A biomechanical study of activity patterns in a medieval human skeletal assemblage

Activity patterns in an assemblage of medieval skeletons from York, England, are investigated using analyses of biomechanical properties of the humeral diaphyses. Evidence is found for differences in activity patterns between males and females and between male layfolk and members of a male monastic community. Copyright © 1999 John Wiley & Sons, Ltd.     

Getting the punchline: deciphering anti-Jewish humour in Anglo-Norman England

The idea that laughter was impossible for medieval monks has been largely overturned in recent decades, but the paucity of sources and the cultural specificity of humour still makes understanding their sense of humour difficult. William of Malmesbury, a twelfth-century English Benedictine, nevertheless provides a rare glimpse of what made monks laugh in his collection of Marian miracles, the Miracula sanctae Mariae. Introducing one of his miracle stories as ‘a great joke that will have readers laughing out loud’, William gives us invaluable information about the way humour could infiltrate the most unlikely of genres, in this case one generally thought to be devotional and edificatory in nature. The story is also virulently anti-Jewish. By placing the joke in its historical context, exploring the themes of corruption, political weakness and interaction between Jews and Christians in twelfth-century England, we can understand what this joke meant and what it can in turn reveal about the world that produced it.     

Rewriting the founder: Werden on the Ruhr and the uses of hagiography

The rich hagiographical corpus, charters and privileges of the monastery of Werden on the Ruhr allow unparalleled access to its ninth-century history. This article focuses upon three ninth-century vitae of its founding saint which delineate both the transformations which Werden underwent in the course of the century and the ways in which the monastery attempted to respond and adapt to these changes. In so doing, it illuminates the role that saintly relics and hagiography could play in the formation of Christian communities both within and beyond cloister walls.     

Abbots and Aristocrats: Patronage,Art and Architecture at Hailes Abbey in the Late Middle Ages

This article focuses on the art and architecture of the Cistercian abbey of Hailes, home of a famous relic of the Holy Blood, in the two centuries before the Suppression. It is intended to be a contribution to evolving literature on late medieval monasticism, showing the enduring spiritual vitality and relevance of Hailes between the 14th and early 16th centuries. The article discusses the planning and architecture of the late medieval monastery, the extent of and motives for the internal and external patronage and the relationship of the monastery with its sister Cistercian houses, especially those in northern England.     

The regular canons and the liturgy of the Latin East

ABSTRACT

The present paper examines liturgical rites practised in the crusader states from the perspective of its agents, introducing the monastic and institutional framework in which the liturgy was commissioned and performed, that is, the history of canons regular in the Latin East. The first part identifies the normative basis of the Augustinian canons’ vita communis and looks into the relationship between the clerics’ monastic customs and their liturgical observances. The second part investigates how the canons’ spiritual ideals influenced particular components and features of their liturgy, focusing on the mimetic highlights of the church year and their importance for the way in which the canons strove to impersonate the Apostles and the primitive Christian community of Jerusalem.     

Hermits and hairshirts: the social meanings of saintly clothing in the vitae of Godric of Finchale and Wulfric of Haselbury

Solitary ascetics in the twelfth century were renowned for their ascetic practices, among them the wearing of hairshirts and loricae. These were not merely items of neutral ascetic value but could contain social symbolism. The varying possible social meanings of ascetic clothing are here explored particularly through a comparison of the Vitae of the two well known English holy men Wulfric of Haselbury and Godric of Finchale. The hagiographers of these holy solitaries used their ascetic clothing as one means of highlighting their subjects’ social roles throughout their lives, but it is also argued that the solitaries’ ascetic clothing was perceived during their own lives as marking their distinctive relationships with the world around them, and that these relationships were remembered through miracle stories.