网络游记中的景区共现现象分析——以华东地区首批国家5A级旅游景区为例

本文以游客发表在网络中的游记为研究对象,通过对游记中呈现的景点共现次数和烈度指标的统计分析,揭示了华东地区首批国家5A级旅游景区内热门景点的分布状态;运用社会网络分析方法描绘了这些景区之间的共现关系,并依据各景区距共现核心位置的远近及其所辖景点的冷热均衡状况这两项指标将景区划分为4种类型;针对不同类型景区的特点,本文提出了相应的营销策略建议。     

北京市民郊区大型购物中心的利用特征——以北京金源时代购物中心为例

以北京市民消费行为问卷调查第一手资料为基础,以北京金源时代购物中心为案例,从来店顾客和社区居民的双重角度研究北京市民对郊区大型购物中心这一新型商业空间的利用特征,发现专业人员与公司白领、年轻女性和带小孩的中年夫妇是其主要消费人群,并且,私家车主导的购物出行方式,多样化、休闲化的购物目的,以及社会化的购物过程构成居民利用郊区购物中心的主要特征。郊区大型购物中心的出现显著改变了附近居民的消费空间选择,但对内城居民的影响十分微弱。     

The female body as the bearer of national identity in Iran: a critical discourse analysis of the representation of women's bodies in official online outlets

Abstract

The female body has been in the foreground of nation-building in Iran especially since the 1930s projects of modernization, when unveiling women and adaptation to Western clothing became a crucial factor of bolstering modern Iranian national identity as opposed to a religion-based national identity. After the 1979 Revolution, the Islamic dress code became compulsory and female imagery depicting modesty and piety became a source of national identity. Although the representation of women's bodies in nationalist discourses has been subject of different studies, women's representation in official online outlets is still understudied. This article discusses how women's bodily appearance and representation in official online outlets feed into the nationalist discourses in Iran. Three key cases between 2014 and 2017 are addressed: (i) actress Leila Hatami kissing a man at the 2014 Cannes Film Festival; (ii) the public debate on women's entrance to sports stadiums in 2014–2015; (iii) the public revelation of actress Taraneh Alidoosti's tattooed forearm in 2016. Data were collected from multiple Iranian official online platforms and a critical discourse analysis was undertaken to analyse different forms of discursive articulation regarding women's bodies and national identity. Drawing on feminist literature inspired by the Foucauldian concept of biopolitics, the article discusses the ways in which women's bodies are discursively constructed to illustrate a uniform Islamic nationalistic discourse.