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81.
This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency.  相似文献   
82.
Reading Aristotle and applying his notion of philia, or political friendship, across 26 centuries sheds significant light into Abraham Lincoln’s career. It is precisely in Lincoln’s embodiment of the Aristotelian notion of friendship that we come to understand his unique greatness. Perhaps he alone of all Americans proved capable of such extraordinary feats as leading the Republican party to victory in 1860, holding the Union together through the secession crisis and four long years of bloody civil war, ending slavery without white backlash, and offering reconciliation with the incredible magnanimity expressed in the ringing phrases of the Second Inaugural address. The basis of Lincoln’s preternatural political genius proved to be his ability to comprehend all sides, a comprehension that can only come from a profound belief in the importance of friendship. Americans, Lincoln argued throughout a terrible war as he had his entire life, were not enemies but friends who shared a commitment to nature and nature’s law as expressed in the Declaration.  相似文献   
83.
Abstract

Japan’s 1990s financial crisis proved psychically traumatic for many men, their trauma exacerbated by decades of falling fertility rates and related sociospatial attenuation. The crisis disrupted a range of heteronormative practices that had stabilized post-war gendered identities, especially marriage and stay-at-home motherhood. Some men consequently began seeking comfort in the company of youthful-looking, large-format, hyper-feminized commodity-dolls of which there are two psychical kinds: ‘infantile’ dolls used largely by precariously positioned young men for comfort and play; and expensive ‘Oedipal’ silicone sex dolls associated with Japanese salarymen whose jobs had become less secure. Both have worked emotionally for two reasons: dolls are evocative of the maternal – the basis of intersubjective (be) longing/Eros; and the dolls are owned, ownership allowing pleasure and control more securely to intertwine. Following the oil crisis and the de-industrialization that followed, men in racially and economically privileged terrain across the US and Europe turned to similar kinds of commodity dolls for comfort, if for differently sexed and racialized reasons. Japanese men’s doll markets therefore speak to certain particular and general conditions of masculinity and geopolitical economic trauma.  相似文献   
84.
Abstract

This article examines the territorialization of party support in the Republic of Georgia as political parties in Georgia try to territorialize by aligning themselves to existing societal cleavages. The article specifically focuses on the case of the United National Movement (UNM), which from its inception in 2001 was led by Georgia’s former president, Mikheil Saakashvili, and was the country’s governing party from 2004 to 2012. While in power, the UNM enjoyed nationwide support. After being unseated, instead of nationalizing countrywide, the UNM has based its support in national elections on specific areas populated by ethno-linguistic and religious minorities. By analyzing the results of the most recent five national elections and the 2014 national census, the article shows that continuing support for the UNM and the subsequent territorialization of the party is dictated by these existing societal cleavages.  相似文献   
85.
This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.  相似文献   
86.
Writing The History of the Sevarambians in the 1670s, the Huguenot Denis Veiras borrowed many ideas from Garcilaso de la Vega, also known as El Inca, whose Royal Commentaries of the Incas was published in 1609. Both works describe the history of an empire and justify it on the ground that it brought peace and unity. While Garcilaso’s book purported to be a history, his selection of facts reflected his goal of improving the treatment of the Incas by the Spanish. Veiras’s story also claimed to be a history, but it was transparently a fiction, even to the point of lifting many elements from Garcilaso’s book. What both works equally emphasized was that empires could aim at, and could be justified by, the benefits they provided their subjects. Both tell stories of benevolent and paternalistic rulers who founded nearly ideal societies in the countries they conquered. These were models of empire for peace and unity rather than merely promoting toleration of differences or concord among differing parties. Veiras’s utopia thus offers an instructive case study of the effects of cross-cultural borrowings of literary and political ideas.  相似文献   
87.
In this article I argue that Hegel has become analytic philosophy’s “pharmakon”—both its “poison” and its “cure.” Traditionally, Hegel’s philosophy has been attacked by Anglo-American analytical philosophers for its alleged charlatanism and irrelevance. Yet starting from the 1970s there has been a revival of interest in Hegel’s philosophical work, which, I suggest, may be explained by three developments: (1) the revival of interest in Aristotelianism following Saul Kripke’s and Hilary Putnam’s work on natural kinds, and Elizabeth Anscombe’s, Philippa Foot’s, and Putnam’s opposition to the fact-value distinction; (2) the rehabilitation of Hegel’s theories by various philosophers, including Robert Pippin, Terry Pinkard, Fred Beiser, Robert Stern, and Stephen Houlgate; and (3) the Sellars-inspired philosophy of mind of John McDowell and of Robert Brandom. The first and third of these reasons, I argue, have led several analytic theorists to cast Hegel in a more positive light as the “cure” for analytic philosophy. The combined outcome of these changes, both ironic and fitting, is that the Hegelian principle of internal critique has played a significant role not only in analytic philosophy’s rapprochement with Hegel’s philosophy but also in overcoming the Analytic-Continental philosophical divide.  相似文献   
88.
Pablo Larraín’s trilogy of films has broken new ground in Chilean cinema by offering a new perspective on realities of the Pinochet dictatorship, the outbreak of the coup, and the dissolution of Pinochet’s power. This article explores Larraín’s use of banality, which, I claim, realizes a democratic ambivalence that is latent in historical representation and History proper. Rather than accusing Larraín’s films of conservatism or apathy, I argue that these films seek to destabilize the known categories of identification: a radical gesture against any form of establishment. Paying particular attention to Larraín’s aesthetics, I claim that the radical gesture of Post mortem (2010) lies in its innovations at the level of mise-en-scène and editing. Drawing on philosophical insights in Jacques Rancière’s and Gilles Deleuze’s writings on historical representation and ambivalent representations, I argue that Larraín avoids conventional forms of historical fiction and Latin American political cinema.  相似文献   
89.
The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.  相似文献   
90.
Recent feminist geographic scholarship insists we rethink domestic violence as ‘intimate war’. Using this concept I analyze narratives of violence and resistance articulated by U.S.-resettled South Sudanese women and collected in the wake of a fatal incidence of domestic violence in 2005. One of a spate of intimate partner murders that shook the community at this time, this tragic event spurred debates about shifting gender norms, the stresses and opportunities of life in the diaspora, and the irradicable legacies of war. Bringing Pain and Staeheli's ‘intimacy-geopolitics’ to bear on this particularly violent, momentary and publicized aggression, I situate it within a more complex, quotidian, and dynamic terrain of power. In line with feminist political geography, this analysis complicates scalar distinctions of body, home and nation-state, demonstrating the common foundations of ‘private’, domestic and ‘public’, state-sanctioned violences. Inspired by Katz’s countertopographical approach, I extend our understanding of intimate war by contouring moments of violence and resistance in a diasporic context, over the lifecourse of refugee women, and across their sites of flight, displacement and resettlement. Tracing the mobilities of intimate war in this way productively reveals the spatial and temporal, as well as scalar, folds that may form part of its foundation.  相似文献   
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