晚清至民国时期陕西基督教宣教区研究

功能文化区作为一种重要的文化区类型,目前在我国历史文化地理学研究中并没有受到重视。究其原因,是因为中国传统文化的地域分布多以形式文化区,或是感觉文化区的形态出现,很少能构成真正意义上的功能文化区。本文则通过对晚清至民国时期陕西基督教宣教区进行个案研究,指出以功能文化区形式出现的宣教区,其空间结构特征,一方面受制于中国传统的文化地域格局,另一方面,则与各差会在陕西发展的历史过程与权力关系有着密切的关系。     

西部民族地区信息传播问题研究

在长期的历史发展过程中,各民族文化在相互交流、相互影响、相互渗透中具有一定的共性。但是,西部民族地区民族构成的多元性、民族分布的多样性、民族内涵的特殊性以及民族文化的丰富性等特点,决定了大众传播在西部民族地区须以多元的形式向多民族、多文化背景、多地区的受众跨地域传播。对此,笔者着重通过对西部民族地区信息传播的特征、现状的考察和分析,以从中找出克服传播障碍和传播隔阂的科学方法,为推动民族地区社会的健康发展提供一些有益的参考。     

从三峡地区的考古发现看楚文化的西进

三峡考古发现表明,楚文化在西周中晚期就已经对巫山地区有一定的影响;到了春秋中晚期和战国早期,楚文化已经完全控制了瞿塘峡以东的巫山地区,并进而对奉节、云阳、万州等地区产生了一定的影响;战国中期晚段至战国晚期早段,楚文化深入到峡江腹地的忠县一带,控制了长江干流沿线的地区。楚文化的几次西进有其不同的历史背景,基本可以与一些重大的历史事件相契合。从楚文化在峡江地区的分布情况看,他主要起着控制交通、扼守战略要地,以及掠夺资源的作用。     

峡江地区汉晋南朝花纹砖上的车轮纹饰

文章对峡江地区汉晋南朝花纹砖上的车轮纹饰进行全面检讨。首先将车轮纹饰分为若干种类,其后以发掘报告为依据讨论各类车轮花纹砖的年代,最终归纳出峡江地区车轮纹饰的演变线索。文章以为,峡江地区的车轮花纹砖大约出现在新莽至东汉初期,东汉中晚期至东晋最为流行,南朝仍有发现。文章同时分析了各阶段车轮纹饰的时代特征,并且简要讨论了与车轮花纹砖相关的若干问题。     

三江源地区医疗卫生事业可持续发展问题研究

大力发展三江源地区的医疗卫生事业,不断提高人民群众的健康水平,对于加快生态文明建设,推动环境保护,促进人与自然和谐相处,统筹经济社会全面协调可持续发展,着力改善民生,使该地区与全国同步实现全面建设小康社会目标,都具有十分重要的意义。本文在概要阐述三江源地区医疗卫生事业发展现状与特征以及政府公共卫生政策措施与效应的基础上,提出推动该地区医疗卫生事业可持续发展的若干公共政策建议。     

浅谈青海民族地区新农村文化建设

加快民族地区农村文化事业的发展,有利于增强民族地区社会经济的发展,推进农村的城市化进程。青海省是一个多民族、多宗教并存的地区,农村文化建设中也出现许多问题,必须采取一些措施,加强农村和谐文化建设。     

和谐社会视野中的青海民族宗教问题

青海是多民族多宗教的地区,大多数少数民族群众信仰宗教,民族问题和宗教问题相互交织、相互影响,民族宗教工作在全省工作大局中有着十分重要的地位。只有坚持从青海实际出发,认真贯彻落实党的民族与宗教政策,不断加强对宗教事务的依法管理,积极引导宗教与社会主义社会相适应,巩固和发展党的爱国统一战线,坚决抵制敌对势力的分裂渗透活动,不断加强民族团结,才能切实做好青海的民族宗教工作。     

Modeling the state of agritourism in the Malopolska region of Poland

ABSTRACT

The Malopolska region of Poland is highly representative of the current state of agritourism in Poland. The level of agritourism services in this region is very high relative to the national average, the result of environmental and cultural values being incorporated into social and economic development practices. Based on evidence from 1259 agritourism-oriented farms collected from municipal and regional government bureaus, web-published data, and survey data from 575 farm owners in the Malopolska, this paper analyzes the spatial distribution of such farms and the relationship between agritourism and ‘regular’ rural tourism. The Malopolska Voivodeship is strongly diversified in terms of agritourism development. The largest number of agritourism farms is in mountain, piedmont, and upland areas. Research has shown that agritourism is pursued by farmers who own small farms and produce food only for their own use. However, 60% of agritourism farms were found not to engage in any agricultural production. The research also identified basic tendencies of agritourism development in the region. The following basic trends were observed – a shift from agritourism to rural tourism, an increase in the number of agritourist farms offering 10 or more beds, and an expanded service offering – yielding a targeted offering for a specific customer and an increase in the quality of services. This indicates that agritourism owners engaging in this form of business are investing to create more usable space for tourists. The authors’ findings and conclusions also cover the concept of a functional model of agritourism in the Malopolska region. This model shows the relationship between environmental value and the nature of agricultural production and type of tourism in rural areas as well as the diversity of tourist offerings. The model also shows the transition from agriculture and its close relative, agritourism, to regular tourism in rural areas.     

Southern Pennine Brass Bands and the Creation of Northern Identity,c. 1840–1914: Musical Constructions of Space,Place And Region

In spite of being a national form of music-making, the brass band movement is accepted — almost without question in the popular imagination — as working class and northern. Hence, in 1974, Peter Hennessy described a band contest at the Albert Hall: ‘A roll call of the bands is like an evocation of industrial history. From Wingates Temperance and Black Dyke Mills to more modern conglomerates .... Grown men, old bandsmen say, have been known to cry at the beauty of it all …. Of all the manifestations of working-class culture, nothing is more certain than a brass band to bring on an attack of the George Orwells. Even the most hardened bourgeois cannot resist romanticising the proletariat a little when faced with one.(The Times, 11 Oct. 1974) This stereotype, which emerged in the nineteenth century, generated the following questions about northern identity: what elements in the brass band movement created this reportage of northern bandsmen and how did bands, which thrived in large numbers in the Southern Pennines, emerge as a musical and cultural metonym of the industrial landscape? This article explores notions of music-making and the creation of a musical space, place and region through the reporting of brass bands c. 1840–1914.     

1940年代初期河北省沦陷区联庄会研究

联庄会是中国特定历史条件下产生的。1941年太平洋战争爆发后河北省沦陷区的联庄会是日伪拼凑的乡村"群众自卫组织",是"乡村协同体"建设的重要形式。实质上河北沦陷区联庄会是日伪对付中共领导的敌后人民抗日战争而精心组建的伪组织。中国共产党以抗日民族统一战线思想为指导,对联庄会进行了卓有成效的争取工作。探讨河北省沦陷区联庄会的建立和主要活动,以及中共争取联庄会的斗争,有助于进一步深化对华北沦陷区日伪统治和华北沦陷区抗日活动的研究。