the Marriage Equality Referendum (2015). By drawing these sources together, the article exposes how cultural representations of emigration have been shaped to fit with official narratives of a business-friendly nation in recovery. By repeatedly showcasing the emotional pleasures of return these popular culture forms support a fantasy of easy return and mask the real economic and social problems driving the latest wave of emigration.     

Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism

Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Throughout this trilogy, Zé do Caixão kidnaps, tortures, and murders scores of victims, effectively mimicking the human rights abuses that occurred under the dictatorship. He advocates liberation from the oppression of traditional morality while reinscribing its rhetorical raison d’être: purpose through procreation. The popular appeal of these films, their political intentionality, and their production during and after the dictatorship allow for an analysis of the rhetorical strategies employed by Marins in his attempt to both shock audiences and instill in them a counterhegemonic consciousness. Despite the radical agenda at work in Marins’s films, I will argue that this trilogy is conservative in its rhetorical framework, serving as an example of Lee Edelman’s reproductive futurism, wherein political legitimacy is contingent upon procreation.     

Something to Compete with ‘Gunsmoke’: ‘The Big Picture’ Television series and selling a ‘modern,progressive and forward thinking’ Army to Cold War America

Airing from 1951 until 1971, ‘The Big Picture’ was the United States Army’s primary means of marketing itself to the U.S. public, particularly between the Korean and Vietnam Wars. Drawing for the first time on archival records concerning the show’s production, this paper documents how information officers sought to escape the stock-footage straightjacket embedded in the show’s origins and showcase an Atomic Age Army standing sentry at the Cold War’s ramparts. Ultimately, they fought dual losing battles against parsimonious budgets and public indifference, while their insistence on content control hampered potential exposure in more appealing prime-time entertainment programmes.     

从教会事业走向国家事业——英格兰民众教育发展的历史路径探析

英格兰民众教育是随着英格兰教堂的产生而萌芽的。大致可以分为三个阶段,即作为教会事业的阶段、作为慈善事业的阶段和走向国家事业的阶段。历经近1200年的实践,英格兰人认识到"教育和培养"是国家的一件大事,英格兰民众教育最终走向国家事业,具体表现在颁布工厂法、建立教育管理的专门机构等5个方面。英格兰民众教育的发展对现代英国国民教育制度的建立做出了重要的贡献,也孕育了19世纪英格兰民众教育思想。     

El padre transgresor: Crisis familiar y crisis social en el teatro popular bonaerense, 1896–1934

This article analyzes how five exemplary works of Argentine popular theater (1896–1934) construct unconventional readings of a perceived social crisis during Argentina's insertion into the global capitalist market. While dominant discourses focused on women's “errant” sexuality as the source of social demise, these works place the father figure —metaphor for social leadership— at the center of the debate to explore the chain of factors that hinder these fathers from fulfilling their “proper” gender roles, which ultimately causes the so-called social crisis. This focus on the paternal figure allows these plays to posit that social crisis stemmed from a destructive capitalistic logic based on the circulation of money, fraud, competition, and theft rather than from “errant” women. The recovery of these unconventional perspectives contributes to a more complex understanding of discourses on gender in the period, as well as of the relationship between discourses on everyday life and modernization.     

Negotiating and queering US hegemony in TV drama: popular geopolitics and cultural studies

This article argues that popular geopolitics should pay closer attention to entertainment television and to the negotiations, complexities, and contradictions associated with contemporary televisual texts. This move requires a closer engagement with media and cultural studies than that initiated to date. In the second half of the article, we discuss the ABC TV drama Commander in Chief, which follows the first female president of the USA, and is set in a post-9/11 world wherein the struggle for US geopolitical domination has become a much more complex endeavor. We end by wondering whether entertainment television might provide us with imaginative resources for queering US hegemony.     

Cultural attraction, ‘soft power’ and proximity: the popularity of Japanese language in Hong Kong since the 1980s

This paper discusses the cultural attraction, ‘soft power’, and importance of cultural proximity to the popularity of the Japanese language in Hong Kong over the last three decades. Exploration of both primary and secondary sources constitutes the main research methodology employed. Email surveys and face-to-face interviews were undertaken to ascertain the nature and degree of the cultural attraction that stimulates local people's interest in learning Japanese language and culture. The paper concludes that Japan's ‘soft power’, i.e., popular culture and cultural products, are the most influential driving forces behind the popularity of Japanese language in Hong Kong. Also, the Japanese cultural proximity to the Chinese is another factor that excites local people's interest in learning Japanese as a foreign language. In the Hong Kong context, geopolitical and national identity factors do not seem to detract from the popularity of the Japanese language.