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Oliver Tappe 《亚洲研究评论》2013,37(4):433-450
Contemporary Lao history and politics are characterised by an ambivalent ideological hybrid of cultural heritage protection and revolutionary glorification. Even though Buddhism and its related ritual practices appear to have regained considerable ground in official nation-building strategies, the “national liberation struggle” (Lao: kantosou kou xat) continues to constitute a key element of the national discourse as represented by official historiography and state iconography. In fact, the revival of royal-Buddhist images is linked to the “struggle”, since past kings of the Lao Buddhist kingdom of Lane Xang are at present re-interpreted as proto-national patriotic fighters on behalf of the so-called “Lao multi-ethnic people”.
This paper argues that the different aspects of official Lao history and memory politics are directed towards the twin goals of ideological nation building and the self-legitimisation of the present regime. Heroic kings such as Anouvong and Setthathilat are highlighted as ancestors of Kaysone Phomvihane and other revolutionaries of the twentieth century within a genealogy of national heroes. Besides discussing present historiographical narratives of the Lao “struggle”, this paper explores material and performative aspects of state commemoration, in particular with regard to national lieux de mémoire and public events. 相似文献
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Tuomas Tepora 《Scandinavian journal of history》2014,39(4):487-509
This article connects notions of collective memory to the notion of cultural memory. Special interest is given to the role of national myths and other cultural reservoirs in organizing Finnish collective memories during the period from the Civil War of 1918 until the beginning of the Second World War. First the author seeks to uncover the ways both sides of the conflict utilized cultural reservoirs in their memory cultures. Then the author looks into ways in which the Social Democrats especially tried in the late 1930s to transform divisive and even traumatic experiences resulting from the Civil War into socially productive narratives. The transformation of the memory of the internal and reciprocal violence into unifying self-sacrifices proved to be the most crucial act in Finnish memory culture during the first half of the 20th century. This interpretation dates the first acts of public reconciliation to the late 1930s, or the time before the Winter War. 相似文献
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唐宋徽州程灵洗的神话故事考 总被引：1，自引：0，他引：1
程灵洗信仰是由一组神话故事构成的,主要创作于唐宋时期。唐代的神话故事是以徽州的蛟斗事件为依据,以晋许逊的斩蜃故事为蓝本,以唐高宗的千年石刻和武周革命为背景综合创作而成。宋代的神话故事是对唐代的复述,但在细节表达上发生了一些变化,反映了南宋偏安江南的社会现状并受到当时社会流行的性命义理学说影响。 相似文献