非物质文化遗产的传承特点

世代传承是非物质文化遗产最重要的本质属性。非物质文化遗产的传承具有五个方面特点:口传心授的传承方式、生动鲜活的传承形态、文化独特的传承土壤、藏量丰厚的传承领域、与时俱进的传承变异。探究这些特点,可以加深人们对非物质文化遗产及其传承、保护的理解。     

金代红绿彩的考古发现及其历史传承

红绿彩瓷是在高温烧成的白瓷上以红、绿、黄等颜料彩绘,再进行第二次低温烧彩而形成的釉上彩瓷.随着红绿彩瓷器在金代墓葬中的不断被发现,其产生于金代已成定论;金代红绿彩工艺对后世尤其是对景德镇釉上彩瓷的影响极其深远,这是本文所要探讨的重点所在.     

海南城市化进程中“非遗”保护与发展策略

现代社会的发展,使得非物质文化遗产的保护与市场化发展模式之间的关系变得紧密而微妙。2010年海南被国务院正式确定为国际旅游岛,从而使海南的各项建设特别是文化建设上升为一种国家战略。通过在理论与实践两个层面,从新时期海南"非遗"保护与传承的特殊意义、海南城市化进程中"非遗"面临的挑战和问题、海南"非遗"保护与发展模式探索等方面进行梳理,探索海南城市化快速发展与"非遗"保护传承之间切实可行的双赢策略。     

John Banville’s “monstrous child”: freedom and inheritance in Shroud

ABSTRACT

John Banville has described his novel Shroud (2002) – a fictionalised re-imagining of the 1988 scandal of Paul de Man, whose war-time publications for a collaborationist journal were discovered after his death – as his “monstrous child” that only he could love. This essay turns to Derrida’s thoughts on monstrosity, and in particular his framing of the future-to-come as an unforeseeable reckoning between Nietzsche and Rousseau, whose approaches to human freedom and authenticity remain philosophically irreconcilable. Shroud engages with these two inheritances on a thematic level, bringing them into conversation through the characters of Vander and Cass. The interruption of intergenerational love and the prospect of a child between them, however, makes Derridean monstrosity – that more properly deconstructive trope that opens to the future by unearthing traumatic inheritances from the past – into a structuring principle, and the means by which we might best understand the novel itself as a “monstrous child”.     

试论贵州花灯剧的非物质文化要素和传承思考

贵州花灯剧是贵州成形最早,传播最广的地方戏曲剧种,已列入国家级非物质文化遗产名录。贵州花灯是广大城乡群众喜闻乐见的＂草根＂艺术,具有浓郁的乡土气息和独特的艺术风格,而今这一＂非遗＂濒临消亡、失传,亟待抢救和保护传承。     

Consider the daughters,they are important to family farms and rural communities too: family-farm succession

Over the last 25 years, researchers have engaged extensively with members of farming families on issues of farm succession. Farmers, their spouses, sons of farmers and daughters-in-law who move into the farming family have been the focus of much of this research. Daughters of farmers (hereafter daughters), except in the unusual cases of being inheritors or successors to the farm enterprise, are for the most part ignored as subjects who may have something to contribute to sociological understanding and theory of farm succession and practice, and also of rural population decline. This article presents the results of a qualitative pilot research project undertaken in 2012 in the Western District of Victoria, Australia, to explore daughters’ perceptions of their families’ decisions about and management of intergenerational family-farm transfer. The results show that many daughters have a keen interest in farming, have developed farm skills and would consider the occupation of farming if given the opportunity. However, daughters are commonly overlooked when it comes to decisions about family-farm succession and/or inheritance; hence, indicating patriarchy remains strongly influential in determining family-farm succession. This article provides a different perspective from previous discussions of the dynamics within farming families and farming communities, and it contributes to wider discussion of changes in and sustainability of rural society. It recommends further research on rural social issues attributable to patrilineal intergenerational farm transfer.     

Houses,Objects, and the Politics of Inheritance in Josep Maria de Sagarra's Vida privada

Josep Maria de Sagarra's novel Vida privada (1932) portrays an upper-class Catalan family, the Lloberolas, as unable to adapt to the new economic and political situation taking place in the city of Barcelona at the end of Primo de Rivera's dictatorship and at the beginning of the Second Republic in the late 1920s and early 1930s. Through a close reading of this family's houses, furniture, and personal belongings, I argue that material elements in this novel are central to the narrator's ethical critique and moral judgment of Barcelona's elite. The Lloberolas treat humans as objects and objects as humans, and I contend that, in an ironic emulation, the narrator also objectifies the Lloberolas and equates them with their objects. This comparison elucidates the family's superficiality and corrupted morals. Objects are also essential in destabilizing public and private boundaries because they often transcend the private domain and expose—to the readers and to the other inhabitants of Barcelona—the protagonists’ personality. Moreover, in Vida privada, houses, furniture, and surnames are understood as an inheritance that transfers very specific ideals of social status from parents to children. By presenting this material heritage with the exemplifying case of the Lloberola family, Sagarra offers a sharp critique of the Catalan upper classes and their superficial values. Their necessity to cling to an inherited world centered on material possessions finally results in their loss of power and evidences their economic and moral decline.     

考古教学中的中华文明传承与表达

考古学资料表现出明显的直观性和碎片化特征,如何将它们与宏大的历史背景联系起来,并作出合理的历史解释,是每一个考古工作者都面临的任务。不论是在野外发掘还是室内研究、教学中,利用考古资料对中华文明的传承进行科学阐释,是一个不可回避的问题。本文以隋唐考古为中心,从“系统性地看待问题”等七个方面对如何在考古学教学研究中对中华文明的传承与表达进行了初步探讨。     

儒学的当代定位与发展前景——就儒学若干热点问题答客问

文章就儒学的性质、基本特征和根本精神等答记者问。指出传统儒学要经过批判性继承和创造性重建,同时接纳和融合西方文化的民主、博爱价值观,才能实现面向现代化、全球化的思想转型,获得广阔的发展空间并立足于世界多元文化之林。