Measure of Despair: the Syndicate for Commerce and Industry,the London Tribune,and German Foreign Policy, 1906–8

Based on fresh archival sources in Germany and Britain, this article offers new insight into the mindest of the German Foreign Ministry in the aftermath of the First Morocco Crisis of 1905/06. Eager to arrest the deterioration in the Anglo-German relationship and concerned about its fallout for US-German relations, the German Foreign Ministry, in league with twenty of the country's top financiers, took a radical initiative which resulted in Germany's largest expenditure, before the First World War, on influencing the press. The article closes with a transnational comparison, detailing a similar influence-buying scheme masterminded by a high-level British political wire-puller.     

Shattered Minds: Madmen on the Railways, 1860–80

Scholars have long pointed to stories of death and disaster on the railways as proof of profound Victorian anxieties about technology. And yet the traumatic crash was not the only anxiety revealed by sensational railway stories. In the 1860s, a surprising number of newspaper accounts emerged telling tales of ordinary men losing their minds on the railways. These stories were told and retold across the periodical press, exaggerating both the extent of the problem and the severity of the danger for the everyday traveller. Analysing a broad range of press accounts and government policy, this article traces a moral panic in the making. These stories reveal a great concern about the seeming fragility of the male mind when exposed to the modern, industrial world. As this article demonstrates, fears of madness were not limited to Lunacy Commissioners and alienists; they were in fact a staple of popular culture. If a railway journey was all it took to drive a seemingly sane man to madness, what did that say about the health of British manhood?     

‘Oh You Pretty Thing!’: How David Bowie ‘Unlocked Everybody’s Inner Queen’ in spite of the music press

The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation, however, reinforced negative stereotypes in constructing the queer subject and tried to safeguard commercial concerns due to the assumption that the market for popular music avoided queer music. This undermined arguments that associate permissive legislation with a permissive media and society, but, to some, representation alone empowered people and destabilised preconceptions about queer identity.     

Towards Hume – the discourse on the liberty of the press in the age of Walpole*

The liberty of the press became one of the main topics of public debate in the 1720s and 1730s in response to Walpole’s restrictive press policy. This debate was carried on mainly in newspapers such as the Craftsman and the London Journal. Country and Court writers did not limit their discussions to legal questions, but conducted a lively debate about what press freedom actually was, and what role the press should have in political life. Among other things, they discussed to what extent it was appropriate for the press to take on an anti-governmental role. This debate is important, not least because it is a foil for one of the ‘classical’ eighteenth-century texts on the problem of press freedom, David Hume’s essay ‘Of the Liberty of the Press’. The debate reveals to what extent, and in what respects, Hume was breaking new ground in this essay.     

From Paper to Celluloid and Back Again: Finance and Form in Jorge Délano’s Films

This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano’s illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Navitski, the essay utilizes and examines tensions between models drawn from periodical studies and the concepts of remediation and intermediality in film studies. Examining illustrations from the first three years of Topaze’s production (1931–1933) in the context of the country’s economic situation, the essay argues that Délano remediated cinema in Topaze as a strategy of capital accumulation. This analysis also makes it possible to see how one of his sound films, Escándalo (1940), similarly remediated the illustrated paper periodical as he pursued financing for the production of cinematic commodities for export. The essay ends by examining the relationship between these issues and the political situation in early Cold War Chile.     

The Holocaust and the birth of Israel in British,Swedish and Finnish press discourse, 1947–1948

This article examines the way in which the Holocaust was linked to the process of the birth of Israel between 1947 and 1948 in the mainstream British, Swedish and Finnish press. By utilising a framework of comparative cultural history, this essay seeks to understand why different countries responded to the suffering of the Jews during the Second World War in such diverse ways. This essay also seeks to question the popular belief that the two events were intimately linked, and that the link was recognised in a straightforward manner. Hence, the study argues that although the press coverage sometimes managed to establish the connection between the two events, more typically the news was domesticated. In other words, the news had a transcendental and meta-historical character, working as an extension to each country's own self-understanding of Jews, Zionism and the Holocaust.     

Doing Italian history: Pleasure and politics

This is the second part of a general historiographical review of recent studies on the formation of a modern Italian nation and national identities. The review is organized chronologically, and this second part covers literature on the development of the Italian state and society from Fascism to the birth of the Republic. Si tratta della seconda parte di una articolo dedicato al tema del proceso di 'nation and state building' e modernizzazione in Italia, con particolare attenzione per i temi della costruzione della macchina statale e dell'identità nazionale. La prima parte si era soffermata sul periodo risorgimentale e sull'Italia liberale fino alla prima guerra mondiale e all'avvento del regime fascista. L'articolo tenta di ricostruire in maniera critica i nuovi contributi interpretativi di un dibattito come quello sul processo di costruzione dello stato nazionale unitario, che di recente sembra essersi riacceso, collocandoli nel solco di una tradizione storiografica sul tema, oramai consolidata. Accanto a questa, infatti, sembra farsi strada una nuova stagione di studi, molto meno ancorata al peso che per lungo tempo hanno esercitato i differenti condizionamenti ideologici. In questa seconda parte vengono analizzate le interpretazioni storiografiche, basate su nuove ricerche recentemente condotte, sul ventennio fascista e sulla nascità e lo sviluppo dell'Italia Repubblicana.     

从9种核心期刊的文献计量分析看核技术在文物保护与考古中的应用

从9种核心期刊的文献计量统计分析入手,分析了不同期刊、不同具体核技术方法、不同年份核技术应用文献量的差别,研究了差别的原因.介绍了主要核技术具体方法的含义和在考古及文物保护工作中的作用.分析和数据表明,核技术在考古和文物保护领域更广泛地应用及提高年代测量精度是核技术应用的两个发展方向.     

El policial palimpséstico en “Marta Odera,monja” de Marisa Grinstein

This article investigates the emergence of detective fiction and film from 1994 to the present. The corpus appears during the government of Carlos Menem and its intent to insert Argentina into a globalized economy. Poverty, insecurity, and violence prevail in Argentine society, and many detective novels, based on real-life murders, appear in 1994. Moreover, this type of literature continues to proliferate in the twenty-first century. In this essay, I explore one of the many stories written by Marisa Grinstein. I begin with the newspaper article and trace its transformation into short fiction and television series. The articles about the homicide follow the tendencies of the sensationalist yellow press. The author and the film director of “Marta Odera, monja,” however, transform the events, following and also subverting the characteristics of the classic detective fiction and the hard-boiled. In doing so, these recreations of this particular murder case denounce the domestic violence that exists in Argentine society.