"Just War" and the Contemporary Art of Justifying the Unjustifiable

Abstract

This article assesses the recent application of "just war" criteria by Charles Reed. It is clear Reed has uncritically supported Anglo-American power by omitting a great deal of counter evidence and by misrepresenting opposing views. Some consideration is given to the ways in which intellectuals can unintentionally support violence and power.     

Captain Canuck,audience response,and the project of Canadian nationalism

This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977 Althusser, L. 1977. Lenin and Philosophy and Other Essays, London: New Left Books.  [Google Scholar]) and McGee (1975 McGee, M. 1975. In search of ‘the people’: a rhetorical alternative. Quarterly Journal of Speech, 61: 235–249. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar]). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s.     

Trading Shovels for Controllers: A Brief Exploration of the Portrayal of Archaeology in Video Games

Archaeology has been a persistent theme for video games, from the long-running Indiana Jones and Lara Croft franchises to more recent uses of archaeology in games like Destiny and World of Warcraft. In these games, archaeology is often portrayed as a search for treasure among lost worlds that leads to looting and the destruction of cultural heritage. In this article, we review the current state of archaeological video games, including mainstream and educational games. While this is not an exhaustive discussion, it provides an introduction and overview to the current landscape. We propose that an understanding of current popular archaeological video games is important to archaeologists for three reasons: (1) it is a source of potentially dangerous misconceptions about the discipline that must be addressed; (2) it can be a source of inspiration for funding and a means to recruit new students to the discipline; and (3) games can be leveraged as teaching moments in classrooms and public discussions. It is important that archaeologists recognize the ways the discipline is being portrayed in such public contexts, in order to maximize the potential benefit for archaeology and to prevent further misconceptions about the subject.     

Managing the gendered dynamics of parenting during the UK New Labour government years

This article considers what a ‘structure of feeling’ approach can reveal about the gendered dynamics of parenting during the ‘New Labour’ years of the UK government. It explores some of the ways in which contestations about gender roles were evident in policy and in popular cultural discourses and demonstrates how these discourses both contained their own internal tensions and contradicted each other. It then reflects on the strategies that parents engaged in need to make sense of and manage these contestations and makes clear some of the pressures that had come to bear through policy and popular culture on parents' personal lives.     

Command Celebrities: The Rise and Fall of Hanzelka and Zikmund

In the 1950s and 1960s, the travellers, explorers, authors, and filmmakers Ji?í Hanzelka and Miroslav Zikmund became celebrities both in Czechoslovakia and abroad. The Communist cultural authorities actively supported the transformation of the two men into cultural icons, which could be exploited as a model for the suppression of ‘old’, ‘decadent’, and indeed ‘popular’ culture, and as a tool for recruiting members of the intellectual, cultural, and social elites into its service. Hanzelka and Zikmund’s multimedia travelogues, as well as their dashing public personae, blended in a unique way the ‘high’ and ‘low’, the accessible and unreachable, the familiar and the exotic, in the officially promoted culture of the time. But in the later 1960s, as Hanzelka and Zikmund’s political loyalties towards some form of reform socialism became more blatant, the two men fell into disfavour, and they found themselves banished from the public sphere following the events of 1968 until the regime fell in 1989. This article investigates how the curious ‘command celebrity’ of ‘H&Z’ straddled socialist ideology and capitalist consumerism, political affirmation and cultural critique.     

A Little Knowledge Is a Dangerous Thing: What We Know about the Role of the Media in State Politics

Abstract

This article explores the intellectual itinerary of the contemporary French political philosopher Pierre Manent. In particular, it highlights his efforts to do justice to the three great “poles” of human existence: philosophy, politics, and religion. Manent is shown to be a philosophically minded Christian, one who thinks politically and who rejects the temptation to “despise the temporal order.” Manent's reservations about the European project in its present form are shown to be rooted in a understanding of politics that emphasizes the need to weave together “communion” and “consent” if Europeans are to avoid administrative despotism and those postpolitical fantasies that prevent them from thinking and acting politically. The article ends with a reflection on Manent's impressive history of “political forms” in the Western world.     

A peculiar pluralism

Abstract

In this article, we shall describe the complexity and differentiation that characterizes the state of religion in Italy, beginning with a concise reconstruction of the chief factors that characterize the relationship that Italians experience with their birth religion or the prevailing religion (Catholicism). We shall then describe the level of ethical and religious pluralism (found both within the Catholic universe and, especially, outside of that universe) that Italian society is beginning to experience directly, in part because of the fact that other religious entities (both old and new) are become increasingly visible in the public sphere, adding color and identity to the symphony of voices attempting to speak publicly in religious terms. In conclusion, we shall explore a phenomenon, popular religion, which continues to show extraordinary vitality. The basic hypothesis that we intend to set forth is based on the idea that ordinary Italians consider themselves Catholic but have a variety of different ways of interpreting their practical involvement with the Catholic Church.     

从出土实物谈洛阳汉代音乐艺术

本文以洛阳汉墓出土的乐器资料为切入点,就乐器的种类、组合及其相关问题作了初步探讨.     

Illiberal geographies: popular geopolitics and Russian biopolitical regionalism

In this article, we focus on how a variety of illiberal discourses construct a scene for new geopolitical and geocultural imageries of the post-Soviet space, Europe, and Eurasia. Academically, our approach falls into disciplinary niches known as popular geopolitics (when it comes to territories) and biopolitics (when it comes to people). More specifically, we try to see how Russian artistic personalities and public intellectuals contribute to the re-imagination of the post-Soviet space along the lines of Russian illiberal – and largely anti-Western – thinking. Among our protagonists are Valery Gergiev, Iosif Kobzon, Yulia Chicherina, Gleb Kornilov, Ivan Okhlobystin, and Zakhar Prilepin. All of them are important cultural figures who produce cultural justifications for imperial foreign policy in general, and Russia’s annexation of Crimea and de facto occupation of Donbas in particular. Our main argument is that the illiberal imagery of the post-Soviet world drastically reduces the validity of the major pillars of international society, such as state territorial borders, national jurisdictions, citizenship, and legal obligations and commitments. Instead of the rule of law Russian performative illiberalism puts a premium on a series of loosely defined yet foundational for this type of imagery concepts such as patriotism, national spirit and pride, and “natural,” “organic” bonds defining the sense of belonging to Russia as a trans-border political community.     

From Blind Spot to Media Spotlight: Propaganda Policy,Media Activism and the Emergence of Protest Events in the Chinese Public Sphere

Abstract

In recent years, popular protest in China has emerged from a state of near-invisibility. Drawing on a diachronic analysis of news media coverage, this paper traces how a number of major protest events gradually entered the Chinese media’s spotlight and came to be portrayed in an increasingly protester-sympathising fashion over the course of the Hu-Wen administration. It argues that these changes were triggered by structural transformations of the Chinese public sphere, but underlines that deliberate policy choices by the political leadership served as a crucial agent of change. Facing proliferating unrest and an increasingly unimpeded flow of information, the central authorities have gradually shifted propaganda policy from a suppressive to a more proactive approach. They have thereby created critical opportunities for Internet users and investigative journalists to push the envelope further towards protester-sympathising accounts. The development is significant as there are good reasons to surmise that increased media coverage has exacerbated the dynamics of popular contention. Theoretically, it deserves to be noted that non-inevitable choices by an authoritarian leadership have led to an outcome in which media coverage of citizens who challenge the state on the streets has become substantially more frequent and positive than before.