现代性与社会政策改革——1890-1933年间德国社会政策探析

1890-1933年间德国社会政策的演进,正是以"制度化"与"民主化"为目标的现代性在"国家/社会"这一权力结构中的又一展演.这一发展实现了现代国家在统治模式上的"理性化",从而成为德国现代化的一次尝试.然而"现代性的病态"却注定了这种尝试以失败告终.德国社会政策改革的这一历史将成为学界反思现代性的又一途径.     

论颓废美的道德性——波德莱尔的文化道德观解读

颓废美以丑恶为美的原则不仅在美学上有别于传统的美学理念,在道德上也有悖于传统的道德观念。由颓废美表现出来的颓废道德观也很难为众人所接受。如果我们从文化道德的角度而不是从实践道德的方面去审视颓废美的道德性,就能发现其存在的真实性、丰富性和现代性的特性,颓废美的道德观因之而具有其存在的合理性。     

Bakhtin,Boredom, and the ‘Democratization of Skepticism’

This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours.     

Photography and Latin American Ruins

Ever since the nineteenth century photographers have regularly turned to Latin American ruins to express a diverse range of scientific, colonial, aesthetic and spiritual desires. This article looks at photographs of Latin American ruins from the nineteenth century through several archaeological expeditions in Central and South America over the course of the twentieth century. Focusing in particular on photographs of ruins that include human subjects, I argue that the human-material interactions evident in these images undermine the traditional view of a split between the archaeological subject and the material object, serving as a reminder of the political actuality of ‘classical’ ruins, sites that have sometimes been left out of the West’s contemporary fascination with the dark underbelly of modernity. Acknowledging that such politics is by no means always innocent, sometimes reflecting as it does the embedded power relations of neo-colonial desires, I argue nonetheless that ancient ruins in Latin America continue to be spaces around which social relations can be formed, not least through humour and pleasure.     

HISTORY AND ITS DEAD

Thomas Laqueur has brought together half a century of research on modern European mortuary culture into an impressive narrative of how the Christian churchyard was replaced by the modern cemetery, how interment was partly replaced by the technology of cremation, and how writing and preserving the names of the dead coincided with democratization and social reform. Beyond the grand narrative of the history of modern burial, he also shows how the modern culture of history and memory is intertwined with the transformation of mortuary practices. On a deeper level, he points toward new ways of conceptualizing the relation between the living and the dead, leading up toward, if not fully confronting, the challenge that propels his own endeavor, namely the existential‐ontological predicament of living after those who have been and the nature of spectrality.     

Indigenous Modernities: Missionary Photography and Photographic Gaps in Nauru

This essay examines a set of photographs created by Philip Delaporte, a German-American missionary working for the American Board of Commissioners for Foreign Missions on the island of Nauru in the early 20th century. At the time Nauru was a German colony, but the phosphate industry had brought a varied group of settlers and influences that added to a pre-existing series of inter-Pacific connections. The photographs were produced just prior to the full realization of the mining industry and the widespread ecological destruction it brought to the island. In many ways, Delaporte’s photographs are typical, recording the mission’s various projects and successes. However, Delaporte’s unique position as an ambiguous colonial figure on the eve of World War I, and Nauru’s own complex relationship with modernity, invite alternate readings of these images. Outside of Delaporte’s original intention, the photographs record other experiences: the workings of Indigenous modernity in the midst of a place increasingly subject to the inflows of global, colonial capital.     

Modernity as a “Rain of Words”: Tracing the Flows of “Rain” between Dalit Women and Intellectuals in Tamil Nadu

In this paper I investigate the ways in which modernity in contemporary Tamil Nadu may be understood as something other than a purely exclusionary category. I enquire into the flow of language, imagery, music, resonant phrases and film dialogues that has allowed the values of the Self Respect movement in Tamil Nadu to move as a “Rain of Words” across social divisions of class, gender and caste. Egalitarian humanism and rationalism are here treated as part of a modern “tradition”, allowing us, in the process, to redefine what “tradition” might mean. The central place and reverence accorded to intellectuals in Tamil modernity is explored in respect to political party workers, NGOs, parish priests, and social workers in rural areas. I bring together two aspects of Tamil politics normally treated as separate, or in tension with one another: the egalitarian rationalism of the Self Respect movement, and the cultivation of language for its affective and non-rational elements in the politics of language nationalism. Arguing that it is the latter that has allowed the former to circulate as effectively as it does, I focus on the fresh meanings given to these values by young Dalit girls from agricultural labouring communities, as well as girls in coastal fishing communities in Tamil Nadu.     

Hafted armatures and multi-component tool design at the Micoquian site of Inden-Altdorf,Germany

Excavation of the Micoquian site Inden-Altdorf (Weisweiler-124) near the former German capital Bonn in western Germany has revealed the first valid open-site habitation features with hut-like structures and associated hearths for the Middle Palaeolithic in Central Europe. It has been dated to the Eemian interglacial (OIS 5e), a warm interglacial between 128 and 115 ka BP. Various wear traces and especially organic residues have been detected on a large number of stone tools using microscopic use-wear analysis of lithics recovered from the site. A multi-level analysis developed through an experimental framework and archaeological study using optical light microscopes, scanning electron microscopes and energy-dispersive X-ray microprobes identified the adhering residues as birch pitch. Birch pitch is the oldest synthetically produced material and was used as an adhesive to attach lithic implements to wooden shafts. While such hafting technology is commonly associated with modern humans in the Upper Palaeolithic, the birch pitch residues found on the Micoquian tools of Inden-Altdorf suggest that hafting technologies and the frequent use of multi-component tools already existed in the Middle Palaeolithic, c. 120 ka BP in central Europe.     

Decadence as historical myth and cultural theory

This article traces the early history of the concept of European decadence with special emphasis on its manifestations in French literary production in the period between 1860 and 1900. It argues that decadence was not a historical reality, but a cultural myth, that gave expression to a new, specifically urban experience of modernity first thematized in Baudelaire's poetry and prose work. It further claims that this concept continues to have important contemporary relevance in the form of debates about the “second modernity” and the new “cosmopolitanism.”