POSTPOSITIVISM AND THE LOGIC OF THE AVANT‐GARDE

The purpose of this article is to explore the conditions under which the postpositivist interest in rewriting or reinterpreting history could operate legitimately from a historical point of view. The first part of the article outlines and explains some of the key thematic elements of historical postpositivism. The second proceeds to investigate how these elements can be configured and related to each other within Arthur Danto's influential account of the development of contemporary art, and especially the avant‐garde. The intention is to acquire a sense of the working dynamics of postpositivist thought, so as to better understand its possible implications for the writing of history. In the concluding section an argument is proposed to the effect that, although the postpositivist interest in the rewriting of history can in principle be admitted as entirely legitimate, its legitimacy depends on introducing some substantive constraints on content, in addition to the formal considerations that postpositivist discourse generally tends to favor. It is further suggested that this constraint should take the form of a requirement on historical literacy whose meaning is, finally, elucidated by drawing a contrast with historical common sense.     

TOPOLOGIES OF HISTORY

History, it is routinely assumed, belongs primarily to time and the temporal. Yet although routine, the assumption is nevertheless mistaken. It is place or topos, which encompasses both time and space (and that is intimately tied to the notion of bound or limit), that is primary here, and so history has to be understood as determined topologically, and not merely temporally. The exploration and elaboration of this claim involves rethinking the ideas of time, space, and place as well as of language and narrative. History appears in its adventual character, but its adventuality is itself seen as a happening of place.     

Narratives of Genetic Selfhood**

This essay considers the mid-twentieth century adoption of genetic explanations for three biological phenomena: nutritional adaptation, antibiotic resistance, and antibody production. This occurred at the same time as the hardening of the neo-Darwinian Synthesis in evolutionary theory. I argue that these concurrent changes reflect an ascendant narrative of genetic selfhood, which prioritized random hereditary variation and selection through competition, and marginalized physiological or environmental adaptation. This narrative was further reinforced by the Central Dogma of molecular biology and fit well with liberal political thought, with its focus on the autonomous individual. However, bringing biological findings into line with this narrative required modifying the notion of the gene to account for various kinds of non-Mendelian inheritance. Hans-Jörg Rheinberger's reflections on narrative and experiment are valuable in thinking about the friction between the postwar ideal of genetic selfhood and actual observations of how organisms adapt in response to the environment.     

HISTORY OF HISTORIOGRAPHY FROM A SLIGHTLY COSMOPOLITAN POINT OF VIEW

Under review here are three works of different formats and scopes, each addressing questions of theory of history and the history of historiography. First, the mature work of Ignacio Olábarri Gortázar, published by the University Press of Salamanca, where he is now an emeritus professor, collects pieces written over a period of fifteen years that deal with matters related to his field of research in social labor history and other methodological and historiographical issues. Second, Fernando Sánchez Marcos seeks to offer an introductory book on the most noteworthy theoretical and historiographical issues of the twentieth century. Third, the volume from Jaume Aurell (Spain), Peter Burke (England), Catalina Balmaceda, and Felipe Soza (both from Chile) is a general handbook of historiography addressed primarily to students. All have their strengths and weaknesses. The most striking weakness is a persistent limitation of the field of vision, which is restricted to a European/Western (Francophone, Anglophone) cultural universe.     

Crime urban legends in Mexico: a case study of authorless narratives that contribute to implicit cultural policy

In recent years, the boundaries of what is understood as cultural policy have been appraised and pushed. Ahearne proposed to study implicit cultural policy, which is not overt about its cultural objectives but has an impact upon culture, understood in a broader sense regarding systems of values and attitudes. Similarly, Bennett has advocated studying implicit cultural policy beyond governments, as in the case of the Catholic Church. How far can this broadening go? This paper will consider a transcultural and anonymous form of contemporary folklore, the crime urban legend, as the case study of authorless narratives that participate, among other factors, in the implicit cultural policy behind neopunitivism upon the consequences of its digital transit, which contributes to modifying different beliefs, attitudes and values on a given territory.     

Toward redesigning national health systems

Four recent books on myth, like myth itself, range well beyond anthropology. One is a précis that defines myth as both ubiquitous and ultimately insoluble, regardless of one's disciplinary tools. It uses a single myth, that of Adonis, to show how interpretation can swing wildly from theory to theory. Giving us vertigo atop its intricate scaffolding of technical devices, a second book wrangles with creation myths as it ascends to a stellar interpretation of the biblical flood. The third and fourth books, with Job-like patience, take it upon themselves to thoroughly address all the points lightly aired in the first book.     

Strange associations: Elizabeth Bowen and the language of exclusion

Since The Last September was first published in 1929, the novel's style has been a major source of controversy amongst Elizabeth Bowen's critics, many of whom align the work with reactionary feeling among the Anglo-Irish community in early 1920s Ireland. This longstanding view ignores, I think, a complex but critically overlooked aspect not only of The Last September but also of Bowen's many opinions about the novel form: the author's fascination with the language of exclusion. In this essay I argue that Bowen's use of literary devices in The Last September that rely on exclusion – including ellipses, euphemism, rumour, overheard conversation, narrative digression, and lying – dramatise the ways in which war disorients figurative language and, in so doing, subverts and transforms the apparently stable metaphors through which the Anglo-Irish sought to reconcile events occurring in September 1920, that fitful last September of the Republic's colonial ties to England, with their historical role as settler-colonialists in Ireland. Further, Bowen's experimental style disorients the reader, thereby undermining any confidence in the legitimacy of Ascendancy protocol, or the morality of British colonialism, or the militant expression of Irish nationalism, and leads instead to an emergent, though ultimately unfulfilled, cosmopolitan vision of late modernist Ireland.     

Oracular Ventriloquism: Political Theology in The Female American

ABSTRACT

This essay scrutinizes a scene of colonial religious conversion that appears in the pseudonymous 1767 novel, The Female American. The protagonist's use of ventriloquism and indigenous technology to create the illusion of divine intervention is considered in the light of Carl Schmitt's suggestion that secular political power inherits and translates forms of pre-modern theological authority. The novel's dual investments in proto-feminist literary representation and Anglican missionary proselytism are in tension with one another and help to explain the central character's ambivalence toward her inventive mode of conversion. Hence, the novel dramatizes the Euro-colonial disavowal of theological and decisionist force while, at the same time, hinting at the democratizing potential of forms of fictional address.     

Responsibility Ethics and Postliberalism: Rereading H. Richard Niebuhr's The Meaning of Revelation

Abstract

Postliberals have hailed H. Richard Niebuhr's The Meaning of Revelation as a harbinger of narrative theology. A careful reading of Niebuhr's argument, however, suggests a theological ethic that is at once attentive to the narrative formation of agency and yet distinct from postliberalism because of its attention to the divine object of Christians' stories. Niebuhr's theocentrism yields a view of narrative as opened from the inside because it requires appropriation of what he calls "external" narratives in order to do justice to the sovereignty of God. The result is a theological ethic which is sharply critical of modern conceptions of agency and yet continually sifted by contemporary insights and experience.     

To name or not to name: reflections on the use of anonymity in an oral archive of migrant life narratives

This paper draws on an oral archive project on narratives of return migration in contemporary Ireland, as the basis for a discussion on the potential of life narrative research to destabilize meta-narratives and to contribute to the mapping of transformative geographies. It is argued that this kind of research requires the creation of safe spaces within which participants can tell their stories and articulate counter-narratives. At the same time, it is important to make their voices available to a wide audience and to recognize their authorial roles. There are contrasting perspectives in oral history and life narrative research on the use of anonymity to protect participants' identities, which reflect different disciplinary traditions and practices. The paper reflects on these different perspectives and on the process of designing a research project that draws on multiple methodological influences. It concludes that it is possible to facilitate access to these voices, while at the same time providing safe conditions for the articulation of counter-narratives, by providing anonymity where possible and desirable in agreement with the participant.