Mapping coexistence in Italy: Reshaping the cartographic feelings of the plural nation

Rarely considered from the perspective of ordinary citizens as opposed to institutional actors, national maps have been primarily deconstructed as abstract tools of power that express nationalist agendas. This paper offers an alternative examination of the map as a performative tool of national pluralism. In tune with the most recent conceptualizations of everyday forms of nationhood, I explore multiple creative auto-cartographies of Italy as experiential images for investigating the coexistence of several senses of nationhood and cultural diversity. To this end, I combine an inductive visual content analysis of nearly three hundred remappings of Italy, uploaded online by readers of a popular national newspaper, La Repubblica, with a visual semiotic reading of six samples. Here, the playful idea of remapping the nation becomes a catalyst to produce or resist a sense of belonging to the nation, while eliciting a wider spectrum of feelings with regard to internal and external perceived meaningful others. This paper concludes that the different ways in which ordinary people map the nation have to be taken seriously, as they show evidence that these readers absorb and decode, but also resist or challenge, different mainstream discourses regarding the idea of nationality, coexistence, and cultural diversity.     

Kokugaku and an alternative account of the emergence of nationalism of Japan

Out of a concern with the often implicit western‐centricity of theories of nationalism which are currently dominant, the article proposes to shift the focus of analysis onto the working of human agency in our understanding of nations and nationalism. Drawing from insights from the history of ideas, it argues that, contrary to the modernist account, the rise of nationalism of Japan can be traced back to the rise of Kokugaku in the eighteenth century when westernisation/modernisation had not yet reached Japan. Kokugaku scholars were engaged with intense collective self‐reflection and proposed answers to the question who the Japanese were and what Japan should be without adopting the formula of national imagination generated in the West. The article suggests that a focus on human agency has the potential to free inquires into non‐western parts of the world from the deeply embedded western‐centricity of conventional social theories, thus enriching our understanding of the world.     

History perceptions and national identity among Latvian youth: Entrapped between narratives of Latvia and Russia?

This article examines the extent to which history forms national identity among Latvian youth. Being a multiethnic country, Latvia provides a unique opportunity to study the role of history in nation-building among dominant and minority ethnic groups. The majority of Latvia's ethnic minorities are Russian-speaking; therefore, a peculiarity of the Latvian case is the influence of the historical narratives promoted by Russia. The research problem of the paper is the formation of national identity when a foreign country promotes distorted historical narratives to discredit a state. The empirical findings are based on 30 in-depth interviews with young people. The main conclusion is that history plays a rather limited direct role in forming national identity among youth in Latvia. The influence of Russia's historical narratives is observable but not as strong as expected in the context of Russia's influence activities.     

Personality and national identity: How the Big Five relate to civic and ethnic conceptions of nationhood

In recent years, the concept of national identity has recaptured the imagination of public opinion research and with it individuals' conceptions of what it takes to be a “true” member of their nation. This investigation aims to add to the explanation of varying conceptions of nationhood by scrutinising their personality-based foundations. It provides the first systematic analysis of a yet unstudied link between the Big Five personality traits and two ideal-typical conceptions of nationhood: civic and ethnic national identity. Using 18 samples from six European countries (Germany, France, Italy, Switzerland, Spain, and the United Kingdom), each containing around 1000 individuals, we uncover psychological underpinnings of attitudes towards national membership, revealing several consistent trait patterns. We find a negative relationship between openness to experience and an ethnic national identity, while conscientiousness associates positively with the civic ideal type of national identity content. The findings presented extend current understandings of how people conceptualise national belonging and provide evidence that distinct conceptions of nationhood are related to different dispositional foundations.     

‘The True Love of the People and the Motherland’: The concept of socialist patriotism,socialist nation and anti-nationalism in Hungary in the 1960s and 1970s

In the late 1950s, the concept of socialist patriotism in Hungary was reformulated as a basic political concept in the ideology and propaganda of state socialism. The definite appropriation of Leninist contraposition of socialist patriotism and bourgeois nationalism became paramount in the second half of the 1950s because of the nationalist sentiments of the 1956 revolution. I trace the history of the concept of socialist patriotism in the 1960s and 1970s in socialist Hungary. During this period, socialist patriotism served as a slightly undetermined, yet didactic counter-concept to set against ‘bourgeois nationalism’ which was characterised as a xenophobic sense of nation. From the late 1960s, the doctrine of socialist patriotism confronted a new ideological enemy: supra-nationalism or cosmopolitanism. In the mid-1970s, a new ideological equilibrium was elaborated in Hungary between socialist patriotism and proletarian internationalism, which served the economic and political integration of the Eastern bloc countries. In this sense, socialist patriotism was meant to express a link with socialist political order, its achievements and its institutions, in contrast to the ethnic character and revanchist tendencies of nationalism.     

Researching the Medieval Past between Catalonia and Romania. Josep Puig i Cadafalch,Nicolae Iorga,and the Transnational Writing of National History (1921‐1935)

This paper analyses knowledge transfers between Catalonia and Romania in the interwar period, in order to cast new light on the nature of national history writing in early‐twentieth‐century Europe. To do so, it discusses the historiographical works of the Catalans Josep Puig i Cadafalch (1867–1956) and, to a lesser extent, Antoni Rubió i Lluch (1856–1937) and of the Romanians Nicolae Iorga (1871–1940) and Constantin Marinescu (1891–1970). It pays particular attention to Iorga's and Marinescu's contributions on the history of medieval Catalonia in the Eastern Mediterranean and to Puig's studies on Moldavian painted churches. In doing so, the paper challenges the view that the historiography of foreign scholars regarding one's own national history was often disregarded as incompetent. At the same time, the paper also responds to the debate on the creation and validation of cultural knowledge across borderlands, outside of cultural cores. It builds on recent work on the creativity of cultural peripheries and argues that, while France continued to operate as a reference in the exchanges between Catalans and Romanians, their historiographical exchanges responded to local research and political agendas.     

The nation in the region: flamenco and canzone napoletana as national icons in modern Spain and Italy (1880–1922)

Although the relationship between music and nationalism has been at the centre of recent cross‐disciplinary research, many areas remain unexplored. Among them are forms of ‘national music’ that nest overlapping identities, functioning simultaneously as vehicles of regional, ethnic, urban, global and diasporic belongings. This article focuses on the national dimension of these multilevel identities, concentrating on the swings and transmigrations between the national and the regional. It compares two Mediterranean traditions which, particularly between the late nineteenth and early twentieth centuries, have served as multilevel identifiers of national and regional belongings: flamenco and canzone napoletana (Neapolitan song). I argue that, besides geographically bounded identities, both genres were constructed as ‘national’ primarily abroad, rather than in their home countries, thus contributing to a theory of the ‘international’ dimension of ‘national’ music. In the case of flamenco, I focus on the irradiation centre of the time, Paris, although the modern notion of musical Spanishness was first associated with national identity in Russia. The canzone consolidated its international position mostly through the Italian diaspora, achieving a much wider reach than is ordinarily thought, both nationally and globally.     

Interactive nationhood: the relation between Croatian and Yugoslav national identity in the interwar period

Croatian and Yugoslav national identity have been closely connected throughout the nineteenth and twentieth century. This article questions the assumption that Croatian national identification inherently opposed the Yugoslav nationalising efforts of the interwar Yugoslav state by means of a study of commemorative activities. In the commemoration of the millennial anniversary of the Croatian Kingdom in 1925, the Yugoslav level of national identity was activated as a complement to Croatian national identity. During the 1930s, commemorations of Matija Gubec and the Illyrian movement conveyed a mutually exclusive relation between Croatian and Yugoslav national identity. I argue that the dismissal of grassroots Croatian historical commemorations that were indifferent but not averse to Yugoslav nationhood in the integral Yugoslav policy of the authoritarian state during the 1930s curtailed the potential of these commemorations as vehicles for Yugoslav national identification and complicated the concurrence of Croatian and Yugoslav nationhood.