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41.
DOMINICK LACAPRA 《History and theory》2011,50(1):71-97
This article discusses together two recent prize‐winning works of epic proportions that have received much attention: Saul Friedländer's two‐volume historical study Nazi Germany and the Jews and Jonathan Littell's novel Les Bienveillantes (The Kindly Ones), the former of which focuses on victims and the latter on perpetrators of the “Final Solution.” I provide a critical analysis of Littell's novel, especially with respect to its seemingly fatalistic mingling of erotic and genocidal motifs and its disavowal or underestimation of the difficulty and necessity of understanding victims of the Nazi genocide. My analysis raises the question of the extent to which the notoriety of the novel may be due to the way it instantiates influential approaches to both literature and the Holocaust in terms of an aesthetic of the sublime, excess, radical ambiguity (resolvable at best into irony and paradox), and fatalistic entry into an incomprehensible “heart of darkness.” Crucial here is the notion that an object (paradigmatically, the Holocaust) both demands representation or explanation and ultimately is beyond comprehension, narrative, or even words. I also reevaluate the bases for the justified praise accorded Friedländer's masterwork and question certain claims made on its behalf by commentators, especially with respect to literary and historiographical innovation. In so doing, I explore and defend the role of critical theory in relation to historical narrative. 相似文献
42.
James Lawson 《对极》2011,43(2):384-412
Abstract: This article studies space‐time as revealed in narrative, especially narrative intended to validate truth claims. Narrative plot is uniquely suited to capturing truths about time, causal complexity, and space. Bakhtin's “chronotope” (space‐time), which bridges plot, narrated events, and the real world, is critical to understanding this capacity, whether in fiction, in histories, or in didactic stories, myths, and parables. The chronotope is underutilized in the social sciences, but disputes over indigenous land in Canada exemplify its potential applications. To fully capture these heteroglot (“many‐voiced”) conflicts, factual verification should not be the only test of a narrative's truthfulness. 相似文献
43.
Martin Zebracki 《Social & Cultural Geography》2013,14(7):735-758
This paper focuses on particularities of indwellers' perceptions of public art and its locale by drawing on the epistemology of ‘situated knowledges’ (Haraway 1991, Simians, Cyborgs, and Women: The Reinvention of Women. New York: Routledge) and the notion of ‘geographies of engagement’ (Zebracki, Van Der Vaart and Van Aalst 2010, Geoforum 41(5): 786–795). We employ the case of Paul McCarthy's internationally acclaimed public artwork Santa Claus in Rotterdam to illustrate the sundry outlooks on its spatialities, aesthetics and moralities, and its functionalities in relation to place. Santa Claus's alleged sexual nature is highly disputed among local politicians and the local population. This dispute is narratively covered by media sources and inscribed by its popular renaming as the ‘Butt Plug Gnome’. We empirically situate documented media views within the way indwellers perceive Santa Claus and its experienced locale in interrelation with themselves. We try to open up differential vistas on public-art narration in relation to people, time and space, whereby we elaborate on the reflexive idea of ‘social relationality’ (Massey and Rose 2003, Personal Views: Public Art Research Project. Milton Keynes: The Open University) by revealing how socio-spatial differences in public-art narration are negotiated. As such, we examine how public art is geographically reconstituted through the publics, namely those for whom public art is essentially intended yet who have been neglected actors of analysis in public-art research. 相似文献
44.
Caitríona Ní Laoire 《Social & Cultural Geography》2013,14(3):373-390
This paper draws on an oral archive project on narratives of return migration in contemporary Ireland, as the basis for a discussion on the potential of life narrative research to destabilize meta-narratives and to contribute to the mapping of transformative geographies. It is argued that this kind of research requires the creation of safe spaces within which participants can tell their stories and articulate counter-narratives. At the same time, it is important to make their voices available to a wide audience and to recognize their authorial roles. There are contrasting perspectives in oral history and life narrative research on the use of anonymity to protect participants' identities, which reflect different disciplinary traditions and practices. The paper reflects on these different perspectives and on the process of designing a research project that draws on multiple methodological influences. It concludes that it is possible to facilitate access to these voices, while at the same time providing safe conditions for the articulation of counter-narratives, by providing anonymity where possible and desirable in agreement with the participant. 相似文献
45.
Paul Downes 《Political Theology》2013,14(7):621-628
ABSTRACTThis essay scrutinizes a scene of colonial religious conversion that appears in the pseudonymous 1767 novel, The Female American. The protagonist's use of ventriloquism and indigenous technology to create the illusion of divine intervention is considered in the light of Carl Schmitt's suggestion that secular political power inherits and translates forms of pre-modern theological authority. The novel's dual investments in proto-feminist literary representation and Anglican missionary proselytism are in tension with one another and help to explain the central character's ambivalence toward her inventive mode of conversion. Hence, the novel dramatizes the Euro-colonial disavowal of theological and decisionist force while, at the same time, hinting at the democratizing potential of forms of fictional address. 相似文献
46.
SERGE DUNIS 《Reviews in Anthropology》2013,42(2):175-207
Four recent books on myth, like myth itself, range well beyond anthropology. One is a précis that defines myth as both ubiquitous and ultimately insoluble, regardless of one's disciplinary tools. It uses a single myth, that of Adonis, to show how interpretation can swing wildly from theory to theory. Giving us vertigo atop its intricate scaffolding of technical devices, a second book wrangles with creation myths as it ascends to a stellar interpretation of the biblical flood. The third and fourth books, with Job-like patience, take it upon themselves to thoroughly address all the points lightly aired in the first book. 相似文献
47.
Angela N. H. Creager 《Berichte zur Wissenschaftsgeschichte》2022,45(3):468-486
This essay considers the mid-twentieth century adoption of genetic explanations for three biological phenomena: nutritional adaptation, antibiotic resistance, and antibody production. This occurred at the same time as the hardening of the neo-Darwinian Synthesis in evolutionary theory. I argue that these concurrent changes reflect an ascendant narrative of genetic selfhood, which prioritized random hereditary variation and selection through competition, and marginalized physiological or environmental adaptation. This narrative was further reinforced by the Central Dogma of molecular biology and fit well with liberal political thought, with its focus on the autonomous individual. However, bringing biological findings into line with this narrative required modifying the notion of the gene to account for various kinds of non-Mendelian inheritance. Hans-Jörg Rheinberger's reflections on narrative and experiment are valuable in thinking about the friction between the postwar ideal of genetic selfhood and actual observations of how organisms adapt in response to the environment. 相似文献
48.
MARY-JEAN SUTTON LAWRENCE B. CONYERS SIMON PEARCE EMMA ST PIERRE DIANE NICHOLLS PITT 《Archaeology in Oceania》2020,55(2):118-128
In 2010, Elders from Mapoon watched “Time Team” and saw ground-penetrating radar (GPR) and other non-invasive scientific methods being used to identify cultural features on archaeological sites. This led Elders to express their desire for such techniques, particularly GPR, to be brought on country to assist with documenting and protecting cultural heritage sites. This paper explores how Mapoon families have employed these techniques in archaeological settings to reconnect and reimagine specific features in their cultural landscape, as well as to explore, create and renew narratives from their interpretations of the results from the project. We also investigate the nature of Traditional Owner interactions with these technologies in archaeological settings to understand their impact on how cultural identity and value are recreated and renewed, on “caring for country” programmes, and on modernising culturally appropriate forms of engagement with ancestors’ remains. We apply these findings to a discussion of how Mapoon people think about their cultural history, identity and connections to country, particularly in relation to mortuary practices and settlement patterns from pre-contact to the “mission time”. 相似文献
49.
ABSTRACT In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy. 相似文献
50.
Gonzalo Soltero 《International Journal of Cultural Policy》2016,22(2):181-199
In recent years, the boundaries of what is understood as cultural policy have been appraised and pushed. Ahearne proposed to study implicit cultural policy, which is not overt about its cultural objectives but has an impact upon culture, understood in a broader sense regarding systems of values and attitudes. Similarly, Bennett has advocated studying implicit cultural policy beyond governments, as in the case of the Catholic Church. How far can this broadening go? This paper will consider a transcultural and anonymous form of contemporary folklore, the crime urban legend, as the case study of authorless narratives that participate, among other factors, in the implicit cultural policy behind neopunitivism upon the consequences of its digital transit, which contributes to modifying different beliefs, attitudes and values on a given territory. 相似文献