Assessing a Decade of Kaş Underwater Archaeopark

Archaeological parks provide hypothetical reconstructions that allow the general public a better historical understanding. This paper presents the case of an underwater museum, Ka? Archaeopark, which incorporates interpretative reconstructions of the Uluburun shipwreck site and its cargo. The project emphasized three outcomes of the creation of an underwater museum: education through nautical archaeology training, recreational diving as a means to raise public awareness, and research through experimental archaeology projects. Overall, the Ka? Archaeopark has improved knowledge and awareness of heritage preservation in both the local and diving communities.     

身份认同与具身体验内在响应研究——以中国“同志”赴泰旅游为例

同性恋旅游正在成为一个全新的旅游细分市场,而身份认同作为中国“同志”在旅游过程中的自我认同和身份的确认,在旅游体验的获得上具有较为紧密的关联。身份认同与旅游具身体验的响应研究以中国“同志”赴泰旅游为例,通过16位中国“同志”旅游者五天四夜的赴泰旅游日记的撰写,并结合后续通过3位日记撰写受访者和6位赴泰旅游的受访者的深度访谈逐字稿进行访谈,探讨中国“同志”赴泰的身份认同与具身体验响应的内在关联研究。研究表明,中国“同志”赴泰旅游体验是实现身份认同和自我认同的具身性实践和反思,也是叙事性内容建构的过程,进而得出身份认同与旅游具身体验内在关联的叙事过程性空间模型。本研究将补足深化和拓宽亚洲“同志”的身份认同与具身体验的研究较少的现状,做了进一步的细分旅行者行为和心理的研究。     

1959年全国急性传染病学术会议的历史考察

1959年5月,为适应防疫的需要并迎接新中国成立10周年,中华人民共和国卫生部、中国人民解放军总后勤部卫生部和中华医学会在北京联合召开了全国急性传染病学术会议。会议贯彻中西医结合的卫生工作方针,结合时代发展需要,交流并总结了新中国成立以来医学界在防治急性传染病方面取得的成功经验,制定了8种急性传染病防治方案,对此后的传染病防治和研究起到了重要的推动作用。此次会议既为当代中国防疫史增添了浓墨重彩的一笔,同时也在我国医学发展史上具有重要意义。     

The Turtle Garden: Tan Kah Kee’s last spiritual world

Abstract

This paper explores the role of diasporic subjects in China’s heritage-making through a case study of the Turtle Garden built by Tan Kah Kee in Xiamen, China. Tan is the first person with Overseas Chinese background who built museums in the P.R. China and has been regarded as a symbol of Overseas Chinese patriotism. This paper argues that the Turtle Garden, conceptualised as a postcolonial ‘carnivalesque’ space, is more than a civic museum for public education. It reflects the owner’s highly complex and sometimes conflicting museum outlook embedded in his life experience as a migrant, his encounter with (British) colonialism in Malaya, and integrated with his desire and despair about the Chinese Communist Party’s nation-building project in the 1950s. Rather than a sign of devotion to the socialist motherland as simplistically depicted in China’s discourse, the garden symbolises Tan’s last ‘spiritual world’ where he simultaneously engaged with soul-searching as a returned Overseas Chinese and alternative diasporic imagining of Chinese identities and nation. It brings to light the value of heritage-making outside centralised heritage discourses, and offers an invaluable analytical lens to disentangle the contested and ever shifting relationship between diasporic subjects, cultural heritage and nation-(re)building in the Chinese context and beyond.     

中国博物馆大型原创性特展之展览策划——以南京博物院为例专访龚良院长

21世纪以来,中国博物馆的大型原创性特展工作呈现良好的发展态势。南京博物院龚良院长指出,大型原创性特展作为博物馆为公众提供更好的文化服务的文化产品,既能衡量博物馆的发展活力,也有利于博物馆的可持续发展。博物馆应根据自身的定位和特色完善藏品体系,从而确定展览主题,制订展览规划。高校应该围绕研究公众、服务公众调整博物馆学的课程设置。试行中的理事会制度将有助于推动博物馆为公众提供高品质的文化服务、满足公众更高的精神文化需求。南京博物院近年大力推行策展人制度,鼓励策划大型原创性特展,重视并强调展示文物之间的相互关系。2016年度举办的"法老·王"展是一次用低票价、非营利的方法,举办了一个不用财政资金、为公众提供优质服务的高品质展览,并将展览作为文化创意产品的有益尝试,将为中国博物馆界提供一个可复制的成功案例。     

New approaches to the study of tourist experiences in time and space

Nowadays, a growing number of researchers are investigating subjective attitudes of people toward their environment with ever-increasing spatial and temporal resolutions. It seems that researchers' interest in daily experiences is not merely a passing research fad, but rather that individuals in current societies find more interest in their own momentary experiences. They talk about their affective states, they spend considerable portions of their income on intangible experiences, and they instantly share personal ‘moments’ through various online social media platforms. These trends are even more apparent in the tourism and leisure industries which aim to generate positive experiences among individuals. This research note points out new directions in the exploration of experiences during tourism and leisure activities. It discusses a new relevant concept, subjective momentary experiences on one hand and presents novel methodological opportunities on the other. In order to portray these new trends, a case study that describes the episodic experiences of festival attendants in a high tempo-spatial resolution is presented.     

晚清民国博物馆理论补述

鸦片战争之后国门洞开,中西文化在不断碰撞中时时交流融汇,国人逐渐认识到陈列、展览、博物馆的实质内涵与功用所在,并有诸多实践.同时经过中外纵横考察与对比,学者开启了博物馆理论研究的先河,建构了博物馆学科及专业领域研究的理论框架,对博物馆的功能与作用、建设与管理、发展历史等作了见仁见智的研究.这其中除了张謇、蔡元培、陈端志...     

Museum salvage: A case study of Mesoamerican artifacts in museum collections and on the antiquities market

Abstract

Museum salvage refers to critical studies of museum collections with little or no provenience information that seek to glean useful archaeological information from these artifacts and examine the nature of their origins and possible connections to the illicit antiquities trade and the art market. Our case study focuses on artifacts from Mesoamerica and objects from the ancient capital of Teotihuacan in particular. We take a multi-scalar approach, including a quantitative analysis of Sotheby’s auction records for Mesoamerican items from 1966 to 2010, a survey of Teotihuacan attributed items in U.S. museums, and a more detailed examination of Teotihuacan-style artifacts in the Denver Museum of Nature & Science collections. The study tracks and attempts to explain diachronic patterns in the Mesoamerican antiquities trade, connections to museum collecting practices, and looting behavior. The study illustrates the potential benefits of museum salvage, while also revealing the clear limitations of research on poorly documented archaeological material.     

Vital Creativity: Exhibiting Beauty and Heritage in Material Culture

Museum exhibits are an important but often overlooked source of anthropological, folklore and decorative art analyses. Some exhibits are cross-cultural and focus on object types; others deal with the cultures of particular peoples. This review assesses two exhibit catalogues that deal with each of these two types: Gavin, Pierce, and Pleguezuelo's Cerámica y Cultura: The Story of Spanish and Mexican Mayólica deals with one art form and its development, and Griffith's Hecho a Mano: The Traditional Arts of Tucson's Mexican American Community documents the home arts of Mexican Americans in Tucson, Arizona during the 1990s.     

Out of the comfort zone: enhancing work-based learning about employability through student reflection on work placements

This paper examines the work-based learning about employability reported by 26 undergraduate Geography and Environmental Management students on part-time, unpaid work placements. The students' “reflective essays” emphasized their learning more in terms of emotional challenges than in terms of skills, as being pushed out of their “comfort zone” forced them to be more proactive, tackle unfamiliar activities and develop emotionally. This conceptualizes employability as more than skills and as integrative, reflective and adaptable. This also emphasizes that higher education institutions must support employability and work-based learning outside the academic zone and better integrate off-campus work-based learning with on-campus reflection.